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Topic: Kano Eitoku

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	Kano Eitoku (Site not responding. Last check: 2007-09-17)
		'''Kano Eitoku''' (&29417;&37326; &27704;&24499; Kan&333; Eitoku, February 16, 1543 - October 12, 1590) was a Japanese painter and founder of the Kano school of Japanese-style painting during the Azuchi-Momoyama period of Japanese history.
		Born in Kyoto, Eitoku's grandfather Kano Motonobu was an official painter for the Ashikaga Shogunate.
		The painter Hasegawa Tohaku was a contemporary and rival of Eitoku.
	kano-eitoku.iqnaut.net (198 words)

	KANO, family or school of Japanese painters. The Columbia Encyclopedia: Sixth Edition. 2000 (Site not responding. Last check: 2007-09-17)
		Kano Masanobu, c.1434–c.1530, the forerunner of the school, was attached to the shogun Yoshimasa’s court.
		Kano Eitoku, 1543–90, grandson of Motonobu, painted screens with landscapes and figures and decorated the interiors of the royal palaces.
		Kano Tanyu, 1602–74, first known as Morinobu, was the grandson of Eitoku and was called the reviver of the Kano school.
	www.bartleby.com /aol/65/ka/Kano-fam.html (286 words)

	Kano - HighBeam Encyclopedia (Site not responding. Last check: 2007-09-17)
		Kano Masanobu, c.1434-c.1530, the forerunner of the school, was attached to the shogun Yoshimasa's court.
		Kano Eitoku, 1543-90, grandson of Motonobu, painted screens with landscapes and figures and decorated the interiors of the royal palaces.
		Kano Tanyu, 1602-74, first known as Morinobu, was the grandson of Eitoku and was called the reviver of the Kano school.
	www.encyclopedia.com /doc/1E1-kano-fam.html (453 words)

	Dragon's Dojo : Literature : A Walk Through Kano Eitoku's Work (Site not responding. Last check: 2007-09-17)
		Eitoku was a child prodigy that was expected to be a great artist at an early age.
		Overall, Kano Eitoku's works seems to evoke a sense of peace and tranquility in contrast to the turbulent era they were painted in.
		Eitoku's style is very much representative of Japanese tradition and after exposure to it, the viewer's mind is more open to new ideas and techniques.
	members.aol.com /honooryu23/literature/kano.html (1055 words)

	[No title]
		Although Kano Motonob founded the school, it was his grandson, Kano Eitoku, who was responsible for making it as mainstream and famous as it became.
		Eitoku is most famous for the personalize style that became a signature for his work, which is best depicted in the set of 16 fusuma panels at the Jukoin of Daitokuji entitled, Landscape with Flowers and Birds.
		Eitoku utilizes a cursive mode of painting (sotai) with coarse and rapid brushstrokes which create variations in the tone of the ink making stark contrasts in darks and lights over the entire piece.
	www.stolaf.edu /courses/2004sem2/Art/260/Michael/secondpage.html (793 words)

	Samurai Sworsd of Japan - Notable Samurai Warriors in History -3
		Eitoku was the son of Kano Shôei (1514-1562) and carried on the Kano school of painting as established by Kano Masanobu (1434-1530).
		Eitoku was likely tutored at a young age by his talented grandfather Motonobu (1476-1559), who introduced him to shôgun Ashikaga Yoshiteru in 1552.
		Eitoku died suddenly in 1590 and his unfinished projects were completed by his son Mitsunobu.
	japanesesamuraiswords.com /samurai-swords-japan-3.htm (294 words)

	Kano Eitoku - Risultati della ricerca - MSN Encarta
		Kano Eitoku (Tembun 1543 - Kyoto 1590), pittore giapponese del periodo Azuchi-Momoyama (1568-1600).
		Un ruolo centrale nella pittura dell’epoca Momoyama fu rivestito dalla scuola Kano; tra le figure più importanti spicca Kano Eitoku, autore di...
		Kano Città della Nigeria settentrionale, capitale dell'omonimo stato federato.
	it.encarta.msn.com /Kano_Eitoku.html (62 words)

	Kano Eitoku
		Kano Eitoku (1543-1590) was a Japanese painter and founder of the Kano school[?] of Japanese-style painting[?] during the Azuchi-Momoyama period of Japanese history.
		Under his grandfather's guidance, he started to paint at an early age developing upon his grandfather's style which had influence from Chinese-style painting[?].
		Unfortunately, most of his works were ruined or destroyed in the turmoil of the Sengoku period, however those that do still exist provide testimony to his talent, power and wealth of his patrons Nobunaga and Hideyoshi, and magnificence of Azuchi-Momoyama culture[?].
	www.ebroadcast.com.au /lookup/encyclopedia/ka/Kano_Eitoku.html (160 words)

