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Topic: Kallidaikurichi Vedanta Bhagavatar

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Kallidaikurichi Vedanta Bhagavatar

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	Obituary - Mahadeva Bhagavatar
		ABOUT US Mahadeva Bhagavatar was a soft colossus in the realm of Carnatic Music, a devoted disciple of the Dikshita Parampara and a forgotten factor.
		Mahadeva Bhagavatar was one of the triumvirate (along with Anantakrishna Iyer and Sundaram Iyer) who transcribed several rare compositions of Dikshitar, from the cadjan-leaf treasure belonging to Ambi Dikshitar in 1935.
		This perhaps was the salient contribution of Mahadeva Bhagavatar to posterity.
	carnatica.net /nvr/mahadevabhagavatar-obit.htm (0 words)

	Chembai Vaidyanatha Bhagavatar - The Legend (Site not responding. Last check: )
		Ananta Bhagavatar's wife Parvati Ammal gave birth to Vaidyanatha Bhagavatar in September 1896, and younger brother Subrahmaniam was born a couple of years later.
		Vaidyanatha Bhagavatar was born into a family of musicians and as a child was brought up in an ambience favourable to the development of musical instincts.
		Vaidyanatha Bhagavatars busy schedule, and the fact many of his concert engagements were in Madras and other places reached easier from the city, persuaded him to shift his headquarters from Chembai to Madras in 1945.
	www.rasikas.org /chembai/chembaiearlylife.html (5465 words)

	Papanasam Sivan - Inspirations And Expressions
		Mahadeva Bhagavatar's eldest son who was called Bhairaviccamy gave a brilliant rendition of "ninnu sevinchina..." in Yadhukulakambodi.
		Muthiah Bhagavatar was a devotee of Subrahmanya and therefore reveled in a discourse of "VaLLi KalyANam".
		Among the vocalists were Iyer, Kallidaikurichi Vedanta Bhagavatar and among the violinists, Govindaswamy Pillai, Shyamala Iyer.
	www.sawf.org /newedit/edit10152001/musicarts1.asp (0 words)

	The Hindu : Dedicated to Dikshitar
		KALLIDAIKURICHI MAHADEVA Bhagavatar was a Srividya Upasaka hailing from the Paramapara of Sri Bhaskara Rayar.
		He was a prime disciple of Vedanta Bhagavatar, with whom his Gurukulavasam extended to 18 years.
		Bhagavatar had also taught special Ragam, Tanam, Pallavis to many young aspirants.
	www.hindu.com /fr/2004/03/19/stories/2004031901590400.htm (356 words)

	SRUTI-India's premier music and dance magazine (Site not responding. Last check: )
		Bhagavatar spoke freely of his life as a musician and as a prime disciple of Sangeeta Kalanidhi Kallidaikurichi Vedanta Bhagavatar, under whom he had gurukulavasam for 18 years.
		It is not that Bhagavatar did not know compositions of other vaggeyakara-s; initially he had learnt a number of Tyagaraja kriti-s, but from 1934 he concentrated on Dikshitar's works.
		Bhagavatar was an extremely independent man. He never liked to be a burden to anyone.
	www.sruti.com /April04/nnote4.html (856 words)

	KERALA RECIPIES, KERALA DISHES, KERALA CURRIES, Kerala RECIPES, KERALA DISHS, RECIPE KERALA, RECIPES KERALA, Inidan ... (Site not responding. Last check: )
		To those assembled there to hear the young Bhagavatar sing, it soon became clear that his fame in due course was going to spread beyond their district.
		Chembai Vaidyanatha Bhagavatar was born in the village of Chembai in Palakkad on September 14, 1896 to Ananta Bhagavatar and Parvathy Ammal.
		After the formal initial training got from his father, this exposure to the styles of the established practitioners was to prove to be a major influence on the young Vaidyanathan, still in his formative period.
	kerals.com /Kerala/news/article.php?story=20050310072232952 (3058 words)

	Tamilnadu's Contribution to Carnatic Music - A Bird's Eye-view (by B.M. Sundaram)
		Krishna Bhagavatar (1851-1903) of Tanjavar, who was guided by Morganakar Ram Chandra Bawa, was the pioneer in performing Harikatha in Tamil and propagating it.
		Maha Vaidyanatha Iyer and Palakkad Anantharama Bhagavatar may be cited in this context.
		Similarly some who started their careers as concert musicians, switched over to Harikatha, like Harikesanallur Muthiah Bhagavatar (who is claimed by Rarnataka as its own) and Chitrakevi Sivaramakrishna Bhagavatar.
	tamilelibrary.org /teli/tnmusic1.html (5055 words)

