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Topic: Josquin Des Prez

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	HOASM: Josquin Des Pres
		It seems however certain that Josquin passed several years in the service of the Sforza's, until 1477 in Milan, and as a companion of Cardinal Ascanio when the latter was exiled from the city.
		Two notarial acts testify to Josquin's presence in Aix-en-Provence in 1477, where he was a singer in the service of Rend of Anjou, the titular King of Sicily.
		The aspect of Josquin's art that fostered such a furor among his contemporaries was its remarkable expressivity: to a far greater extent than anyone before him Josquin attempted to convey the meanings of the words he set.
	www.hoasm.org /IVA/DesPrez.html (456 words)

	Josquin Desprez (Site not responding. Last check: )
		In April of 1505, at the duke's death, Josquin became provost of the collegiate church of Notre Dame in Conde.
		Josquin Desprez was the greatest composer of the Renaissance period.
		Josquin was a highly acclaimed individual during his time and since then his music has helped pave the way for music as it is known today.
	www.vanderbilt.edu /htdocs/Blair/Courses/MUSL242/josqui~1.htm (865 words)

	Josquin des Prez Biography \| Encyclopedia of World Biography
		The birth date and birthplace of Josquin des Prez are unknown, and until recently even the spelling of his name was conjectural.
		Josquin's death date is inscribed in a 17th-century volume of Flemish grave inscriptions.
		Josquin's reputation was unequaled in the early 16th century, and he was considered the composer of the "Ars perfecta" or perfect art, to which nothing could be added or taken away.
	www.bookrags.com /biography/josquin-des-prez (1631 words)

	The Josquin des Pres Biography Page on Classic Cat
		Josquin was born in the area controlled by the Dukes of Burgundy, and was possibly born either in Hainaut (modern-day Belgium), or immediately across the border in modern-day France, since several times in his life he was classified legally as a Frenchman (for instance, when he made his will).
		Josquin was long mistaken for a man with a similar name, Josquin de Kessalia, born around the year 1440, who sang in Milan from 1459 to 1474, dying in 1498.
		Josquin's fame was overshadowed by Palestrina and his school until the 20th century, but his reputation has grown steadily for the last hundred years, and Josquin's music is often sung and recorded today.
	www.classiccat.net /pres_j_de/biography.htm (1173 words)

	Josquin Des Prez
		In Rome Des Préz lived until the death of his protector in 1484, and it was there that many of his works were written.
		To Des Préz and his pupils Arcadelt, Mouton and others, much that is characteristic in modern music owes its rise, particularly in their influence upon Italian developments under Palestrina.
		In his lifetime Des Préz was honored as an eminent composer, and the musicians of the 16th century are loud in his praise.
	www.nndb.com /people/611/000093332 (481 words)

	Josquin Des Prez: Nymphes des boys
		Josquin Desprez, auch des Prés, des Prez, gewöhnlich nur mit dem Vornamen Josquin genannt, wurde um 1440 geboren, vielleicht Beaurevoir (bei St-Quentin).
		Josquin soll diese Chanson auf Wuusch Ludwigs geschrieben haben, der seinen Ehrgeiz darein setzte, einmal mit Josquin und seinen Kollegen zusammen etwas zu singen.
		Josquin ist der berühmteste Meister der Zeit um 1500, der die franko-flämische Schule zur epochalen Geltung bringt.
	www.drmk.ch /werke/wdesprez.html (1121 words)

	- Classical Music Dictionary - Free MP3 (Site not responding. Last check: )
		Josquin Desprez is born circa 1440 and died Condé-sur-l'Escaut, 27 August 1521.
		Josquin's works gradually became known throughout western Europe and were regarded as models by many composers and theorists.
		His last great masses, notably the Missa de beata virgine and the Missa "Pange lingua" were preceded by works in which every resource is deployed with bravura.
	www.karadar.it /Dictionary/desprez.html (646 words)