	YourSourceInJapan.com - Hanging Scroll Paintings - Japanese Scroll Paintings - Scroll History (Site not responding. Last check: 2007-09-17)
		The Kano school was initiated by the layman painter Kano Masanobu (1434-1530) and continued by his son Kano Motonobu (1476-1559).
		Kano Eitoku (1543-1590) was commissioned by Nobunaga to decorate Azuchi Castle near Lake Biwa and by Hideyoshi to decorate Jurakudai Palace believed to be the first painter to have introduced the dramatic use of fields of gold leaf in large mural compositions.
		By the time that Eitoku's grandson Kano Tan'Yu (1602-1674) was active, the Kano school was firmly established as the painting academy of the Tokugawa shogunate (1603-1867).
	www.yoursourceinjapan.com /history.htm (2654 words)

	artnet.com: Resource Library: Kano: (8) Kano Sanraku (Site not responding. Last check: 2007-09-17)
		Apprentice and adopted son of (5) Kano Eitoku.
		Eitoku and Sanraku evidently developed a close working relationship: when Eitoku fell ill in 1588 while restoring the dragon painting on the ceiling of the main hall of the Tofukuji in Kyoto, he left the completion of the project to Sanraku, whose immense dragon (l.
		Although the main Kano workshop had moved to the new capital at Edo (now Tokyo), Sanraku remained in Kyoto, where he established the Kyo Kano studio, but he continued to be patronized by the military hierarchy in Edo, especially the second Tokugawa shogun, Tokugawa Hidetada (1579–1632).
	www.artnet.com /library/04/0457/T045720.asp (516 words)

	The Kano School of Painting \| Special Topics Page \| Timeline of Art History \| The Metropolitan Museum of Art (Site not responding. Last check: 2007-09-17)
		By expanding the repertoire of the Kano artists to include boldly rendered brushwork and bright colors, Masanobu's son Kano Motonobu (1476–1559) widened the school's appeal and devised a style that merged the ink and brushwork emphasized in Chinese paintings with the decorativeness, color, and pattern associated with
		Kano Sanraku (1559–1635), one of Eitoku's adopted sons, in his turn added a greater sense of elegance and decorativeness to Eitoku's style, capturing current interest in sophistication and sumptuousness.
		The Kano school style was transmitted even more widely by artists who were trained by Kano painters but not officially connected with family studios, and by rival artists imitating their style to suit patrons' demands.
	www.metmuseum.org /toah/hd/kano/hd_kano.htm (707 words)

	CMA Asian Odyssey : Birds, Trees, and Flowers
		The staging of this narrative amid skillfully placed landscape plateaus in a receding picture plane is enhanced both by the attractive palette given to small birds and luxurious flora and by the finely honed assem-blage of ink tones and brushstrokes.
		Kano Shøei may confidently be assigned authorship of the right-hand screen.
		Since the Kano studio produced large numbers of this type of bird-and-flower painting at the end of the sixteenth century, a highly suitable match by two painters could be achieved, one that has endured to the present.
	www.clevelandart.org /educef/asianodyssey/html/1948_128_2.html (522 words)

	secondtry.html (Site not responding. Last check: 2007-09-17)
		A member of the famous Kano School of Art started by his grandfather Kano Motonobu, Eitoku was a skilled artisan who by his early twenties was being commissioned by the daimyos of Japan.
		The style used in the panels was quite different from past versions of fusuma paintings because Eitoku decided to dispense with the common vertical motifs such as thick tree trunks in the corners of the room that emphasized the columns.
		In these open areas; Eitoku dispersed smaller motifs of animals and nature with minimal amounts of gold dust in open areas to aid in the aesthetic which matched the rest of the room.
	www.stolaf.edu /courses/2004sem2/Art/260/Michael/index.html (464 words)

	Terukazi - Chapter 7: The Golden Age of Mural Painting (16th and 17th Centuries) (Site not responding. Last check: 2007-09-17)
		With his strong sense of realism, Eitoku was led to dispose palaces and monuments with the precision of a cartographer, while each quarter is animated by lively scenes evoking the different occupations and popular festivals.
		For four years Eitoku supervised the decoration of this castle of a new type, dominated by a high turret of seven storeys, which symbolized the advent of a new era.
		As compared however with the vigorous linework of Eitoku and other artists of his generation, Sanraku's painting is distinguished by a greater finesse in the handling of the brush.
	kaladarshan.arthist.arts.ohio-state.edu /studypages/internal/japan682/CH7.htm (6475 words)