	The Hindu : Music Season / Focus : Of concerts, critics and compositions
		Some time in the 1940s my mother once complimented Mahadevan on an excellent neraval he was humming, and was told that the source of that was Sri Ramalinga Bhagavatar, brother of the legendary Sri Vedanta Bhagavatar of Kallidaikurichi, sometime president of the Music Academy.
		A few years later, after Sri Ramalinga Bhagavatar had been persuaded to camp at our house until the family picked up a sizeable number of kritis from him, Flute Mali dropped in at our residence in Calcutta.
		Hearing my mother sing `Entarani' (to the violin accompaniment of my sister), which she had heard Mahadevan hum earlier, Mali wished to know where she had learnt that...
	www.hindu.com /ms/2006/12/01/stories/2006120100190600.htm (737 words)

	[No title]
		KALLIDAIKURICHI MAHADEVA Bhagavatar was a Srividya Upasaka hailing from the Paramapara of Sri Bhaskara Rayar.
		He was a prime disciple of Vedanta Bhagavatar, with whom his Gurukulavasam extended to 18 years.
		Mahadeva Bhagavatar had taught Dikshitar compostions to several prominent musical personalities like Justice T. Venkatarama Iyer, T. Balasaraswathi, V. Srivatsa, Vedavalli, Sarojini Kumaraswamy, N. Ramanathan, Prameela Gurumurthy and several others including his son M. Balakrishnan and daughter-in-law Kala Balakrishnan.
	www.hinduonnet.com /thehindu/thscrip/print.pl?file=2004031901590400.htm&date=2004/03/19/&prd=fr& (337 words)

	Balasubramaniam G N
		Born at Kallidaikurichi, Tirunelveli district, Vedanta Bhagavatar had the advantage of spending his formative years in an atmosphere where linguists, composers and musicians abounded.
		He came back to Kallidaikurichi at the age of twenty-one and settled down as a Kalakshepam artiste though he had given concerts too.
		His rich, resonant voice with its magnificent volume and pleasing sound and its capacity to negotiate the higher octave with remarkable ease was his asset.
	www.carnatica.net /artiste/vedantabhagavatar.htm (85 words)

	Kerala History (Site not responding. Last check: )
		Anantarama Bhagavatar was born on October 27, 1867 in Tondikulam agraharam in Palakkad, as the second son of Krishna Sastri, a pauranika.
		He took over as the Principal of the Swati Tirunal Academy of Music in 1941 on the retirement of Muthiah Bhagavatar and he was to hold that office with singular distinction till his retirement in 1963, barring a stint as Chief Producer at All India Radio, Madras from 1957 to 60.
		He continued the work started by Muthiah Bhagavatar of editing and publishing the compositions of Swati Tirunal, by refurbishing the authentic texts and setting them to their original ragas which were published together with his notations.
	www.keralahistory.ac.in /socialhistoryofmusic.htm (14874 words)

	Biography of Dikshitar
		This was founded by Kallidaikurichi A.Anantakrishna Iyer a disciple of Ambi Dikshitar the great grandson of Dikshitar.
		Kallidaikurichi Mahadeva Bhagavatar derives his repertoire from his guru Vedanta Bhagavatar and also from Shri.Ambi Dikshitar.Some of his masterpieces include the narayani and saraswati manohari kritis
		Smt.Kalpakam Swaminathan the veena virtuoso derives her repertoire chiefly from Kallidaikurichi A AnanthaKrishna Iyer.Authenticity is her hallmark and her rendition on the Abhayamba vibhakti kritis stand testimony to her vidwat.She was called 'DikshitariNi' by none other than Musiri Subramanya Iyer.
	vidwat.8k.com /resomain.html (353 words)

	Royal Carpet: Carnatic Music Sangeeta Kalanidhis
		There were 3 presidents the first year, and T.S. Sabesa Iyer became president again in 1934.
		Technically, Mazhavarayanendal Subbarama Bhagavatar received the award for the first time in 1942 but the Academy decided all the previous presidents would also be considered awardees from then on (3 of the previous presidents were already deceased).
		The award is given by election, though earlier it was an electoral college.
	www.karnatik.com /sk.shtml (0 words)

	Interview
		Kallidaikurichi Mahadeva Bhagavatar - torch bearer of the Kallidaikurichi school of the Dikshitar parampara, a student of Vedanta Bhagavatar and Ambi Dikshitar.
		KMB:(with a smile) O That story...I shall tell you..It was in the 1930's.AnantaKrishna Iyer was studying under Ambi Dikshitar at Ettayapuram.His brother-in-law was Vedanta Bhagavatar,my guru.Infact he had even met Subbrama Dikshitar in Ettayapuram through Sattanur Panju Iyer or someone.
		So we had copies of around 470 odd kritis.One copy with me the disciple of Vedanta Bhagavatar,one with AnantaKrishna Iyer and one with Sundaram Iyer.
	www.vidwat.8k.com /kmb.html (384 words)

	Articles Area
		The name of Anayampatti Subba Iyer (1881-1961) became a synonym for jalatarangam.
		Perur Subrahmania Dikshitar and Alathur Venkatesa Iyer were outstanding harmonium vidwans, who played nothing but Camatic music on the keyboard instrument.
		Equal credit is due to the composers of stage music also.
	tamilelibrary.org /articoli-32.html (0 words)

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