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Topic: Karel Goeyvaerts

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	Karel Goeyvaerts - Wikipedia, the free encyclopedia
		Karel Goeyvaerts (Antwerp 8 June 1923 - February 3, 1993, Antwerp) was a composer.
		In 1951, Goeyvaerts attended the famous Darmstadt New Music Summer School where he met Karlheinz Stockhausen who was five years younger.
		Goeyvaerts became very excited when he learned that Stockhausen was working with sine waves.
	en.wikipedia.org /wiki/Karel_Goeyvaerts (281 words)

	Reviews
		In Karel Goeyvaerts' vision of Utopia, 'Society' is represented scenically by groups of dancers and singing actors; the evolving structure he envisages is represented by the 'visible mutual relations' within these groups.
		Goeyvaerts is a master in using the voice to its full advantage at all levels of its expressiveness and this, as in the case of the orchestra, without the use of experimental techniques.
		Karel Goeyvaerts was himself unable to completely correct the manuscript for the publication of the score, vocal and orchestral material; after his sudden death on 3rd February 1993 this task was successfully completed by Mark De Smet, a great authority on and friend of Goeyvaerts'.
	www.musicalpointers.co.uk /reviews/cddvd/aquarius.html (749 words)

	Work review (Site not responding. Last check: 2007-11-02)
		Karel Goeyvaerts would be the first composer in music history to succeed in applying this serial principle not only on the level of pitch but also on the levels of rhythm (note length), sound intensity and articulation.
		Goeyvaerts was also one of the first to move in the direction of electronic music, which allowed him to bring even more discipline to both the composition and the “performance” (via magnetic tape).
		Goeyvaerts’ specific application of neo-tonality, a technique that is in principle in diametrical opposition to serialism, is, for example, unthinkable without the serial purity of the 1950s.
	www.matrix.mu /documentatieE/composers/Goeyvaerts/workreview.html (885 words)

	Soundoo.com :: Works for Piano (Karel Goeyvaerts)
		A telling example would be the following: when Goeyvaerts died in 1993 at the early age of 70, it was discovered that the rough and the final versions of the composition fragment Alba per Alban consisted of an identical amount of measures.
		Goeyvaerts did not use his first written version for the final touch, he merely used it to see where he had to draw his bars to end up with a nice layout.
		Goeyvaerts systematically composes the sonorous contrast between the performer's live piano piece and the manipulated piano sounds.
	www.soundoo.com /listen/en/view_cd?cd=840 (512 words)

	GOEYVAERTS, Karel
		Karel Goeyvaerts was born on 8 June 1923 in Antwerp, and died there on 3 February 1993.
		In 1953, Goeyvaert and Stockhausen, together with several other composers, realised the first music produced by means of electronic generators (in the studios of the WDR in Cologne).
		Karel Goeyvaerts' Apocalyptic Utopia in his Opera 'Aquarius', in Belgisch Tijdschrift voor Muziekwetenschap, thematic issue ed.
	www.cebedem.be /composers/goeyvaerts_karel/en.html (2154 words)

	GOEYVAERTS Improperia etc. MDC7829-30 [HC]: Classical Reviews- April2002 MusicWeb(UK) (Site not responding. Last check: 2007-11-02)
		Before reviewing the present release spanning some twenty five years of Goeyvaerts’ composing life, it may be useful to retrace, albeit briefly, his early musical progress up to the period when the pieces recorded here were written.
		In this beautifully peaceful work, Goeyvaerts adopts some sort of Minimalism which will be the hallmark of many of his later pieces such as Pour que les fruits mûrissent cet été, also from 1975, written for Renaissance instruments and arranged later for small orchestra.
		Karel Goeyvaerts was an influential and much respected composer whose musical progress was far from straight.
	www.musicweb-international.com /classrev/2002/Apr02/Goeyvaerts.htm (983 words)

	[No title]
		Goeyvaerts explained the technique of Webern for me, and analyzed his own piece, the Sonata for two pianos, which I did not understand at all.
		Adorno was actually conducting the seminar in place of Schoenberg, who was very ill and died later in the year, and he attacked this music of Goeyvaerts, saying it was nonsense, it was only in a preliminary state, was not through-composed, but only a sketch for a piece that was still to be written.
		The evolution of electronic music did not happen by accident either, but literally as a result of discussions between Goeyvaerts and myself on achieving the objective of synthesizing even the individual notes, the timbre of the individual sound.
	www.muw.edu /honors/points.htm (2257 words)

