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Symphony No. 41 in C major, K. 551, ("Jupiter") |
 | | Apart from these details of labeling, this final symphony of Mozart's, together with the two that immediately preceded it, were the collective subject of one of the most touching and longest-enduring of the several romanticized myths associated with this composer. |
 | | He did create his three final symphonies as a set, as indicated by the conspicuous contrasts from one to the next in terms of character and instrumentation, and he accomplished the performance of all three in less than two months, while at the same time producing a few other works in different forms. |
 | | The "Jupiter" would have been the least likely of the three works to be presented in either of those concerts, for the orchestra included the celebrated clarinetists Anton Stadler (for whom Mozart composed several certifiable masterworks (the "Kegelstatt" Trio, the Clarinet Quintet, and the last of his concertos for any instrument) and his brother Johann. |
| kennedy-center.org /calendar/index.cfm?fuseaction=composition&composition_id=3187 (1138 words) |
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