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Topic: John Mitchell (composer)

	John Mitchell - Wikipedia, the free encyclopedia
		John Mitchell (United Mine Workers) (1870–1919), president of the United Mine Workers
		John Cameron Mitchell (born 1963), a filmmaker based in New York City
		John Mitchell (musician), guitarist with UK progressive rock band Kino.
	en.wikipedia.org /wiki/John_Mitchell (196 words)

	networked_performance: John D. Mitchell + ADaPT
		John D. Mitchell is a multi-disciplinary composer, educator and researcher committed to using technology for expanding sensory and creative experiences in the arts and education.
		At the Institute, Mitchell was instrumental in pioneering the development of the Intelligent Stage — both as a concept and a facility — where he continued to work for the next ten years as a composer, director and interactive media designer.
		Mitchell currently directs the graduate emphasis in Dance and Technology and teaches interdisciplinary media and telematics courses in the Department of Dance at Arizona State University.
	www.turbulence.org /blog/archives/000758.html (319 words)

	IDN Bands: John Mitchell
		American classical composer John Mitchell was born in Hollywood, California on April 26,1941, first son of John Stewart Mitchell, pianist and cousin of Canadian novelist W.O. Mitchell, and Hungarian-born singer Teresa Hideg Mitchell.
		Mitchell is a member of the American Guild of Organists, the American Music Center, and the Center for Promotion of Contemporary Composers.
		John Mitchell from Los Angeles is a composer writing in "traditional forms," as stated on his beautiful website.
	www.idnmusic.com /bands/john_mitchell.html (246 words)

	Reel.com: John Cameron Mitchell
		Mitchell has been quick to assert that the movie is different from the play — some features have been expanded, others have been curtailed.
		John Cameron Mitchell: Well, I was an actor, doing many things that were boring after a while, and I wanted to write something for myself — really just to write something and it was easier to cast myself — and I wanted it to be with a band.
		I met Stephen Trask, the composer, and he encouraged me to develop this character because he was working in a drag rock club in New York called Squeezebox where he could get me a gig.
	www.reel.com /reel.asp?node=features/interviews/mitchell (2766 words)

	John Mitchell, Composer - New Classical Music
		Skladatel John Mitchell, nová klasická hudba; biografie, soubor del, zvukové klipy, umelecká galerie.
		Sitio del compositor norteamericano contemporáneo de música clásica John Mitchell, con biografía, obras completas, y canciones sobre poemas de John Donne, William Blake, Emily Brontë, Federico García Lorca, Pablo Neruda, César Vallejo.
		Compositor clássico americano John Mitchell, com biografía, obras completas, e arranjos musicais da poesia de John Donne, William Blake, Emily Brontë, Federico García Lorca, Pablo Neruda, César Vallejo.
	www.abm-enterprises.net (438 words)

	USATODAY.com (Site not responding. Last check: 2007-10-20)
		The movie version of Hedwig, which was directed by Mitchell, won the audience award for drama and the directing prize at the 2000 Sundance Film Festival and was subsequently released to critical acclaim (the film is available on VHS and DVD December 11).
		John Cameron Mitchell: I'm working on a children's story for film that I would describe as a cross between Willy Wonka and Fanny and Alexander.
		John Cameron Mitchell: I was acting as a more normal actor in film and television and theater for about 15 years, and then got bored with speaking other peoples' words.
	cgi1.usatoday.com /mchat/20011211003/tscript.htm (1136 words)

	John Mitchell -
		John H. Mitchell American politician and senator from Oregon.
		John L. Mitchell, American politician and father of Gen. Billy Mitchell.
		John Matthew Mitchell, former Assistant Director-General, British Council.
	psychcentral.com /psypsych/John_Mitchell (193 words)

	Music Oven Network
		But contemporary classical composer John Mitchell has captured the great classical essence in modern time with his original composition for Violin, Cello, and Piano which has reached the top of several of the major internet music portals.
		John's musical influences are as dynamical as his music, ranging from Beethoven and Hindemith to The Who.
		John Mitchell is one of the many great independent composers that you can experience on the Music Oven Network.
	www.musicoven.com /Classical.htm (379 words)

