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| | Australian Theatre History. The Australian Performing Group at the Pram Factory |
 | | This view tends to treat the APG as a stepping stone, an interim cultural development, a necessary stage the Australian theatre had to pass through, as though we framed a transitional program aimed at bringing on a situation whereby Australian scripts would at long last feature in the repertoires state companies put to their subscribers. |
 | | The actor is at the heart of the theatrical equation, and actors gaining control over the tools of their trade was the order of the day. |
 | | Pramocracy, a position-paper by John Timlin, canters down the straight, but the full course requires a multitude of voices, possibly the witness of all who were APG collective members, plus any hired hand of the company who had the good, or bad fortune, to attend a Pram Factory meeting. |
| www.pramfactory.com /memoirsfolder/Romeril-John.html (9886 words) |
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