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| | MTO 2.6: Walker, A Defense of Just Intonation |
 | | ABSTRACT: Just intonation is commonly dismissed as an impractical, utopian system which could not have had any role to play in the performance of Renaissance vocal polyphony. |
 | | Roger Wibberley, posting to mto-talk, 21 Aug 1996 "Re: Wibberley, MTO 2.5"; the issue of just intonation in Renaissance polyphony was one of the topics of the mto-talk discussion that followed the publication of Wibberley's article "Josquin's Ave Maria: Musica Ficta versus mode" in MTO 2.5. |
 | | The New Grove entry on Just Intonation, by Mark Lindley, is conceptually skewed in just this manner: from half-way through the first paragraph, to the end of its two-page spread, keyboard instruments are the sole subject matter (with a passing reference to the guitar, another fixed-pitch instrument). |
| mto.societymusictheory.org /issues/mto.96.2.6/mto.96.2.6.walker.html (5440 words) |
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