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Topic: Karlheinz Essl

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	About the Installation of Karlheinz Essl's Lexikon-Sonate (Site not responding. Last check: 2007-10-21)
		In 1992, when Karlheinz was commissioned to write a piece for IRCAM (the music department of the Centre Georges Pompidou in Paris, and my place of employment), he started to use IRCAM's MAX program to reformulate and extend the compositional strategies he developed before in his own LOGO-based computer-aided composition environment.
		Thus, in composing this piece, Karlheinz was not concerned with scoring the music, but with devising a set of rules or mechanisms (a kind of meta-composition) which describe the overall development, as well as the detailed articulation of an infinite stream of piano music.
		Karlheinz Essl was born in Vienna in 1960.
	viswiz.gmd.de /~eckel/publications/eckel95d.html (1225 words)

	Karlheinz Essl: composer / performer
		Essl, durch eigenwillige Kompositionen und die Entwicklung computergenerierter Musik-Environments bekannt geworden, schlägt in seinem Schaffen immer wieder die Brücke zu verschiedenen Kunstrichtungen und sucht im Heterogenen die künstlerische Synthese.
		Karlheinz Essl fashions his electronic music using modest means - a laptop, software, a few manual controllers and a mixer.
		Yet his is an elaborate world and he is able to weave musical tales that last and last.
	www.essl.at (140 words)

	Lexikon-Sonate - algorithmic music generator
		Karlheinz Essl, Plädoyer für "Das Offene Kunstwerk" (1995).
		Karlheinz Essl / Bernhard Günther, Realtime Composition; in: Positionen, ed.
		The Lexikon-Sonate 3.1 FREE is a composition of Karlheinz Essl.
	www.essl.at /works/Lexikon-Sonate.html (1382 words)

	The Ultimate Karlheinz Essl - American History Information Guide and Reference (Site not responding. Last check: 2007-10-21)
		Karlheinz Essl (born August 15, 1960 in Vienna) is an Austrian composer, performer and improviser.
		Karlheinz Essl's work with computers (with emphasis on algorithmic composition and generative music) and a prolonged occupation with the poetics of serial music have been a formative influence on his compositional thinking.
		Since the 1990s, Karlheinz Essl carried out a number of projects for the Internet and became increasingly involved with improvisation.
	www.historymania.com /american_history/Karlheinz_Essl (271 words)

	CDeMUSIC: Karlheinz Essl (Site not responding. Last check: 2007-10-21)
		Composer, educator, and software designer, Karlheinz Essl's work centers around computer-aided composition strongly influenced by serial music.
		Essl's compositions have been performed by major ensembles throughout the world, including Klangforum, XASAX, Arditti String Quartet...
		Karlheinz Essl lives in Linz, Austria, and teaches at the Bruckner-Conservatory.
	www.cdemusic.org /artists/essl.html (124 words)

	Stroma: Karlheinz Essl (Site not responding. Last check: 2007-10-21)
		Karlheinz Essl attended the Vienna Musikhochschule and studied musicology and art history at the University of Vienna.
		Essl also served as composer-in-residence at the Darmstadt summer courses (1990–94) and in 1995 he accepted a position in computer-aided composition at the Studio for Advanced Music and Media Technology at the Bruckner Conservatory, Linz.
		Essl has collaborated with graffiti artist Harald Naegeli (Partikel-Bewegungen, 1991), writer Andreas Okopenko and the artists’ group Libraries of the Mind (Lexikon-Sonate, 1992–8), architect Carmen Wiederin (Klanglabyrinth, 1992–95) and the video artist Vibeke Sorensen (MindShipMind, 1996, a multimedia installation for the Internet).
	stroma.wellington.net.nz /composers/essl.html (130 words)

	Karlheinz - Karlheinz Stockhausen (Site not responding. Last check: 2007-10-21)
		Born in Mödarath (DE) 1928, Karlheinz Stockhausen is one of the most important and influencial figures in the history of the 20th Century and electronic
		Stockhausen, Karlheinz (kärl ' hints shtôk ' houz?n), 1928—, German composer, music theorist, and teacher; his first name is also spelled Karl.
		Stockhausen, Karlheinz (1928-), German composer, who was one of the most Paul McCartney listened to composer Karlheinz Stockhausen, a messiah in the
	webpageshome.com /wph/karlheinz.html (352 words)