	John Mitchell - US Composer (Site not responding. Last check: 2007-10-20)
		American classical composer John Mitchell was born in Hollywood, California on April 26,1941.
		In 1965, after Dr.Vincent lost his position to proponents of atonality there was no place at UCLA for a composer writing in traditional forms, and John Mitchell left, but he and Dr.Vincent remained close friends until Vincent's death in1974.
		Since 1962 Mitchell has been a church music director, organist, and opera coach.
	www.musiciansgallery.com /start/composers/mitchell(john).html (182 words)

	CD Baby: JOHN MITCHELL: Sheremetyev Ensemble - Mitchell in Moscow
		Upon listening to John Mitchell's Piano Quartet Op 27 (1), I was struck by the traditional classical approach.
		Much of what I hear in modern Classical music is somewhat unaccessable to average listeners due to the composer's use of unfamiliar meters, harmonies, and rhythms.
		Mitchell's work (Piano Quartet, Op.27) is hands down one of the best original compositions you'll find online anywhere: You won't find too much music on the net that matches the quality of this work, both in terms of compositional skill and performance wise.
	www.cdbaby.com /cd/jmitchell (809 words)

	CLASSICAL MUSIC ARCHIVES: John F. Mitchell
		American classical composer John Mitchell was born in Hollywood, California on April 26, 1941, first son of John Stewart Mitchell, pianist and cousin of Canadian novelist W.O. Mitchell, and Hungarian-born singer Teresa Hideg Mitchell.
		In 1965, after Dr. Vincent lost his position to proponents of atonality (no melodies or harmonies) there was no place at UCLA for a composer writing in traditional forms, and John Mitchell left, but he and Dr. Vincent remained close friends until Vincent's death in 1977.
		Note that this notice refers in particular to the score of the pieces and not to the media files themselves which are copyrighted by their respective creator at the moment of the performance - whether live or step-by-step or mixed.
	www.classicalarchives.com /inspire/mitchell.html (763 words)

	Bio for John Cameron Mitchell on MSN Movies
		When his father, a U.S. Army general, moved the family to Berlin, Mitchell's babysitter, a German army wife who was also a prostitute, became the visual model for Mitchell's later creation.
		Mitchell broke into the entertainment business in the mid-'80s, appearing on a variety of television shows and little-seen films.
		Mitchell's real screen breakthrough came courtesy of Hedwig and the Angry Inch; following its release, he began to receive attention from both critics and industry figures, many of whom wondered how Mitchell would choose to follow up such a unique and cult-inspiring directing debut.
	entertainment.msn.com /celebs/celeb.aspx?mp=b&c=360222 (279 words)

	Hedwig and the Angry Inch
		The stunningly androgynous Mitchell spins Hedwig's tale of two halves straining to become one with wit, intelligence and bawdy humor (after his botched op, Hedwig observes 'My first day as a woman and already it's that time of the month').
		Mitchell hasn't simply recorded his musical, but inventively places his camera and changes his locations (the play is smartly recalled when Hedwig's Kansas trailer wall drops down to transform into a stage for an Angry Inch performance).
		Mitchell and Trask have reinvented the movie musical and couple it with the underlying story of just whom Hedwig is and what she is looking for.
	www.reelingreviews.com /hedwigandtheangryinch.htm (1326 words)

	Baltimore City Paper: FILM With Hedwig's Buzz, John Cameron Mitchell's Having a Great Hair Day
		Although Angry Inch was "always geared towards a theater piece," Mitchell says, performing the nearly one-man show on stage gave him many ideas on how to translate the tale for the big screen, should he ever find himself in a position to do so.
		Mitchell is holed up in a hotel in Washington's Dupont Circle, the final stop on a promotional tour for Angry Inch.
		Mitchell experimented with bits and pieces of the Hedwig persona at Squeezebox, performing numbers written by Trask and backed by Cheater.
	www.citypaper.com /film/story.asp?id=4609 (810 words)

