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	Wellesnet: French/Rosenbaum Interview 1
		JONATHAN ROSENBAUM: Well, he is. And although Oja authorized that version of DON QUIXOTE, she didn't see what they had done to it, until after it was finished.
		JONATHAN ROSENBAUM: I don't think so, but I'm not in communication with her, so I don't know what goes through her mind, or through Thomas White's mind, except for the things I hear them say don't suggest a close acquaintance with any of the issues about her father's work, or about any of the particulars.
		JONATHAN ROSENBAUM: I also noticed that Stanley Kauffman said the re-edited version is better, but he seemed to be under the impression that the only version available before this was the 93 minute release version.
	www.wellesnet.com /rosenbaum_interview.htm (11008 words)

	Johns Hopkins University Press \| Books \| Essential Cinema
		Rosenbaum, an enormously erudite and deeply reflective viewer unbeholden to academic norms and taboos, is ideally positioned to propose a canon of great works.
		Jonathan Rosenbaum's Essential Cinema performs both tasks brilliantly, at the same time giving us a bracing series of essays on the artistic, political, and entertainment value of individual films and film makers.
		Jonathan Rosenbaum is film critic for the Chicago Reader and the author or editor of fourteen books, including Movie Wars: How Hollywood and the Media Limit What Films We Can See, Movies as Politics, and Placing Movies: The Practice of Film Criticism.
	www.press.jhu.edu /books/title_pages/1534.html (903 words)

	Jonathan Rosenbaum (Site not responding. Last check: 2007-10-02)
		Rosenbaum is the author of many books on film, including "Film: The Front Line 1983" (1983), "Placing Movies: The Practice of Film Criticism" (1995), "Moving Places: A Life at the Movies" (reprint 1995), "Movies as Politics" (1997) and "Essential Cinema" (2004).
		As Jonathan Rosenbaum and Adrian Martin show in this wide-ranging look at World Cinema, directors like Abbas Kiarostami, Hou Hsiao-hsien, and Tsai Ming-liang are now making extraordinary films equal to the great classics, previously unrecognized works from the past are being discovered, and new boundaries for the genre are being explored.
		Jonathan Rosenbaum, longtime contributor to such publications as Film Quarterly, Sight and Sound, and The Village Voice, is arguably the most eloquent, insightful film critic writing in America today.
	www.jahsonic.com /Rosenbaum.html (642 words)

	Jonathan Rosenbaum
		Rosenbaum, que también colabora en otros medios, ha publicado varios libros sobre crítica de cine.
		Rosenbaum tuvo a su cargo la supervisión del proceso de reconstrucción de esta obra, siguiendo las indicaciones que el director había dejado para modificarla.
		Rosenbaum informó sobre las dificultades que tuvo Welles con los estudios Universal, que hizo el corte final de la película contra su voluntad.
	www.cineismo.com /reportaj/rosenbaum.htm (1751 words)

	kamera.co.uk - book review - Movie Mutations - The Changing Face of World Cinephilia by Jonathan Rosenbaum & Adrian ...
		Rosenbaum and Martin's premise is that film distribution, education and technology are prompting a new era of cinephilia.
		Rosenbaum wrote Movie Wars, that indignant critique of contemporary film distribution and criticism apathetic before a potpourri of international imagery.
		That indignation persists in Rosenbaum's angry account of Iranian director Jafar Panahi, caught up in post-9/11 paranoia and deported from America in chains while en route to film festivals set to honour him.
	www.kamera.co.uk /books/movie_mutations_the_changing_face_of_world_cinephilia.php (662 words)

	Movies as Politics -- Jonathan Rosenbaum
		Jonathan Rosenbaum is the film critic at the Chicago Reader and the author of several books on the cinema.
		"Rosenbaum is one of the few film reviewers with a deep understanding of film form, its sources in film history and theory, and even more its place as a twentieth-century art form.
		When Rosenbaum places films in a political context his approach is broad enough to avoid simplification.
	www.frontlist.com /detail/0520206150 (389 words)

	[ Nostalghia.com \| The Topics :: Roger Ebert and Jonathan Rosenbaum on Tarkovsky ]
		Since Roger Ebert appeared unwilling to comment further on his own Weinstein remark, we thought it reasonable to ask Jonathan Rosenbaum to comment on it instead.
		From: Jonathan Rosenbaum To: Nostalghia.com Subject: Tarkovsky/Weinstein Date: Wed, 22 Jan 2003 13:47:42 -0600 It's too bad.
		Furthermore, without suggesting any conspiracy theory, I don't think the fact that Disney produces Roger's TV show is entirely irrelevant to such a conclusion — especially because Miramax, owned by Disney, already determines which of the films it controls that Roger can review on the show by deciding what clips to make available.
	www.acs.ucalgary.ca /~tstronds/nostalghia.com/TheTopics/newsEbertRosenbaum.html (1342 words)