	Kano [Japan] Art Style Information at Buy Art
		Kano is another of the traditional Japanese styles of painting, founded by the painter Kano Masanobu [1434-1530].
		The greatest artist of the school was Kano Eitoku, who added a vividly colorful palette to the style and the use of gold gilt.
		Eitoku was Masanobu's grandson and his art decorated the walls of the royal palaces.
	www.buy-original-art.com /styles/kano_japan.htm (461 words)

	artnet.com: Resource Library: Kano: (5) Kano Eitoku (Site not responding. Last check: 2007-09-17)
		Having received his early training from his grandfather, (2) Kano Motonobu, he is said to have shown extraordinary artistic talent as a child, and by his early 20s he had established himself as the leading painter of Kyoto.
		According to Kano Eino (1631–97), the author of the Honcho gashi (History of Japanese painting’; 1693), Eitoku developed this taiga style because the increasing demand for his work meant that he had no time for meticulous brushwork, and he began to use a coarse brush of straw for his ink painting.
		Eitoku is best known for his screen-and-wall paintings in vivid colours and gold leaf (kinpeki shohekiga), but he also worked in a saiga (‘small’ or ‘elaborate painting’) style.
	www.artnet.com /library/04/0457/T045711.asp (412 words)

	Biografia de Familia Kano (Site not responding. Last check: 2007-09-17)
		Kano Massanobu (?, 1434-?, 1530) fue el fundador de la escuela y fue el primer pintor laico que practicó la aguada monocroma; no se conserva ninguno de sus originales.
		Kano Eitoku (prefectura de Yamashiro, 1543-Kyoto, 1590), hijo del anterior, es notable por sus pinturas detallistas sobre fondo dorado.
		Kano Sanraku, seudónimo de Kano Mitsuyori (Omi, 1559-Kyoto, 1635), hijo adoptivo y discípulo de Kano Eitoku, fue autor de numerosas pinturas sobre biombos, caracterizadas por unos espléndidos efectos cromáticos y por una elegante descripción caligráfica.
	www.biografiasyvidas.com /biografia/k/kano.htm (163 words)

	JAANUS / Kanouha 狩野派
		Responding to the demands of both patronage and architecture, Eitoku created a new, magnificent and brilliant style of painting on gold-foil backgrounds *kinpeki shouhekiga 金壁障屏画.
		A representative example of Eitoku's grand style is the pair of huge screens called the "Chinese Lions" Karajishi-zu 唐獅子図, Imperial Collection.
		Two major Kanou artists of the late 16c were Mitsunobu 光信 (1561-1608), Eitoku's son, and Sanraku 山楽 (1559-1635), Eitoku's disciple.
	www.aisf.or.jp /~jaanus/deta/k/kanouha.htm (1038 words)

	JapanDiscovery: Painters \| famous japanese painters, japanese painters, yamada japanese painters, modern japanese ...
		This is the Kano school of Japanese painters founded by Kano Motonobu (1476–1559).
		Kano Eitoku (1543–1590), Motonobu’s grandson, also served the palace by painting fusamas with landscapes and interior décor with an art form that was different from his predecessors.
		Kano Tanyu (1602–1674), grandson of Eitoku, revived the school built by his great-grand father but, eventually, built his own school instead.
	www.japandiscovery.com /culture_arts/painters/momoyama.html (179 words)

	Terukazu - Chapter 9: Genre Painting and the Masters of the Japanese Print (17th to 19th Century)
		As we have seen in connection with Kano Eitoku's screen paintings with views of Kyoto, the painters of the Kano school were the first to exploit this subject.
		Eitoku's uncle, Kano Hideyori (who died in I557), left a screen painting (now in the National Museum, Tokyo) representing the inhabitants of Kyoto admiring the beauty of the red maples on Mount Takao.
		This elegance and freedom already tend to exceed the academic bounds of the Kano school, and we are therefore inclined to attribute to the same artist some of the scenes of popular life decorating the castle of Nagoya.
	kaladarshan.arts.ohio-state.edu /studypages/internal/japan682/Ch9.htm (7353 words)

	The Arts (Site not responding. Last check: 2007-09-17)
		Kano school artists painted traditional Chinese themes in a style of balanced composition and sharply defined line.
		Motonobu's grandson Kano Eitoku created a new style in which he reduced forms to bold and simplified shapes that could be understood at a glance.
		The Kano school continued to prosper as the official painters of the Tokugawa shoguns.
	ryecityschools.lhric.org /webquest/Osborn/japan/arts.htm (2057 words)

