| |
| | ENTC 311 - Critical Notes on Synge |
 | | Yet, in Synge's plays also, fantasy gives the form and not the thought, for the core is always, as in all great art, an overpowering vision of certain virtues, and our capacity for sharing in that vision is the measure of our delight. |
 | | Synge in 1898 was a dilettante, self-consciously cherishing his `impressions,' at his most imitative when he tried hardest to express his own reactions. |
 | | Synge therefore insisted that `the rollicking note is present in the Irish character--present to an extent some writers of the day do not seem to be aware of--and it demands, if we choose to deal with it, a free rollicking style.'. |
| metalab.unc.edu /sally/Synge.html (3488 words) |
|