	Like Anna Karina's Sweater: On Jonathan Rosenbaum and Looney Tunes (Site not responding. Last check: 2007-10-02)
		For those who aren't familiar with him, Jonathan Rosenbaum has been a film critic for decades, and is considered by many (including Jean-Luc Godard) to be one of America's greatest film critics.
		Rosenbaum can be a bit of a conundrum sometimes though, as you say, he is always interesting to follow and I agree with many if not most films on his list of "recommended films".
		I agree that Rosenbaum tends to be comically over-loyal to pets like Dante (rather akin to Kael's DePalma crush), but--in the case of A.I--to suggest that he's going soft because he likes films Filmbrain hates strikes me as a flimsy basis for judgment.
	filmbrain.typepad.com /filmbrain/2004/07/on_jonathan_ros.html (2481 words)

	Jonathan Rosenbaum, The Essential Critic: Essential Cinema: On the Necessity of Film Canons by Jonathan Rosenbaum
		Jonathan Rosenbaum's Essential Cinema: On the Necessity of Film Canons (Baltimore and London: Johns Hopkins University, 2004), takes a canonical view of cinema, asserting the importance of canons or critically selected works as an imperative process towards a deeper understanding of the seventh art.
		Rosenbaum is effectively making a plea for internationalism, pointing out that America is becoming more nationalistic and that many of its intellectuals (film critics included) are going along for the ride in the nationalism rollercoaster driven by the media-industrial complex.
		Rosenbaum can be just as good a formalist critic as he is a journalistic one, as proven by his analysis of Robert Altman “Improvisations and Interactions in Altmanville”, surely a seminal text for anyone wishing to understand that director's aesthetics.
	www.sensesofcinema.com /contents/books/05/35/essential_cinema.html (1034 words)

	Rosenbaum%2C jonathan
		Jonathan specialises in painting birds, and has a partiular interest in the impact of the changing weather on the landscape and wildlife of Great Britain.
		Jonathan is the United States' prospect to become the fastest distance paddler in the world.
		Jonathan Rhodes is the UK's number one rising star of the film and theatre world.
	www.omniknow.com /common/wiki.php?in=en&term=Rosenbaum%2C_jonathan (967 words)

	Mehrnaz Saeed-Vafa and Jonathan Rosenbaum / Abbas Kiarostami (Site not responding. Last check: 2007-10-02)
		Mehrnaz Saeed-Vafa and Jonathan Rosenbaum / Abbas Kiarostami
		This penetrating study of the Iranian filmmaker Abbas Kiarostami's life and work engages a cross-cultural dialogue between Mehrnaz Saeed-Vafa, an Iranian filmmaker, and Jonathan Rosenbaum, a film critic, both of whom have an intense interest in Kiarostami's work.
		Jonathan Rosenbaum is a film critic for the Chicago Reader and the author of several books, including Movies as Politics, Greed, and Dead Man.
	www.press.uillinois.edu /s03/saeed_vafa.html (258 words)

	Movies as Politics
		In this new collection of reviews and essays, Jonathan Rosenbaum focuses on the political and social dynamics of the contemporary movie scene.
		Rosenbaum, widely regarded as the most gifted contemporary American commentator on the cinema, explores the many links between film and our ideological identities as individuals and as a society.
		Jonathan Rosenbaum is film critic at the Chicago Reader, author of Moving Places (1995) and Placing Movies (1995), both published by California, editor of This is Orson Welles (1993), and a member of the New York Film Festival selection committee.
	www.ucpress.edu /books/pages/6863.html (470 words)

	Jonathan Rosenbaum - Dead Man (Bfi Modern Classics Distributed for the British Film Institute) - Book
		Rosenbaum is, for my money, the best film critic out there.
		His original essay on "Dead Man" led me to take another look at the film, which has since become one of my all-time favorite movies.
		Rosenbaum mixes his own thoughtful analysis with excerpts from various interviews he conducted with Jarmusch to illuminate the many aspects of the film: from Neil Young's haunting soundtrack, to the role of tobacco, to its place in the acid western genre.
	www.bookcomplex.com /0851708064.html (316 words)