	Josquin des Prez
		As a result, Josquin was thought to have been an adult in 1459 prompting an estimate of 1440 as his birth.
		Josquin des Prez was one of the few composers to enjoy renowned fame.
		Josquin achieves variance in the speed of the melody by increasing and decreasing note durations in proportions.
	www.stevenestrella.com /composers/composerfiles/josquin1521.html (1274 words)

	Josquin des Prez - Wikipedia, the free encyclopedia
		During the 16th century, Josquin gradually acquired the reputation as the greatest composer of the age, possessing a mastery of technique and expression universally to be imitated and admired.
		Josquin wrote both sacred and secular music, and in all the significant vocal forms of the age, including masses, motets, chansons, and frottole.
		Josquin went directly from Ferrara to his home region of Condé, southeast of Lille on the present-day border between Belgium and France, becoming provost of the collegiate church of Notre-Dame on May 3, 1504, a large musical establishment that he headed for the rest of his life.
	en.wikipedia.org /wiki/Josquin_Des_Prez (2673 words)

	JOSQUIN DES PREZ, Biography, Discography
		Josquin was apparently born in the Duchy of Burgundy, in modern Belgium.
		Josquin's extended sojourns in Italy allowed him not only to spread the Northern polyphonic style there, but to pick up some of the Southern vitality noticeable in many of his secular works.
		Josquin's masses include not only cantus firmus masses, such as the widely reknowned "Missa Pange Lingua," but also "parody" masses in which entire contrapuntal complexes are borrowed from an earlier source.
	www.goldbergweb.com /en/history/composers/11264.php (512 words)

	What’s in a name? Or rather what’s in a first name without a last name or with two last names or three? The main ...
		The biography of Josquin des Prez stands and occasionally falls on names and the annoying habit the creators of the historical and musical records of the 15th and 16th centuries had of referring to individuals only by their first names, or by the first names with a generic place of origin (‘de francia’, etc.).
		It was discovered that Josquin des Prez was a singer in the chapel of René of Anjou in Aix-en-Provence in 1477-78.
		That Josquin is called a cleric of Cambrai in those documents along with Kellman’s findings substantiated the ‘Picardy’ often given as the composer’s place of origin, although the exact place of birth could not be pinned down, and also seemed to reinforce the connection of the Milanese ‘Joschino di Picardia" and Josquin des Prez.
	sophia.smith.edu /~rsherr/introbio.htm (2030 words)

	From Blume’s chapter in the Josquin Proceedings
		According to Glarean, Josquin is violently impetuous, he lacks ‘gravitas’, but this is because he is not educated and does not know how to moderate his passions and he is to be forgiven this fault because of his music.
		Josquin also is contentious as evidenced by the Missa de Beata Virgine; we are told later how he and Antoine Brumel both composed Glorias de Beata Virgine (Glarean does not in fact say that it was the entire Mass), in a musical rivalry which Josquin wins.
		Josquin can survive a redefinition of his canon, as he can survive the re-evaluation of the assumption of his absolute preeminence that is long overdue, just as we will survive the fact that 20 years of his early career have suddenly disappeared from under our very noses (see chapters 000 of this Companion).
	sophia.smith.edu /~rsherr/josintro.htm (3474 words)

	Josquin Des Prez: Biography, Articles
		Josquin was born probably in France, since just before he died he declared that he was a foreigner in Conde, stating that he was from over the Eau Noire, which formed the southern border between Hainaut and France.
		Josquin birth date is estimated to the 1450's [2], since it appears that the Josquin mentioned as an adult in the service of Duke Galeazzo Maria Sforza in 1459 is a different person, for his family name in Latin is Kessalia, and he is the son of Honodius [3].
		Zarlino in the Supplimenti Musicali of 1588 recognized the "Josquino" of the sonnet as Josquin des Prez.
	www.geocities.com /Vienna/Choir/4792 (6832 words)

