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| | Silkwood |
 | | Silkwood tells the factually-based story of a 28-year-old employee at a nuclear processing plant in Oklahoma who died under mysterious circumstances, just as she was taking her biggest steps toward exposing the unsafety of her working conditions, the flagrant dishonesty of company policies, even the dark suggestion of corporate plotting against her own life. |
 | | Karen Silkwood's trajectory begins in a compelling mixture of the quotidian and the dangerous, an atmosphere perfectly captured in the first group shots of jovial, unbeautiful Kerr-McGee employees who sift plutonium particles in a hermetically sealed "glovebox" while trading jokes, swapping shifts, popping bubble-gum, and taking the piss out of their boss. |
 | | Karen is probably the most suggestive, complex portrayal of Streep's early career: she is capricious, observant, good-humored, diligent, ostentatious, self-deluding, sex-minded, possessed of limited experience but lucid imagination, and painfully sensitive to her own political awakening, almost to the point of feeling intimidated and terrorized by her own discoveries. |
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