	Guardian Unlimited Arts \| \| Shanghai sweetheart
		Springtime in a Small Town was a moody Chinese masterpiece about an aristocratic family blown apart by adultery in the aftermath of war.
		Jonathan Rosenbaum feared the remake of one of his favourite films would simply rehash the original.
		If I had to pinpoint what makes so much of contemporary life intolerable, something I'd call remake mentality might head the top of the list.
	www.guardian.co.uk /arts/fridayreview/story/0,12102,970849,00.html (1199 words)

	.: : : majaNATION : : :.
		Jonathan placed 3rd in Illustration for the Smartwriters.com W.I.N. contest.
		Jonathan Designed and developed (from a php template) the SCBWI (Carolinas regional) site.
		If you would like to know more, feel free to contact Jonathan Rosenbaum at: jonathan@rosenbaumcreative.com.
	www.majanation.com (101 words)

	Jonathan Rosenbaum - Civilcinema
		Ninguno, en todo caso, tuvo más notoriedad que el norteamericano Jonathan Rosenbaum.
		Convertido a sus sesenta y tantos años en una suerte de gurú para varias generaciones de cinéfilos, Rosenbaum lleva tres décadas empeñado en una cruzada en pos de la difusión del cine realizado fuera de Hollywood y por el uso de la crítica como riguroso instrumento de análisis, y no como mera herramienta publicitaria.
		A lo largo de su carrera en diversos medios, Rosenbaum se ha hecho la fama -según algunos, mala fama- de celebrar a directores virtualmente desconocidos.
	www.civilcinema.cl /critica.cgi?c=72 (1420 words)

	Five critics dish over the year in film. By Roger Ebert, David Edelstein, Sarah Kerr, Jonathan Rosenbaum, and A.O. ... (Site not responding. Last check: 2007-10-02)
		Roger Ebert, David Edelstein, Sarah Kerr, Jonathan Rosenbaum, and A.O. Scott are film critics at, respectively, the Chicago Sun-Times, Slate, Vogue, the Chicago Reader, and the New York Times.
		You can read his reviews in "Reel Time" and in "Movies." He can be contacted at.
		Jonathan Rosenbaum is the film critic for the Chicago Reader.
	slate.msn.com /id/2060448 (727 words)

	Beatrice.com: Next Up, Elvis Mitchell & Andy Klein Discuss the New Jonathan Rosenbaum
		Let's see if things get as hot as they did during the movie club's year in review, in which Hoberman himself took part (along with Mahnolia Dargis and Sarah Kerr).
		And I'm not making it up about the new Jonathan Rosenbaum, at least not about the fact that one is coming.
		Look for the provocative Essential Cinema in April, and then spend until the summer solstice catching up with all the films his reviews will make you want to hunt down and watch for yourself.
	www.beatrice.com /archives/000067.html (214 words)

	H-Net Review: Peter C. Baldwin on Making a Life, Building a Community: A History of the ...
		Their carefully documented, clearly written study provides valuable information about the institutional history of Hartford's Jewish community, and is a useful reference for anyone studying this medium-sized New England city.
		However, the authors dispense with it in a few brief passages, preferring to devote most of their time to the individual histories of the Jewish synagogues and organizations that arose in the suburbs.
		Dalin and Rosenbaum have produced an important addition to the limited historiography of Hartford, a detailed and scrupulously documented work which far surpasses the previous study by Morris Silverman.
	www.h-net.msu.edu /reviews/showrev.cgi?path=10219885574838 (681 words)

	Tribal Trouble - by Jonathan Rosenbaum (Site not responding. Last check: 2007-10-02)
		Written by that paper’s film critic, Jonathan Rosenbaum, the piece later appeared in
		Past member of the New York Film Festival selection committee, Rosenbaum has published several books on movie related subjects.
		For more by Jonathan Rosenbaum, visit the On Film section of the Reader web site.
	members.cruzio.com /%7Eakreyche/ttrbl.html (1346 words)

	DVDBeaver.com - Jonathan Rosenbaum's Alternate AFI Top 100 American Films
		Jonathan Rosenbaum's Alternate AFI Top 100 American Films (in alphabetical order)
		Jonathan Rosensbaum is a film critic for the Chicago reader and has written numerous books regarding film.
		He feels the current AFI listing is "symptomatic of an increasingly dumbed-down film culture that continues to outflank our shrinking expectations".
	www.dvdbeaver.com /film/Misc/rosen-100.htm (98 words)