	Movies \| Screen test (Site not responding. Last check: 2007-10-20)
		The brainchild of actor John Cameron Mitchell and composer Stephen Trask, this 1997 Off Broadway hit draws on the Symposium and the Berlin Wall for its metaphor of souls that have been divided and are trying to reunite.
		For me, too, Mitchell is more affecting as a Dietrich-like chanteuse looking for love; as a rocker he’s just one more shouter.
		And if the connection she makes with the rock audience seems forced, the connection Mitchell makes with his audience is real.
	www.bostonphoenix.com /boston/movies/documents/01742136.htm (643 words)

	Alt.Culture.Guide Interview: John Mitchell (Site not responding. Last check: 2007-10-20)
		Mitchell also that, regardless of the packaging and the themes provided in the "comic book" liner notes, Pepper's Ghost is not actually a concept record.
		Mitchell also appears on another prominent prog-rock release with his other band Kino, which also includes members of other prominent prog-rock bands.
		In the end, further musical endeavors from John Mitchell will keep all the prog fans on their feet and knees when it comes to hearing more ear candy from Arena, Kino and the Urbane.
	www.mondogordo.com /int-7.html (2198 words)

	Vienna Online - Classical Surfing Music
		John also revealed his main influences to me: they span from Tschaikovsky's orchestrations to hard rock.
		Mitchell currently works on several very interesting projects which mostly involve composing songs using poetry of famous international authors.
		In addition to his composing John is also trying to find the time to work as a music director, organist, and vocal coach.
	www.viennaonline-ezine.com /csm (271 words)

	Hedwig and the Angry Inch - VHS, DVD : Info, Customer Reviews & Bargain Prices : Shopzilla
		Mitchell directs and stars in the riotous, loving, and only occasionally pathos-milking film adaptation of his own acclaimed Off Broadway play, with great up-your-ante music and lyrics by Stephen Trask.
		John Cameron Mitchell's glorious adaptation of his acclaimed Off-Broadway show might be a first.
		John Cameron Mitchell is the creator of the off-Broadway hit HEDWIG AND THE ANGRY INCH, which he and composer-lyricist Stephen Trask have transformed into a funny, dramatic, and curiously poignant self-described "post-punk neo-glam musical" film, with extra songs and a new instrumental score.
	www.shopzilla.com /9L_-_cat_id--5108__prod_id--6100816 (1242 words)

	Barnes & Noble.com - Hedwig and The Angry Inch -- John Cameron Mitchell - DVD - Wide Screen / Dolby 5.1 / ...
		John Cameron Mitchell's thundering, intelligent psycho-comic essay on the creation and deconstruction of a pop persona is the best transvestite rock opera this side of The Rocky Horror Picture Show.
		Based on Mitchell and Stephen Trask's Off-Broadway musical, the film is a reminiscence of the familial and sexual trauma that drove a young German boy to a sex-change operation gone horribly, hilariously wrong.
		Mitchell is as imperiously charismatic on the screen as he was on the stage....
	video.barnesandnoble.com /search/product.asp?ean=794043540127&pwb=1 (1173 words)

	Hedwig and the Angry Inch (2001): John Cameron Mitchell, Michael Pitt, Miriam Shor, Andrea Martin - PopMatters Film ...
		John Cameron Mitchell's Hedwig and the Angry Inch, the screen version of his and Stephen Trask's OBIE Award-winning stage musical of the same name, is a re-telling of the fairy tale Hansel and Gretel, in which the brother and sister are one and the same person.
		The implication is that the over-the-top antics of '70s glam-rock or of Hedwig today aren't all that different from the glam-ish grunge of Scott Wieland (during and after his stint with Stone Temple Pilots), the dark and obsessive mope-rock of Smashing Pumpkins or the testosterone frenzy of Limp Bizkit.
		Mitchell and composer/lyricist Stephen Trask have clearly been greatly influenced by the rock triumvirate of Reed, Pop, and Bowie invoked early in the film.
	www.popmatters.com /film/reviews/h/hedwig-and-the-angry-inch.shtml (1170 words)

	networked_performance: John Cage's 4'33" Revisited
		The BBC Symphony Orchestra gave a performance of composer John Cage's seminal piece 4'33", which does not contain a single note.
		Cage's reasoning for composing 4'33" was to demonstrate that "wherever we are what we hear mostly is noise".
		His estate won a bizarre copyright battle in 2002, when composer Mike Batt agreed to pay a six-figure sum to a charity because his album featured a tongue-in-cheek silent track which he credited as co-written by Cage.
	www.turbulence.org /blog/archives/000746.html (398 words)

