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Topic: John Michael Hayes

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To Catch a Thief

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	TCU School of Music
		Hayes won the position of Second Trombone in 1982 with the Fort Worth Symphony Orchestra while completing his Bachelor of Music Degree in Trombone Performance at the University of Texas – Arlington.
		Hayes was promoted to the position of Assistant Principal Trombone, the position he holds with the FWSO today.
		Hayes received a personal leave of absence from the FWSO to earn a Masters of Music Degree in Trombone Performance from Northwestern University studying with the foremost brass instructors of the modern era.
	www.music.tcu.edu /faculty_m_hayes.asp (223 words)

	27157. Hayes, John Michael. The Columbia World of Quotations. 1996
		But let a diamond bracelet disappear in France and they shout John Robie, the Cat.
		John Michael Hayes (b.1919), U.S. screenwriter, and Alfred Hitchcock.
		John Robie (Cary Grant), To Catch a Thief, With a copycat at work on the Riviera, former jewel thief, John Robie explains his situation to British insurance agent, H.H. Hughson (John Williams).
	www.bartleby.com /66/57/27157.html (130 words)

	Cunningham, Winfield Scott
		Michael Hayes Brannigan Cunningham was born in Huntingdon County, Pennsylvania on April 11, 1842.
		John must have seen this as rather ironic, because he never acted on it and was disfellowshipped again as a brother at the 1857 Conference.
		Michael H.B. Cunningham was confined in the prisons at Tuscaloosa, Mobile, and Montgomery, Alabama and Macon, Georgia.
	www.monticellowi.com /RichlandCo/Ancestors/CunninghamJohn.htm (8829 words)

	John Michael Hayes Receives Highest Honor from Writers Guild of America
		John Michael Hayes was born on May 11, 1919, in Worcester, Massachusetts.
		It was during this period that Hayes met and courted Mildred Louise Hicks, a high-style fashion model, whose professional name was Mel Lawrence and whose beauty rivaled that of the most stunning leading ladies who would later appear in his films.
		What Hayes didn't know was that most of Levine's plans would never come to fruition, and many of the scripts he wrote for the company remained unproduced.
	stevenderosa.com /writingwithhitchcock/hayeslaurel.html (1447 words)

	The DVD Journal: Rear Window: Collector's Edition (Site not responding. Last check: 2007-10-20)
		Hayes was his man. The two artists got on so well that Hayes went on to write Hitchcock's next three movies.
		Hayes later said in Patrick McGilligan's book of screenwriter interviews Backstory 3 that he attributed Hitchcock's eventual disdain to the amount of attention Hayes was getting.
		Hayes, by the way, claims not to know anything about this possible foundation for the film, and says he based the Grace Kelly character partially on his wife, who had also been a fashion model.
	www.dvdjournal.com /reviews/r/rearwindow.shtml (2135 words)

	Compare Prices and Read Reviews on Writing With Hitchcock: The Collaboration of Alfred Hitchcock and John Michael Hayes ... (Site not responding. Last check: 2007-10-20)
		These went on to be the most popular movies that Hayes was ever involved in (he was unknown before and faded away afterward), as well as being some of Hitchcock’s most commercially successful.
		John Michael Hayes became a professor of film in New England and over the course of the first three movies the pair made together, he and Hitchcock became good friends.
		Hayes was also partly responsible for these and they were terrible.
	www.epinions.com /content_63081582212 (1286 words)

	John Cunningham His Son Michael Hayes Brannigan Cunningham (Site not responding. Last check: 2007-10-20)
		John Cunningham was born May 10, 1818 in Huntingdon County Pennsylvania, and after ten years worth of genealogical research the names of his parents have eluded the authors.
		John's brother-n-law Henry H. Deam and his wife Elizabeth Eddleman started attending meetings regularly and were baptized shortly after their marriage on September 22, 1836 (see bio written by William Henry Deam, son to Henry H. Deam, History of the Reorganized Church of Jesus Christ of Latter Day Saints, Volume 3, Chapter 38, pgs 732-734).
		John Cunningham was endowed a seventy on February 2, 1846 at the Nauvoo Temple.
	www.rootsweb.com /~pahuntin/john_cunningham.html (15686 words)