	Powell's Books - Dead man by
		But with its dark and unconventional treatment of violence, racism, and capitalism, the film may be Jim Jarmusch's finest work to date.
		Jonathan Rosenbaum views Dead Man as both a quantum leap and a logical next step in Jarmusch's career, and as a film that speaks powerfully to present-day concerns.
		Starring Johnny Depp and Gary Farmer, and with startling cameos by Robert Mitchum, John Hurt, and Iggy Pop, Dead Man is by turns shocking, comic, and deeply moving.
	www.powells.com /cgi-bin/biblio?inkey=17-0851708064-0 (393 words)

	Lexikon der Filmkritiker: Jonathan Rosenbaum
		Jonathan Rosenbaum ist der Kritiker des Chicago Reader, einer Zeitung, die ihm so gut wie alle Freiheiten der Welt lässt, hat aber auch Texte in der Village Voice, in Sight and Sound
		Sein Vater arbeitete für diese Kette und Rosenbaum verbrachte einen nicht geringen Teil seiner Kindheit in den fünfziger Jahren - im Kino, und zwar, ohne Eintritt zahlen zu müssen.
		Von 1969 bis 1977 lebte Rosenbaum in London und Paris.
	www.jump-cut.de /kritiker-rosenbaum.html (663 words)

	Combustible Celluloid: Great Film Books - Movie Wars: How Hollywood and the Media Conspire to Limit What Films We Can ...
		Jonathan Rosenbaum's "Movie Wars: How Hollywood and the Media Conspire to Limit What Films We Can See" (A Cappella Books, $24, Hardcover) is bound to reach only a small audience of devoted cultists, but it's an eye-opener nonetheless.
		In a series of essays, on topics ranging from the American Film Institute's Top 100 list to the reception of Joe Dante's Small Soldiers, Rosenbaum -- one of America's great film critics -- dissects the film business and the values of the American public with an acute eye.
		He deconstructs the giant distribution company Miramax and explores the recent resurgence of interest in Orson Welles.
	www.combustiblecelluloid.com /books/moviewars.shtml (316 words)

	Independent Publishers Group
		“Jonathan Rosenbaum is the best film critic in the United States—indeed, he’s one of the best writers on film of any kind in the history of the medium.” —James Naremore, author of Acting in the Cinema
		“Rosenbaum's journalistic style makes this animated treatise accessible to film buffs who want to know more about how movies get made, while his sound arguments make it a good bet for academic readers as well.” —Publishers Weekly
		Jonathan Rosenbaum is a film critic for the Chicago Reader and is the author of Moving Places, Placing Movies, Movies as Politics, and Dead Man. He is a frequent contributor to Film Comment and Cin+aste.
	www.ipgbook.com /showbook.cfm?bookid=1556524544&userid=86611066 (376 words)

	Movie Mutations -- The Changing Face of World Cinephilia -- Jonathan Rosenbaum Adrian Martin
		Preface -- Jonathan Rosenbaum and Adrian Martin
		By Jonathan Rosenbaum, Adrian Martin, Kent Jones, Alexander Howarth, Nicole Brenez and Raymond Bellour (1997)
		This excellent collection is a genuine breath of fresh air for those interested in what is going on in film beyond the hills of Hollywood.
	www.frontlist.com /detail/0851709842 (481 words)

	Antonioni 2004: Lo Sguardo di Michelangelo
		I wait in silence for the gift of his gaze.
		© Jonathan Rosenbaum, Erica Antonioni and Rouge 2004.
		Cannot be reprinted without permission of the authors and editors of Rouge.
	www.rouge.com.au /4/antonioni.html (537 words)

	Buy.com - Movie Wars: How Hollywood and the Media Limit What Movies We Can See : Jonathan Rosenbaum : ISBN 1556524544 (Site not responding. Last check: 2007-10-02)
		Using examples ranging from the "New York Times"'s coverage of the Cannes film festival to the anticommercial practices of Orson Welles, Movie Wars details the workings of the powerful forces that are in the process of ruining our precious cinematic culture and heritage, and the counterforces that have begun to fight back.
		In this argument, author Jonathan Rosenbaum asserts that film studios, critics, and advertisers have formed a cartel that controls the types of films that are made and released to the public.
		Feeling that the vast selection of American movies lacks diversity, he reasons that movie-goers have no control over which types of movies they watch.
	www.buy.com /prod/Movie_Wars__How_Hollywood_and_the_Media_Limit_What_Movies_We_Can_See/q/loc/106/30939699.html (336 words)

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