	Karlheinz Essl
		Essl also served as composer-in-residence at the Darmstadt summer courses (1990-94) and completed a commission for IRCAM.
		Essl's compositions result from confrontations between ordered, abstract models and original tonal, expressive structures.
		He has frequently sought to combine music with other genres and has collaborated with the graffiti artist Harald Naegeli (Partikel-Bewegungen, 1991), the writer Andreas Okopenko and the artists' group Libraries of the Mind (Lexikon-Sonate, 1992--8), the architect Carmen Wiederin (Klanglabyrinth, 1992-95) and the video artist Vibeke Sorensen (MindShipMind, 1996, a multimedia installation for the Internet).
	www.drunkenboat.com /db2/essl/essl-about.html (275 words)

	Abstract - Karlheinz Essl
		Karlheinz Essl erinnert sich an seine Begegnung mit John Cage im Jahre 1988 anläßlich eines Konzertes im Wiener Konzerthauses.
		Im Gespräch mit Silvia E. Pagano erläutert Karlheinz Essl seine Arbeitsweisen als Komponist und Elektronikperformer.
		Karlheinz Essl talking with Golo Föllmer about his compositionals projects on the Internet and his experiences with artistic networking.
	www.essl.at /hot.html (511 words)

	Dictionary of Meaning www.mauspfeil.net (Site not responding. Last check: 2007-10-21)
		Image:KarlheinzEssl.jpg Karlheinz Essl performing live (Vienna 2004) '''Karlheinz Essl''' (born August 15, 1960 in Vienna) is an Austrian composer, performer and improviser.
		Since the early 90's he has developed various [http://www.essl.at/software.html software environments for realtime composition] which he uses himself for his own live performances and also in collaboration with artists from other fields (choreographers, dancers, visual artists and poets).
		There you find a list of all editors and the possibility to edit the original text of the article Karlheinz essl.
	www.mauspfeil.net /Karlheinz_Essl.html (337 words)

	PerversionTracker: Apparently Useless Software: January 04, 2004 - January 10, 2004 Archives
		You can say many things about Dr. Karlheinz Essl, but it would be a hideous untruth to claim that he is unable to slap together some brown and blue boxes in a blighted imitation of standard GUI components for his own nefarious ends.
		Karlheinz Essl is capable of this, and much more.
		Well said, Dr. Karlheinz Essl, and for this, we award a space-filling 8.7, composed of equal parts water, fire, earth, and air, also taking into account the recipient's individual socio-cultural context.
	perversiontracker.com /archives/week_2004_01_04.html (978 words)

	Spiritualism and History combined in Australian Aboriginal Art (Site not responding. Last check: 2007-10-21)
		Karlheinz Essl decided to collect and exhibit paintings which are little known - not only in Austria but all over Europe and also the United States.
		During his journey to Australia he was so fascinated by the Aboriginal Art and the various different aspects it combines that he decided to present it to the international public in his Essl Collection.
		This year there will be 18 exhibitions; 10 of them are dedicated to very young artists, not only to Austrians, but young artists in general, the so-called emerging artists whose works have not been presented in exhibitions before.
	www.society.at /318/htm/aboriginal2.html (1306 words)

	ABC News: Austrian Houseware Chain Renames Tool Shed (Site not responding. Last check: 2007-10-21)
		Karlheinz Essl, the bauMax chain's chief executive officer, expressed "deepest regret" at what he called an oversight and said the shed would be renamed the "Linde" or Linden tree.
		Asked about the protest, Essl said the original name was thoughtlessly chosen after company officials decided to name different models for towns and cities where bauMax has branches among them Mauthausen, in Upper Austria province.
		But activists said at least some of the company's employees were aware of the significance of the name and its association with forced labor and Nazi gas chambers.
	abcnews.go.com /International/wireStory?id=705393 (398 words)

	Ramón González-Arroyo & Karlheinz Essl: Through the Curly Rain-Taps
		Der Blick hinter die sichtbare Oberfläche, den die Komponisten Rámon González-Arroyo (Madrid) und Karlheinz Essl (Klosterneuburg) unternommen haben, förderte interessante Zusammenhänge zutage: Das Verhältnis zwischen Abstraktion und objet trouvée, zwischen Geste und Malgrund, zwischen Hintergrund und Vordergrund.
		Through the Curly Rain-Taps is a collaborative auto-generating piece comprising image and sound to be installed in the Essl Museum in the context of an exhibition dedicated to Antoni Tapies and Arnulf Rainer.
		This phrase serves to describe what the piece is, but it also states clearly the main particular aspects governing the composition of the piece : collaboration, combination of image and sound, infinite flow, relationship to the work of the two "different and similar" painters.
	www.sammlung-essl.at /deutsch/musik/archiv/klangwelten/rain-taps.html (1277 words)