	From hitchhiker to Hitchcock
		Hayes' writing skills were recognized early, and he began contributing to his local newspaper while still in high school.
		Following a truck accident, Hayes was hospitalized for a year and a half with damage to his leg, as well as terrible arthritis.
		Initially, Hayes says, he was brought aboard to tinker with the plot while Hitchcock searched for a top-notch screenwriter to work on the final script.
	www.hollywoodreporter.com /thr/film/feature_display.jsp?vnu_content_id=2095667 (873 words)

	To Catch a Thief
		She thinks John is about to commit a heist, and wants to be included in his plans.
		John turns down both her proposal and her affections.
		This approach doesn't work too well against John, who takes his investigation matter seriously and never loses sight of the fact that he could go to jail if he doesn't find out soon who's impersonating him.
	www.geocities.com /moviecritic.geo/reviews/t/tocatch.html (587 words)

	Encyclopedia: John Michael Hayes
		To Catch a Thief is a movie made in 1955, and directed by Alfred Hitchcock, starring Cary Grant, Grace Kelly, Jessie Royce Landis and John Williams.
		The Trouble With Harry cover The Trouble With Harry is an American comedy film directed by Alfred Hitchcock, which was released on October 3, 1955 in the United States.
		Winter Kill is a 1974 U.S. made-for-tv movie directed by Judd Taylor and written John Michael Hayes and David Karp.
	www.nationmaster.com /encyclopedia/John-Michael-Hayes (392 words)

	REAR WINDOW scribe John Michael Hayes (Site not responding. Last check: 2007-10-20)
		John Michael Hayes' screenplay was based on Cornell Woolrich's original 1942 short story "It Had to Be Murder".
		Logan's treatment clearly laid the foundation for Hayes to build on, but it had several problems and lacked numerous elements that Hitchcock and Hayes would add to strengthen the story: story elements, richer characters, more conflict, and better visuals.
		Hayes constructed a convincing narrative with richly drawn characters and keenly raised the emotion and drama by injecting well placed conflict.
	www.screenwritersutopia.com /modules.php?name=Content&pa=showpage&pid=33 (1830 words)

	ABC.com: One Life To Live
		Michael finds John suffering from a hangover and wonders why he isn't going to attend Hayes' arraignment.
		John confesses to Michael that he almost killed Hayes.
		Michael convinces John to go to the courthouse with him.
	abc.go.com /daytime/onelifetolive/episodes/2005/20050808.html (166 words)

	Amazon.com: Books: Writing with Hitchcock : The Collaboration of Alfred Hitchcock and John Michael Hayes (Site not responding. Last check: 2007-10-20)
		Relying heavily on interviews with Hayes as well as on studio memos and production notes, DeRosa gives us not only an in-depth portrait of this working relationship but a comprehensive look at the industry in the late 1950s, when it was struggling to reassert itself after the emergence of television.
		Hitchcock was particularly productive during the 1950s, when he collaborated with the young John Michael Hayes on four films: the innovative (Rear Window), the witty (The Trouble with Harry), the stylish (To Catch a Thief), and the stodgy (the remake of The Man Who Knew Too Much).
		Hayes continued to work but eventually grew disenchanted with Hollywood; meanwhile, Hitchcock went on to direct three of his greatest films toward the end of the decade.
	www.amazon.com /exec/obidos/tg/detail/-/0571199909?v=glance (2156 words)

	John Michael Hayes
		“The four films that John Michael Hayes wrote for Hitchcock, were made during the richest and most complex period in the director's career.
		As Steven DeRosa writes, Hitchcock was most comfortable working with younger, untried writers to whom he could be a mentor; the films he made with Hayes are ample testimony to the success of that strategy.
		Steven DeRosa & John Michael Hayes, New Hampshire, 2001.
	stevenderosa.com /writingwithhitchcock/johnmichaelhayes.html (699 words)