	Josquin Des PREZ Missa Fortuna Desperata; [GH]: Classical Reviews- August 2001 MusicWeb(UK) (Site not responding. Last check: )
		There are recordings of Josquin with a larger choir, for example Westminster Cathedral on Hyperion singing the 'Missa Pange lingua' (CDA 66614) or 'A sei voce' performing the 'Missa Gaudeamus' (Auvidis E 8612).
		Josquin was only a nipper when these frescoes were painted but he must certainly have seen them when he sang in the papal chapel in Rome in the mid-1480s.
		Josquin shows his remarkable skill at Cantus firmus technique and one may say love of the melody in the many and varied ways in which he uses it.
	www.musicweb.uk.net /classrev/2001/Aug01/JosquinGAU.htm (841 words)

	Josquin Conference: Statement of Purpose (Site not responding. Last check: )
		Josquin des Prez is generally regarded as the most important composer of the Renaissance.
		Josquin thus appears as a stranger in his own world; the musical culture that transmitted his legacy and memory is implicitly held up to standards of philological rigor and historical accuracy which it would not have been capable of attaining even if the need for it had been perceived.
		Josquin scholarship is not committed to these latter paradigms for lack of workable alternatives, nor have proposals to explore such alternatives been lacking in recent years.
	www.princeton.edu /~rwegman/statement.html (2475 words)

	[No title]
		Josquin may have served in the church of Saint Quentin as a young boy.
		At approximately 1475, Josquin was basically known to be in Aix-en-Provence.
		Josquin composed the Misricordias Domine foe the health of Lois XI.
	www.gpc.edu /~fountai7/JosquindesPrez..doc (645 words)

	Josquin Desprez
		Josquin's works gradually became known throughout western Europe and were regarded as models by many composers and theorists.
		Josquin was the greatest composer of the high Renaissance, the most varied in invention and the most profound in expression.
		Probably the most important composer before the second half of the 16th century, Josquin is especially noted for the expressive nature of his music, a trait that broke with the medieval tradition of more abstract music.
	w3.rz-berlin.mpg.de /cmp/josquin.html (794 words)

	No. 1166: Josquin Desprez
		We know Josquin was born in the northern part of France around 1440.
		That rough date comes from the 1459 records of a Milan cathedral which identify him as "Jodocho de frantia biscantori." "Jodocho de frantia" was an Italian version of his name.
		Much of what we know about Josquin's life is spelled out that way in his music.
	www.uh.edu /engines/epi1166.htm (522 words)

	Josquin des Prez
		As a result, Josquin was thought to have been an adult in 1459 prompting an estimate of 1440 as his birth.
		Josquin des Prez was one of the few composers to enjoy renowned fame.
		Josquin achieves variance in the speed of the melody by increasing and decreasing note durations in proportions.
	stevenestrella.com /composers/composerfiles/josquin1521.html (1274 words)

	Josquin des Prez and Lutoslawski
		In this context questions arise about possible differences between the relationships of Josquin des Prez to Hercules, and Lutoslawski to Sacher; these issues are independent of stylistic differences related to the distinct musical periods and languages.
		Josquin was appointed as maestro di capella in April 1505.
		Josquin used the available pitches in the most simple and obvious way by presenting the cantus firmus in a range of a perfect fourth (without register changes of individual notes) and in equal rhythmic values.
	www.usc.edu /go/polish_music/harley/tess.html (2184 words)

	Josquin des Prez and his contemporaries (Site not responding. Last check: )
		Josquin is one of those composers like Lalande (or De la Lande, Delalande) whose name we're never sure how to spell.
		Should it be Josquin Desprez, Josquin des Prez or Josquin des Prés.
		Scholarship has revealed that much music ascribed to Josquin was in fact by other composers using his name and fame.
	www.hyperion-records.co.uk /details/67183.asp (222 words)