	INTERVIEW: An Angry Inch Takes You A Mile; John Cameron Mitchell's "Hedwig" Rocks to the Big Screen
		The rock musical is a result of several years of collaboration between John Cameron Mitchell, the film's writer-director-star, and composer-lyricist Stephen Trask.
		In Hedwig, John Cameron Mitchell has created a character that is more than just a tragic figure, she appeals to universal themes of hope and the struggle for self-acceptance.
		She doesn't want to be what she is, but she comes to an understanding that what happened to her has actually made her whole." The complexity and humor of Hedwig's character was developed over a six-year period.
	www.indiewire.com /people/int_Mitchell_JohnC_010719.html (925 words)

	John Mitchell - N o W h e r e R a d i o . c o m
		John Mitchell - N o W h e r e R a d i o.
		No other contemporary composer's style is so fiercely independent, with influences ranging from Beethoven and Hindemith to hard rock, and poetic sources as diverse as Sylvia Plath and the ancient Tibetan Dzyan.
		You may not otherwise reproduce, distribute, publicly perform, publicly display, or create derivative works of this material, unless authorized by the appropriate copyright owner(s).
	www.nowhereradio.com /artists?aid=2066 (343 words)

	Talkin' Broadway Regional News & Reviews - "UNDER CONSTRUCTION: A Composer's Summit" in Dayton - 2/18/02
		In addition, two composers who have already impacted the future of musical theater today were on hand to share their insights and experiences: Michael John LaChiusa and Ricky Ian Gordon.
		However, when John Cameron Mitchell auditioned, the creative team realized that he was a perfect fit for the role and the scene was altered to feature two men.
		Both composers stated their belief that risk needs to be present to produce quality pieces.
	www.talkinbroadway.com /regional/cincy/cincy48.html (883 words)

	Hedwig and the Angry Inch (Site not responding. Last check: 2007-10-20)
		Mitchell, the writer-director, and composer-lyricist Stephen Trask have successfully expanded the play's themes and artistic energy into the cinematic realm through musical numbers, flashbacks and animation.
		Mitchell stars as Hedwig, whom we first meet as a drag queen from East Berlin with a Farrah Fawcett wig.
		The performances are on the money, especially Mitchell's Hedwig, a role he has perfected not only on stage but here at the Sundance Institute's Feature Film Labs.
	www.hollywoodreporter.com /thr/awards/sundance/reviews_display.jsp?vnu_content_id=793038 (641 words)

	Using Human Movement
		Computer scientist and dancer Robb Lovell and composer John Mitchell are conducting ongoing research into the possibility of the digitization of human movement in real-time in performance settings, and using this movement to control elements of a stage environment.
		John D. Mitchell is a composer and performer, concentrating on creating performance works with artists from diverse disciplines.
		Mitchell is also developing new computer-based teaching tools for the Department of Dance, both at Arizona State University.
	www.intelligentstage.com /papers/uhm/uhm2.html (10401 words)

	John Cameron Mitchell @ Filmbug
		Mitchell first created Hedwig along with composer/lyricist Stephen Trask.
		Mitchell is no stranger to the stage or to awards.
		Mitchell adapted and directed Tennessee Williams' Kingdom of Earth for New York's Drama Dept. Theatre Company of which he is a founding member.
	www.filmbug.com /db/342783 (268 words)

	[No title] (Site not responding. Last check: 2007-10-20)
		All events are held at St. Johnâs College, 60 College Avenue, Annapolis, and are free and open to the public unless otherwise noted.
		5: Mitchell Gallery: Opening reception and 30-minute family tour of âThe Art of Music from the Baltimore Museum of Artâ exhibition, followed by childrenâs workshop with art educator Lucinda Edinburg from 3:30 to 5 p.m.
		23: Mitchell Gallery: The community is welcome to the opening reception for âThe Community Art Exhibitionâ from 3 to 5 p.m.
	www.stjohnscollege.edu /asp/newsDetail.aspx?hid=245 (1155 words)

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