	Karlheinz Essl
		~Karlheinz Essl, Gunda Luyken, Siegfried Gohr, Gabriele Bösch, Christine Humpl, Luc Bondy, Ernst Mach, Fernando Pessoa, Karl Popper, John C Eccles
		~Karlheinz Essl, Christine Humpl, Annette Stein, Isabella Kossina, Rosa von Suess, Sini Zein, Harald Szeemann, Erhard Busek, Cyrill Stieger, Gezim Qendro
		~Karlheinz Essl, Arnulf Rohsmann, Susanna Bichler, Sonja Traar, Annette Stein
	www.truefresco.com /bookshop/de/books-de/author/Karlheinz+Essl.htm (413 words)

	Karlheinz Essl
		Karlheinz Essl studied at the Wiener Musikhochschule with Alfred Uhl (theory), Friedrich Cerha (composition), Dieter Kaufmann (electro-acoustic music), and Heinrich Schneikart (double bass).
		His work with computers (with emphasis on Computer Aided Composition) and a prolonged occupation with the poetics of Serial Music have been a formative influence in his compositional thinking.
		Besides writing instrumental music, Karlheinz Essl also works in the field of electronic music, interactive realtime compositions and sound installations where he developes software environments for algorithmic composition.
	www.kunstradio.at /BIOS/esslbio.html (386 words)

	Performances of Karlheinz Essl in 2002
		Der Wiener Komponist und Elektronikspezialist Karlheinz Essl, der mit ungewöhnlichen Klangkombinationen auf seinem Powerbook improvisiert als wäre es ein Synthesizer, wurde von der "Kunsthochschule für Medien Köln" zu einem Workshop eingeladen.
		The presentation of their work will be part of a revue about certain aspects of the Austrian literary avantgarde and its international context presented by the author Sabine Scholl together with the composer Karlheinz Essl who uses original musical documents of the Vienna Group to compose and perform an ongoing soundtrack for this event.
		Hierin bewijst Essl dat hij ook in 'gewone' composities voor akoestische bezettingen een vitaal en actueel componist is.
	www.essl.at /concerts/2002.html (966 words)

	[artinfo] Call for music/sound during a Balkan exhibition by Harald Szeemann
		--=====================_15330222==_.ALT Content-Type: text/plain; charset="us-ascii"; format=flowed Date: Fri, 16 Aug 2002 12:57:21 +0200 From: "Dr. Karlheinz Essl" To whom it may concern: Currently I am preparing a series of 4 concerts/performances and eventually sound installations which will accompany an exhibition on contemporary art of the Balkan, curated by Harry Szeemann (former Biennale di Venezia director).
		I am mostly interested in individuals or groups which are reflecting their socio-cultural heritage into an contemporary language using electronic media with/out acoustical instruments (preferably those instruments which are also used in folk music, but without just reproducing it).
		Karlheinz Essl composition - performance - improvisation Studio for Advanced Music and Media Technology (Austria) http://www.essl.at --=====================_15330222==_.ALT--
	lists.c3.hu /pipermail/artinfo/2002-August/001152.html (232 words)

	REPLAY UPDATE: #4 REplay PLAYer
		Karlheinz Essl approached the exemplary selection of sound material presented in in the exhibition "RE-PLAY Anfänge internationaler Medienkunst in Österreich" (RE-PLAY Beginning of International Media Art in Austria) with reference to their compositional usability.
		A special characteristic of the software developed for the project REplay PLAYer is that the supplied sound examples will be sampled, fragmented, and newly arranged according to a given score during the live-performance.
		Karlheinz Essl narrates this process with m@ze, a real-time composition- and improvisation-tool, that is likewise computer-based and that the artist himself developed in 1996.
	kunstradio.at /PROJECTS/REPLAYUPDATE/Essl_e.html (228 words)

