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| | Julio Sosa |
 | | Afterwards, due to his early death, it was attempted with him a repetition of Gardels myth, but Sosa was not Gardel, the extroversion and the lack of tenderness of his voice drew him apart of the paradigm of the tango singer. |
 | | Under the name Julio María Sosa Venturini, he was born in the locality of Las Piedras, department of Canelones, Uruguay, on 2 February 1926, to the married couple formed by Luciano Sosa, a rural laborer, and Ana María Venturini, a washer-woman. |
 | | That confrontation with the "Nueva Ola" was represented to perfection on the scene he played for the film Buenas noches, Buenos Aires (1964), where with Beba Bidart he sang and danced "El firulete", in front of some young twisters who finally switched to the cortes and quebradas. |
| www.todotango.com /english/creadores/jsosa.html (1073 words) |
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