	Choral Contest - This Year - Choir Form (Site not responding. Last check: 2007-11-02)
		The choir is named after Karel Goeyvaerts (1923-93), the most important Belgian composer after 1950.
		Goeyvaerts Consort’s primary focus is on contemporary vocal music, placing special emphasis on pieces that are rarely performed due to their difficult nature, unknown masterpieces and music from their native country.
		During the famous Marktoberdorf Choral Concert held in Germany in May 1999, Goeyvaerts Consort was the only choir from Western Europe to receive the title ‘international choir of excellence’.
	www.cittolosa.com /en/choirs/year/choir_form.php?id=59 (191 words)

	[No title]
		The first problem was clear before the series began: the planned performance of Goeyvaert's Composition No. 2 had to be canceled because the instrumentalists required to perform the piece could not be found among the students of the Berlin Hochschule der Kuenste (HdK).
		The earlier piece shows clear influences from "Mode de valeur et d'intensite." (Goeyvaerts, like many of his contemporaries, took part in Messiaen's analysis class.) It uses two unordered representatives of set class 7-22 as the basis for his harmonic and registral ordering of pitch class material.
		It had been remarked that Goeyvaerts had been influenced by minimalism in this work, which, indeed, is built from the overlapping of repeated rhythmically distinct phrases.
	mto.societymusictheory.org /issues/mto.96.2.5/mto.96.2.5.castine.rev (1848 words)

	Muhka
		Music by Flemish composers —amongst whom the internationally renowned Karel Goeyvaerts — was seldom performed in this very country.
		The ongoing attention for the work by Flemish composers resulted in different creations and in launching a series of CDs around the work of Karel Goeyvaerts in collaboration with the Catholic University of Louvain.
		Additionally, important works by foreign composers are being introduced ad commissions to create are given on an international level in order to locate local work in a critical and artistically demanding context.
	www.muhka.be /template.php?id=21&la=en (388 words)

	MTO 2.5: Castine, Review of "The Beginnings of Serial Music"
		The first problem was clear before the series began: the planned performance of Goeyvaert's Composition No. 2 had to be canceled because the instrumentalists required to perform the piece could not be found among the students of the Berlin Hochschule der Künste (HdK).
		(Goeyvaerts, like many of his contemporaries, took part in Messiaen's analysis class.) It uses two unordered representatives of set class 7-22 as the basis for his harmonic and registral ordering of pitch class material.
		Boulez' criticism of the first four, that the pieces were in themselves too uniform (and which Stockhausen seems to have taken to heart through his three revisions of Klavierstück VI), seemed apt.
	mto.societymusictheory.org /issues/mto.96.2.5/mto.96.2.5.castine.html (1936 words)

	Serial music
		Serialism is most specifically defined as the structural principle according to which a recurring series of ordered elements (normally a set - or 'row' - of pitches or 'pitch classes') which are used in order, or manipulated in particular ways, to give a piece unity.
		The series in itself may be regarded as pre-compositional material: in the process of composition it is manipulated by various means to produce musical material.
		The serialization of rhythm, dynamics etc developed after the Second World War by arguing that the twelve-tone music of Arnold Schoenberg and his followers of the Second Viennese School had serialized pitch, and was partly fostered by the work of Olivier Messiaen and his analysis students, including Karel Goeyvaerts and Boulez, in post-war Paris.
	www.gamelow.com /Music-S/Serial_music.php (3322 words)

	IPEM: Activities
		The series of Sequenzas for solo instruments that he wrote in the course of his career are considered standard works in contemporary music.
		The Belgian composer Karel Goeyvaerts explores the contrast between a live piano performance and a tape with manipulated piano sounds in his Stuk voor piano, composed in1964.
		The tape part of this piece was created at the IPEM and premiered during the colloquium on ‘electronic media in music’ in 1964.
	www.ipem.ugent.be /activities/Program_ipem40_EN.html (1156 words)

