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| | Jurassic Park | Movie Review | Entertainment Weekly |
 | | Created through a blend of computer-generated animation and electronically controlled models, they are so marvelous, and Spielberg choreographs their scenes with such wit, tension, and verve, that it's easy to overlook the film's obvious weaknesses: a plot that's at once busy and thin, characters you like without caring about, a coy layer of blockbuster self-consciousness. |
 | | The worst thing about it is that the very idea of Jurassic Park, a place where eye-popping wonders are served up as a megabuck attraction, seems an obvious yet pointless metaphor for the commercialization of Steven Spielberg's empire. |
 | | Jurassic Park has some of that scattershot, impersonal approach Neill sports an Indy Jones hat but barely registers as a hero yet the film is held together by the authentic wonder we feel in the presence of its splendiferous creatures. |
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