	Sleeve Notes - Josquin des Prez and his contemporaries (Site not responding. Last check: )
		Though it is ascribed to Josquin in two of its three sources, none of these antedates the 1530s, and its full, sumptuous texture, lacking the clearly sectionalised musical architecture generally associated with Josquin, could support a date not much earlier than its first surviving copy.
		Its credentials before that time seemed impeccable: ascribed to Josquin, it was showcased as the first piece in Ott's collection of motets, Novum et insigne opus musicum, published in 1537-8, and, with its brilliant construction around two canons at the fifth, seemed every inch the expression of the better-known composer's legendary contrapuntal brilliance.
		The four-voice De profundis has conflicting attributions to Josquin and 'Champion', presumably one of the brothers Jacques and Nicolas Champion who were employed in the Hapsburg Imperial Chapel in the first third of the sixteenth century.
	www.hyperion-records.co.uk /notes/67183.html (1143 words)

	Talk:Josquin des Prez - Wikipedia, the free encyclopedia
		Josquin des Prez is related to WikiProject Composers which has been provided as a place for editors of biographical articles of Music Composers and Songwriters to discuss common issues, discover neglected composer articles and exchange ideas.
		I think there's no question Josquin's fame has steadily risen since 1908, especially versus Palestrina (think of the parallel example of Telemann and Bach--the Telemann article used to be longer than the Bach article in turn of the century encyclopedias, and now the reverse is the case).
		Josquin Desprez and Josquin des Prez seem to be the most common (the 2001 Grove has the latter; the 1980 Grove the former).
	en.wikipedia.org /wiki/Talk:Josquin_des_Prez (734 words)

	San Francisco Bach Choir: Josquin des Pres
		Josquin des Pres was without a doubt the most versatile and gifted composer of the mid-Renaissance.
		He was a Frenchman who, like most composers at the time, spent much of his life in Italy working for different patrons.
		He is credited with having explored all contemporary techniques and having brought some of them, such as the technique of imitation and the cantus firmus to new heights.
	www.sfbach.org /repertoire/josquinp.html (92 words)

	Malaspina Great Books - Josquin des Prez (1440-1521)
		Josquin Des Prez (diminutive of "Joseph"; latinized Josquinus Pratensis) was born probably c.
		Josquin's fame was overshadowed by Palestrina and his school, and the subsequent change in taste caused his works to be neglected and finally forgotten.
		Josquin wrote thirty-two masses,; seventeen of which were printed by Petrucci (1466-1539) in Fossombrone and Venice.
	www.malaspina.org /home.asp?topic=./search/details&lastpage=./search/results&ID=957 (758 words)

	Famous Belgians - Josquin des Prez
		After Galeazzo's death in 1476, Josquin joined the entourage of the Duke's brother, Cardinal Ascanio Sforza, with whom he remained probably until September 1486, when he became a papal singer in Rome.
		After a period in France (1501) and then in Italy (1503-04) at the court of Ferrara, Josquin returned to Hainaut in May 1504, where he served as provost of the local church at Conde until his death.
		Josquin's mastery of every important musical genre of his time is evidenced by his surviving works, which include 19 masses, about 100 motets, some 70 French chansons, and a handful of instrumental pieces and Italian frottole (part songs).
	www.famousbelgians.net /prez.htm (348 words)

	Josquin Desprez - A discography
		Josquin's stylistic progression can be perceived first in a reduction of melismatic phrases and ornately spun lines to a more succinct and syllabic style built around canonic technique, and second in a more sophisticated deployment of this technique such that its structural implications are not particularly evident to the listener.
		Josquin's subsequent reputation rests both on his response to text and his development of pervasive imitation as a technique for straightforward settings able to support larger structures, leading to the sixteenth century codifications of harmony by Zarlino et al.
		Josquin Desprez: Missa "Hercules Dux Ferrariae" - Johannes Ockeghem Missa "Prolationum"
	www.medieval.org /emfaq/composers/josquin.html (6273 words)

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