	Amazon.ca: Karel Goeyvaerts: amor[t] [Import]: Music (Site not responding. Last check: 2007-11-02)
		Karel Goeyvaerts (Composer), Koen Kessels (Conductor), Peter Rundel (Conductor), Champ d'Action (Orchestra), Prometheus Ensemble (Performer), Jan Michiels (Performer)
		If you would like to purchase this title, we recommend that you occasionally check this page to see if it has become available.
		Be the first person to review this item.
	www.amazon.ca /exec/obidos/ASIN/B000056T6Q (164 words)

	Electronic music at the time, Music, CSIRAC, About Us, Public Profile, Department of Computer Science and Software ...
		Analog electronic music was the other area of intense interest where, as distinct from musique concrète, sounds are generated purely by electronic means, using oscillators, filters and so on.
		Some of the main composers who pioneered this work are Gottfried Michael Koenig, Karlheinze Stockhausen, Karel Goeyvaerts, and Herbert Eimert.
		Such musical developments were dependent on the available technology of electronic oscillators, filters and tape recorders.
	www.csse.unimelb.edu.au /dept/about/csirac/music/contemporary.html (621 words)

	HardScore - Frank Nuyts & Co. - \|
		Frank Nuyts was born in Ostend (Belgium) in 1957.
		He studied percussion, chamber music and piano in the Royal Conservatory of Music in Ghent as well as composition with Lucien Goethals and Karel Goeyvaerts at IPEM (Institute of Psychoacoustics and Electronic Music).
		His first compositions are written in post-serial style.
	www.hardscore.be /?bt=&pg=1056891185 (474 words)

	Synthmuseum.com - EMS : IPEM's Synthi
		Up to the present day, IPEM has functioned as a rare breeding center for new ideas: a laboratory for experiment and research.
		The music production at IPEM was guided by the composers Louis De Meester, Karel Goeyvaerts and Lucien Goethals.
		These composers had a contract with the BRT and realized many compositions and radio transmissions on contemporary music.
	www.synthmuseum.com /ems/emssynthi10002.html (249 words)

	Karel Goeyvaerts - Classical music composer (Site not responding. Last check: 2007-11-02)
		Find scores by Karel Goeyvaerts at Sheet Music Plus
		[I am still looking for information about the music of Karel Goeyvaerts, that I can publish here.
		[If you know of an event (date and year) for Karel Goeyvaerts, then let me know, and I will add it.]
	www.classical-composers.org /comp/goeyvaer (226 words)

	[No title]
		There he became acquainted with several Belgian composers and musicians alike; Frank Nuyts, Karel Goeyvaerts, Lucian Goethals, Godfried Willem Raes, Luk Vaes and Geert Logghe to name a few.
		While studying in Rotterdam, Michael became acquainted also with the Belgian new music ensemble Champ d'Action and after receiving his 'Masters' diploma, moved to Antwerp to work with the ensemble.
		Michael has made numerous recording of works from these composers as well as some of his own works for solo percussion as well as ensemble pieces.
	sky.prohosting.com /canalsr/bios.htm (1959 words)

	Guitarra Magazine - An online Guitar Publication - Practice - Performance - Technique (Site not responding. Last check: 2007-11-02)
		This idea is known as twelve-tone or serial composition.
		In the years immediately following World War II, several young composers (including Olivier Messiaen (1908-1992), Pierre Boulez (1925), Karlheinz Stockhausen (1928), Karel Goeyvaerts (1923-93), and Milton Babbitt (1916)) extended the idea of serialism to encompass other elements of musical composition including rhythm, dynamics, and timbre.
		This approach is called total or integral serialism.
	www.guitarramagazine.com /vanguardguitar (1773 words)

	Amazon.ca: Karel Goeyvaerts: String Quartets [Import]: Music (Site not responding. Last check: 2007-11-02)
		Look for albums like Karel Goeyvaerts: String Quartets [Import] by subject:
		I have listened to this album, and I want to review it.
		Top of Page : Karel Goeyvaerts: String Quartets [Import]
	www.amazon.ca /exec/obidos/ASIN/B00000IMGX (75 words)