	Film Freak Central Presents HITCH ON DISC (Site not responding. Last check: 2007-10-20)
		A lesser Hitchcock-Stewart-Hayes (John Michael Hayes, screenwriter) collaboration than their Rear Window, The Man Who Knew Too Much is the better looking and sounding DVD, despite the former's much ballyhooed restoration.
		Usual suspect Pat Hitchcock is all over these, yet screenwriter John Michael Hayes has gone AWOL after contributing chatty interviews to the Rear Window, The Man Who Knew Too Much, and The Trouble with Harry DVDs.
		The image is malnourished in the areas of definition and contrast, and the colours seem oversaturated to compensate for an abundance of seventies browns.
	www.filmfreakcentral.net /dvdreviews/hitchreviews.htm (1108 words)

	Writing with Hitchcock : The Collaboration of Alfred Hitchcock and John Michael Hayes (Site not responding. Last check: 2007-10-20)
		After indulging in much wine and food with the legendary director, the 33-year-old writer, who was just starting to earn his spurs as a film scenarist after a luminous period in radio, returned home and told his wife he was certain that Hitchcock would never hire him to collaborate with him on projects.
		Hayes believed he would not be hired since he frankly criticized some of Hitchcock's earlier films.
		Hayes, a native New Englander, and recently a screenwriting professor at Dartmouth, wrote four films for Hitch, including Rear Window, To Catch a Thief and The Man Who Knew Too Much.
	www.textkit.com /0_0571199909.html (679 words)

	'John michael' related links at Netseasons.com
		John Michael Lamb was the 87th death-row inmate executed this year, and the 587th since the Supreme Court upheld the death penalty in 1976.
		John Michael Montgomery settled into a groove early into his career, choosing to never push things too far.
		John Michael works in nineteenth and twentieth-century American literature, critical theory, and cultural studies.
	netseasons.com /?q=john-michael (1006 words)

	John Denvir: Ally McBeal and Michael Hayes
		Michael Hayes (played by former NYPD BLUE star David Caruso) is a working class kid who worked as a police officer while he attended night law school at St. John’s and now is Acting U.S. Attorney in the Southern District of New York.
		The first show shows him avenging the death of a young girl murdered by a mob boss; the second shows him starting a trial in which he will avenge the bombing of his boss, the suicide of a good friend, and the maiming of his girl friend.
		John Denvir, who teaches constitutional law at USF Law School, is editor of Legal Reelism: Movies as Legal Texts, available at local bookstores or through amazon.com.
	www.usfca.edu /pj/articles/mcbealnhayes.htm (569 words)

	Michael Hayes (Site not responding. Last check: 2007-10-20)
		His reserved, introspective Det. John Kelly was relaxed to the point of boredom, a sure insomnia cure.
		While Caruso's Hayes flashes a zeal which wins over victims and audiences, the writing pales in comparison to legal heavyweights such as "Law and Order" or "Homicide." Every wrong is righted in an hour, with little drama along the way.
		Unimaginative as it is, it's surprising that "Michael Hayes" is produced by Paul Haggis, whose last effort was the dark but powerful "EZ Streets." Some of that series' boldness meshed with Caruso's bravado would make "Michael Hayes" one to reckon with.
	www.sunnews.com /entertain/tuned98/tunedin040298.htm (194 words)

	"Michael Hayes" (1997) (Site not responding. Last check: 2007-10-20)
		Plot Summary: Michael Hayes is a tough but sensitive ex-cop who goes to work in the U.S. Attorney's office in New York City...
		It's unfortunate that again he found himself back in the same role again in Michael Hayes - essentially a lawyer version of John Kelly.
		The stories were reasonable throughout the series and again brought the NYPD Blue themes of tough justice - Hayes bringing regular large cases where he brought justice to wrong situations.
	us.imdb.com /Title?0118400 (340 words)

	Looking at Old Films with New Eyes: Interview with Steven DeRosa (Site not responding. Last check: 2007-10-20)
		To Alfred Hitchcock, the most enjoyable part of the filmmaking process was the time alone in the office with the screenwriter, when they plotted, invented, and devised new ways to thrill an audience.
		"To that point, there was little to nothing written about Hayes, or any of the screenwriters who worked with Hitchcock for that matter, and Hitchcock himself had only made dismissive comments about his writers, most notably during a series of interviews with the famous French film critic and director Francois Truffaut.
		This seemed evidence enough that Hayes was the right screenwriter to pursue.
	home.earthlink.net /~fmdscrittore/derosainterview.html (887 words)