	Kano - Search Results - MSN Encarta
		Kano (city, Nigeria), city in northern Nigeria, capital of Kano State.
		Kanō Eitoku (1543-1590), influential Japanese artist, the first great master of the Momoyama period (1568-1600) in Japanese history (...
		Kano (family), family of Japanese painters that originated in the 15th century and persisted until the 19th century.
	encarta.msn.com /Kano.html (86 words)

	Kano Eitoku - Resultados de la búsqueda - MSN Encarta
		Kano Eitoku - Resultados de la búsqueda - MSN Encarta
		El fundador de la familia fue Kano Masanobu (1453-1490), que se dedicó a ese estilo de la pintura en tinta china que, mediante extensiones...
		La escuela de pintura más importante del periodo Momoyama fue la de Kano y la mayor innovación de la época la constituyó la fórmula ideada por Kano...
	es.encarta.msn.com /Kano_Eitoku.html (102 words)

	WebMuseum: Momoyama Art (Site not responding. Last check: 2007-09-17)
		The Ohiroma of Nijo Castle (17th century) in Kyoto is one of the classic examples of the shoin, with its tokonoma (alcove), shoin window (overlooking a carefully landscaped garden), and clearly differentiated areas for the Tokugawa lords and their vassals.
		The most important school of painting in the Momoyama period was that of the Kano, and the greatest innovation of the period was the formula, developed by Kano Eitoku for the creation of monumental landscapes on the sliding doors enclosing a room.
		Eitoku's screen, Chinese Lions, also in Kyoto, reveals the bold, brightly colored style of painting preferred by the samurai.
	www.ibiblio.org /wm/paint/tl/japan/momoyama.html (414 words)

	Dragon's Dojo : Literature (Site not responding. Last check: 2007-09-17)
		Kano Eitoku was one of Japan's master painters of the Momoyama Period.
		Instead of covering just one work, this report is a narrative of a viewer walking into an imaginary exhibit of Kano Eitoku's work.
		A third work in the same writing style is Chinese Calligraphy, except this time, it's not about a painting or gallery of works, but a whole form of art in itself...
	members.aol.com /honooryu23/literature (180 words)

	Nishi Honganji Temple, Kyoto
		The various rooms are named after the wall and ceiling paintings with which they are decorated (mostly of the Kano school).
		Near by is the Kuro-Shoin hall, with sliding doors painted by Kano Eitku, and a No theater brought her from Fushimi Castle.
		Some distance away, in the SE corner of the temple enclosure, is the Hiun-kaku Pavilion (16th C), with paintings by Kano Tanyu, Tokuriki Zensetsu, Kano Eitoku, Kano Sanraku and Kano Motonobu; it contains Hideyoshi's tearoom.
	www.planetware.com /kyoto/nishi-honganji-temple-jpn-ks-nht.htm (424 words)

	Mitsuo Kano ( - ) Artwork Images, Exhibitions, Reviews
		Kano Sansetsu, 1589-1651 Snowscape Screens Japanese Momoyama period, 17th century Japan One of a pair
		Kano Suenobu - Kakemono: The Monkeys (one of pair) n.d.
		Kano Tanshin Morimasa, Japanese, 1653-1718 Long-tailed Bird Hanging scroll Japanese Edo period, 17th—18th century Japan
	www.wwar.com /masters/k/kano-mitsuo.html (551 words)

	kano, disconnect, albums, macho, dancing, bee gees, abba, shaft, barry white, voyage (Site not responding. Last check: 2007-09-17)
		kano, disconnect, albums, macho, dancing, bee gees, abba, shaft, barry white, voyage
		Kano is the administrative center of the kano boy love girl State and the third largest city in Nigeria, in terms of geographical size, after Ibadan and Lagos.
		In august 2003, robin announced that he would be releasing a new single of ''lover's prayer, a song first recorded by the bee gees in 1997, with vocals by robin, wanya philip morris tobacco, and lance bass.
	www.disconight.info /Kano.html (1157 words)

	Kano Artworks and Fine Art at arthistorynet.com
		Kano Tanshin Morimasa, Japanese, 1653-1718 Bird and Flowers Hanging scroll Japanese Edo period, 17th—18th century
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		Kano, 1476-1559 Scene from the Dijian tushuo (Teikan zusetsu): The Chinese Emperor Xuanzong and Yang
	www.absolutearts.com /masters/k/kano.html (398 words)

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