	Perspectives of New Music: "Absolute purity projected into sound": Goeyvaerts, Heidegger and early serialism.@ HighBeam ... (Site not responding. Last check: 2007-11-02)
		Join HighBeam Research with a FREE 7-day trial, and get unlimited access to over 3,000 trusted publications.
		AT THE DARMSTADT SUMMER COURSES of 1951, Karel Goeyvaerts and Karlheinz Stockhausen played the second part of Goeyvaerts's Nr.
		Immediately after the performance, Adorno, who had taken the place of Schoenberg as the leader of the composition seminar, discussed the disproportion between the scoring and the economical use of the musical material: "Why did you compose this for two pianos?" Goeyvaerts's legitimation of his choice made clear that a composition...
	www.highbeam.com /library/doc0.asp?DOCID=1G1:106733113&refid=holomed_1&COOKIE=NO&token=F637C8AB94D54693828F2C138D484E35 (173 words)

	Here and there
		The British composer Michael Finnissy has been appointed the Senior Fellow of the KBC-Chair in New Music at the
		This Chair in the Department of Musicology was created in 1992 and has previously been held by Karel Goeyvaerts and Henri Pousseur.
		Finnissy's appointment lasts to 2002, and will also include a commission for a new work for the Beethoven Academie Chamber Orchestra.
	www.mvdaily.com /articles/2000/01/leuven.htm (477 words)

	STAALPLAAT - catalog
		Herbert Eimert; Robert Beyer; Karel Goeyvaerts; Paul Gredinger; Gottfried Michael Koenig; Henri Pous
		Early electronic works made in one the first and foremost electonic studios: the WDR studio in Cologne.
		With work of Koenig, Goeyvaerts, Ligeti, Evangelisti etc.
	www.staalplaat.com /search/catalog/500 (90 words)

	untitled
		The distinctively scientific approach at Cologne was what attracted me to Stockhausen in particular.
		During this period of study Stockhausen was also engaged in a lengthy correspondence with the Belgian composer Karel Goeyvaerts on what direction new music ideally should take.
		Goeyvaerts insisted on electronic music as the only true path, since conventional musical instruments were burdened with cultural and functional associations totally at odds with a truly objective musical creation.
	courses.wcupa.edu /abauer/topics.html (10918 words)

	Cristel De Meulder & Marc Erkens 'Songs of My Family'
		Cristel the Meulder carried out the creation of "Aquarius" of the
		contemporary Belgian composer Karel Goeyvaerts: the staged cantata in 1990, the opera version in 1993 and the cd recording in 1996.
		She worked freelance with the Belgian Radio Choir and the granted her collaboration to radio -, film - and Cd recordings among others the soundtrack "Daens" by Dirk Brossé and "The Great globe" by Robert Groslot.
	users.telenet.be /belt/page13.html (164 words)

	Biography in English
		Three times he was soloist in the prestigious Dutch concert series De Matinee.
		René Eckhardt performed many important solo parts in twentieth-century works such as Lou Harrison’s Piano Concerto with the Netherlands Radio Symphony Orchestra; Islands by Luca Francesconi with the Asko Ensemble; Elliott Carter’s Double Concerto, also with the Asko Ensemble; and Karel Goeyvaerts’ Avontuur (Adventure) with the Orchestre Philharmonique de Liège.
		René Eckhardt recorded Tristan Keuris’ Piano Concerto on CD with the Radio Philharmonic Orchestra under Lucas Vis.
	www.xs4all.nl /~portret/bio_rene_eckhardt_english.html (879 words)

	Megadisc at ArkivMusic
		(6) Goeyvaerts: Amor(T) / Kessels, Vinius Muniipal Choir
		Goeyvaerts: Amor(T) / Kessels, Vinius Muniipal Choir Megadisc 7829/30 Duijck Rundel Taverna Michiels...
		Karel Goeyvaerts: Litanies Megadisc 7872/73 Vis Van Weilacher Bernat Everaerts Yamane Kruithof Wauters...
	www.consumermatch.com /wplist/wid/3368/pcid/524708/wn/Megadisc.html (475 words)

	Megadisc / Ar Re-Se / Olive Music
		Computer-controlled piano(s) programmed and realized by Rytis Mazulis
		Large ensemble and choral music by Belgian avant-garde composer Karel Goeyvaerts, a Messiaen student whose accessible works combine neo-tonal and aleatory elements.
		Karel Goeyvaerts (1923-1993): Summer games / Bélise dans un jardin / Improperia (Good Friday Cantata) / First the face, then the hands, and only then the hair / Mon doux Pilote s’endort aussi / Pourque les fruits mûrissent cet été / Adventures for piano and 10 wind instruments
	www.fortedistribution.com /16-22.html (293 words)

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