	Sammlung Essl: NITSCH - Eine Retrospektive
		Karlheinz Essl hat den Künstler durch viele Jahre seines Schaffens begleitet und Arbeiten aus den verschiedenen Werkphasen des Künstlers erworben.
		Als musikalische Begleitung zur großen Hermann Nitsch-Retrospektive in der Sammlung Essl hat der Komponist Karlheinz Essl die raumgreifende Klanginstallation Le mystère d'orgue geschaffen, die von der Rotunde aus den Großen Saal und die Ausstellungshalle mit Klängen durchflutet.
		Zur Ausstellung erscheint ein 228 Seiten umfassender aufwändig gestalteter Katalog in Deutsch und Englisch mit seitenfüllenden Abbildungen und einem Gesamtverzeichnis der Werke von Hermann Nitsch in der Sammlung Essl.
	www.sammlung-essl.at /deutsch/ausstellungen/archiv/nitsch-2003.html (556 words)

	Moderne Klangkunst: Portrait Karlheinz Essl
		Essl begann als Kontrabassist in verschiedenen Kammermusik- und experimentellen Jazz-Ensembles.
		Zwischen 1990 und 1994 wirkte Karlheinz Essl als "Composer in Residence" bei den Darmstädter Ferienkursen für Neue Musik.
		Werke von Karlheinz Essl werden bei den wichtigsten internationalen Festivals aufgeführt und sind bei der
	www.moderne-klangkunst.de /portrait_karlheinz_essl.htm (692 words)

	CDeMUSIC
		Karlheinz Essl performs on a laptop computer that he has transformed into a live electronic musical instrument.
		Works by Karlheinz Essl, one of the most interesting computer-music composers in Germany today.
		The compositions, for acoustic instruments and electronics, mostly composed and performed with the active involvement of computers, include 'Entsagung', for flute, bass clarinet, prepared piano, percussion, and interactive live electronics, and 'Lexicon-Sonate', performed by a computer-controlled Bosendorfer piano.
	www.cdemusic.org /store/cde_search.cfm?keywords=kesslcds (206 words)

	ArtShop
		With a preface by Agnes Essl and an essay by Thomas Zaunschirm.
		With contributions by Karlheinz Essl, Mary Anne Redding, Barbara Steffen, Sonja Traar and Patrick Werkner.
		Contributions by Agnes Essl, Bernhard A. Böhler, Mela Maresch and Andreas Hoffer.
	www.sammlung-essl.at /englisch/artshop/kataloge.htm (928 words)

	karlheinz: Welcome to KHz
		Website style: Karlheinz Essl (this composer submitted by Karlheinz Essl eunet.at>) Born: 15 August 1960, Vienna (Austria).
		Karlheinz Schweitzer, Frankfurt a.M. LiteraturÃ¼bersetzungen aus dem Ungarischen.
		Karlheinz Essl composer / performer.hot 20 Jan 2005.bio 20 Jan 2005.work 05 Oct 2004.soft 15.
	www.freshlike.com /karlheinz.html (212 words)

	Artfacts.Net: SPIRIT & VISION - Aboriginal Art
		Sammlung Essl - Kunsthaus, An der Donau Au 1, 3400 Klosterneuburg Austria
		In 2001, a dance and painting performance was given by Aboriginal people at the Essl Collection.
		Composer Karlheinz Essl used a sound recording of this event and original recordings from the Australian bush as the basis for his sound installation >ULURU
	www.artfacts.net /index.php/pageType/exhibitionInfo/exhibition/16916 (249 words)

	jjrd, carte blanche, dearest karlheinz
		Voici une lettre envoyée à Karlheinz Essl, un compositeur de musique actuelle autrichien.
		Well, Karlheinz, it’s been a while… and I do hope you are manoeuvring swell.
		And a lovely day to you now, Karlheinz Essl.
	www.jjrd.com /carteblanche/karlheinz/index.html (786 words)

	Karlheinz Essl (Site not responding. Last check: 2007-10-21)
		About the Installation of Karlheinz Essl's "Lexikon-Sonate" at the Banff Centre for the Arts, Canada (1995) - english
		Lexikon-Sonate is also included in the release of MAX 3.0 (1995) and in the Real Time Composition Library for MAX (1993-96 by Karlheinz Essl).
		CD Rudiments (1995 by K@rlheinz Essl): excerpt of the premiere within the radio program Kunstradio (Vienna, 10.2.1994) featuring the Bösendorfer SE Grand Piano.
	homestudio.thing.net /habitation/KESS/Lexikon1.htm (613 words)

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