	The Papers of John Michael Hayes in the Dartmouth College Library
		Born in Worcester, Massachusetts, in 1919, John Michael Hayes began his career as a writer of features for newspapers.
		Hayes currently resides in Hanover, New Hampshire, where he is involved in the Film Studies Program at Dartmouth College.
		Hayes in 1990, consist primarily of screenplays, scripts, correspondence, and clippings relating to the part of his career in Hollywood from 1952 to 1968.
	diglib.dartmouth.edu /library/ead/html/ms711.html (2037 words)

	One Guy's Opinion (Site not responding. Last check: 2007-10-20)
		The result, with its luscious colors, is visually entrancing, and the soundtrack has been digitally enhanced too, so that Franz Waxman's jazzy score makes an immediate impact.
		With its great script by John Michael Hayes (based on the fine story by Cornell Woolrich), its first-rate cast (Thelma Ritter's machine- gun delivery still works beautifully) and the director's unsurpassed gift for generating tension and suspense, "Rear Window" remains a winner all the way, an absolute joy for all its 112 minutes.
		And, especially in terms of the protagonist's obsessive behavior (marvelously catch by Stewart), savor the thematic connections the picture has with the later "Vertigo." "Rear Window" is one of those classic pieces of cinematic perfection in which new sources of amazement arise with each repeated viewing.
	www.oneguysopinion.com /review.asp?ID=12 (269 words)

	John Michael Hayes -- Facts, Info, and Encyclopedia article (Site not responding. Last check: 2007-10-20)
		John Michael Hayes (born May 11, 1919) an (A native or inhabitant of the United States) American (Someone who writes plays) playwright.
		Hayes was born in (Click link for more info and facts about Worcester, Massachusetts) Worcester, Massachusetts.
		He later taught at (A college in New Hampshire) Dartmouth College.
	www.absoluteastronomy.com /encyclopedia/J/Jo/John_Michael_Hayes.htm (70 words)

	Powell's Books - Writing with Hitchcock: The Collaboration of Alfred Hitchcock and John Michael Hayes by Steven Derosa
		The decision turned out to be a pivotal one, for the four films that Hitchcock made with Hayes over the next several years — Rear Window, To Catch a Thief, The Trouble with Harry, and The Man Who Knew Too Much —; represented an extraordinarily successful change of style.
		Screenwriter and film archivist DeRosa follows Hitchcock and Hayes through each film, from initial discussions to completed pictures, and reveals the personal side of the relationship between the two men.
		The Collaboration of Alfred Hitchcock and John Michael Hayes
	www.powells.com /cgi-bin/biblio?inkey=1-0571199909-2 (385 words)

	kamera.co.uk - feature item - Writing with Hitchcock: The Collaboration of Alfred Hitchcock and John Michael Hayes by ...
		Everyone's favourite rotund auteur was fond of describing his actors as 'cattle' and deflating their pretentions with a cry of 'It's only a movie!'.
		The thrust of DeRosa's argument is that Hayes' sterling work reinvigorated Hitchcock's ailing career (although one might uncharitably suggest that the pictures in question are far from Hitchcock's masterpieces, and that better work was to come).
		As a work of pure scholarship, no-one could doubt the research that's gone on here, and Hayes himself is quoted throughout; but while he comes across as being a thoroughly nice chap, none of his memories are particularly electrifying.
	www.kamera.co.uk /books/writing_with_hitchcock.html (515 words)

	The DVD Journal \| Quick Reviews: To Catch a Thief
		Adapted by John Michael Hayes from the novel by David Dodge, To Catch a Thief concerns American expatriate John Robie, a former circus acrobat who became a master jewel thief in France before World War II, but later joined the French Resistance and earned a parole for his wartime efforts.
		Posing as a lumber baron from Oregon, Robie intends to be nearby when the Stevens jewels are stolen — what he can't suspect is that the beautiful Frances knows a few things about Robie as well, and the thrill-seeking girl has set her own cat-trap.
		Foremost among these was scenarist John Michael Hayes, who wrote four films for Hitchcock and arguably provided the director with his wittiest dialogue — here, each scene crackles with lively ripostes and double-entendres.
	www.dvdjournal.com /quickreviews/t/tocatchathief.q.shtml (948 words)

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