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| | 'Amadeus,' Directed by Forman |
 | | On film, the core of this extraordinary drama continues to be the paradox represented by Antonio Salieri who, as court composer to Joseph II, the Holy Roman Emperor, was Mozart's most ferocious adversary as well as the only person in Vienna to comprehend the magnificence of Mozart's gifts. |
 | | Most of the other performances are good, especially those of Jeffrey Jones, as the Emperor, and Roy Dotrice, as Mozart's exacting father, the ''Commendatore'' to his profligate son. |
 | | They include ''The Marriage of Figaro,'' about which the Emperor complains that ''there are too many notes,'' ''The Abduction From the Seraglio'' and ''The Magic Flute,'' and, in one of the film's most imaginative, most hallucinatory sequences, a parody version of ''Don Giovanni,'' whose obscenities, of course, delight the now ailing Mozart. |
| www.nytimes.com /1984/09/19/arts/amadeus-oscars.html (1111 words) |
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