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	Karlheinz Stockhausen
		Karlheinz Stockhausen (born August 22, 1928) is a modern composer.
		Stockhausen has worked with serial and electronic procedures, with spatial placements of sound sources, and with graphical notation.
		Stockhausen is unconcerned with musical tradition and his work is influenced by Messiaen and Anton Webern.
	www.ebroadcast.com.au /lookup/encyclopedia/ka/Karlheinz_Stockhausen.html (287 words)

	Karlheinz Stockhausen
		Stockhausen’s mother was institutionalized in the early thirties and subsequently died (probably not of natural causes, as the Nazis were not adverse to killing the mentally ill).
		Stockhausen’s early works, such as Kreuzspiel and Formel (both written in 1951) are examples of the common Darmstadt fascination with applying the twelve-tone method associated with the Second Viennese School to elements of music other than pitch, such as rhythm, articulation, and dynamics.
		Stockhausen quickly moved on from this “total serialism” to consider the manner in which material is organized within pieces, concentrating on the proportions between groups of ideas and not just the constituents of those ideas.
	musicacademyonline.com /composer/biographies.php?bid=90 (1174 words)

	The Music Show - 11 October 2003 - Karlheinz Stockhausen
		Karlheinz Stockhausen: The atmosphere which is created through the combination of the two traditional instruments, oboe and bass clarinet, and the percussion, because the percussion and the treatment of the piano are completely new in European music.
		Karlheinz Stockhausen: Yes, we have that word, it is music that is usable, directly usable music, and that is practically most of the music that is added every day to the repertoire.
		Karlheinz Stockhausen: Yes, well that is because they sing the names of the week (SINGS) and some musicians during the rehearsal suddenly just played, no he sang that word and they all laughed, and then I left it in the recording.
	abc.net.au /rn/musicshow/stories/2003/1012737.htm (2893 words)

	Karlheinz Stockhausen - Wikipedia, the free encyclopedia
		Karlheinz Stockhausen (born August 22, 1928) is a German composer, and one of the most important and controversial composers of the 20th century.
		Stockhausen was born in the Burg (Castle) of the village of Mödrath, at the time serving as the maternity home of the Bergheim Kreis.
		Karlheinz Stockhausen I: Einführung in das Gesamtwerk; Gespräche mit Karlheinz Stockhausen.
	en.wikipedia.org /wiki/Karlheinz_Stockhausen (3172 words)

	Karlheinz Stockhausen - Music Downloads - Online
		Upon returning to Cologne, Stockhausen continued his pursuits, achieving his first significant breakthrough with 1956's Gesang der Jünglinge -- composed for vocal and synthesized sounds, it was among the first tape-loop pieces ever assembled.
		By the mid-'60s, Stockhausen's immersion in electronics was almost total, and in late 1964 he assembled a touring ensemble to premiere his latest composition, Mikrophonie I, a work inspired by his recent discovery of the limitless variety of sounds to be gotten from any instrument in conjunction with microphones and electrical filters.
		With the following Stimmung, Stockhausen's aim of universalization took a different tactic, with its performers pitching their voices to a series of natural harmonics; these works, in addition to 1968's Aus den sieben Tagen, served to gradually eliminate the concept of notation, with the ultimate goal of truly intuitve musical creation.
	musicstore.connect.com /artist/020/Karlheinz-Stockhausen/11258347.html (601 words)

	The Ensemble Sospeso - Karlheinz Stockhausen
		Stockhausen's explorations of fundamental psychological and acoustical aspects of music were highly independent and remarkably free of outside influences.
		Stockhausen also began using tape recorders and other machines in the 1950s to analyze and investigate sounds through the electronic manipulation of their fundamental elements, sine waves.
		In general, Stockhausen's works are composed of a series of small, individually characterized units, either "points" (individual notes), "groups" of notes, or "moments" (discrete musical sections), each of which can be enjoyed by the listener without forming part of a larger dramatic line or scheme of musical development.
	www.sospeso.com /contents/composers_artists/stockhausen.html (683 words)

	Karlheinz Stockhausen
		Stockhausen's electroacoustic work Gesang der Jünglinge was composed after an initial period of experimentation by composers in the new medium, which was immediately followed by a longer period of critical evaluation.
		Stockhausen's original concept was that of bringing together in a single texture electronic and sung materials, considering speed, length, dynamics, density, width of intervals and timbre as parameters that could then be manipulated according to serial principles.
		Stockhausen, defining statistical form: "In the genesis of the statistical forms, I tried to mediate between groups and points on one hand, and between collectives organized according to the laws of large numbers, on the other.
	hunsmire.tripod.com /music/gesang.html (1268 words)

	Karlheinz Stockhausen
		Karlheinz Stockhausen works very hard, and is fastidious in his preparations for performances of his music (he has been known to check every cable connection in person), so it was notable that this performance should start 30 minutes behind schedule.
		In his introduction to Oktophonie, Stockhausen avoided reference to the opera, and instead concentrated on the bare essentials of the music – how it consists of a melody stretched over 69 minutes; how he was able to compose the inner structures of the electronic sounds.
		Stockhausen received the applause with evident gratitude and generosity, and a certain wry smile that suggested his pleasure in triumphing over these primitive working conditions.
	www.whitenoise02.co.uk /stockhausen.html (693 words)

	Karlheinz Stockhausen: Biography - Classic Cat
		Karlheinz Stockhausen (born August 22, 1928) is a German composer, and one of the most important and controversial composers of the 20th century.
		Stockhausen was born in the Burg (Castle) of the village of Mödrath, at the time serving as the maternity home of the Bergheim Kreis.
		Stockhausen's conception of opera is based significantly on ceremony and ritual and his approach to characterisation shows the influence of Artaud in its rejection of psychological perspective.
	www.classiccat.net /stockhausen_k/biography.htm (3300 words)

	Karlheinz Stockhausen (1928- ) (Site not responding. Last check: 2007-10-26)
		Karlheinz Stockhausen was born on August 22, 1928 in Mödrath, Germany, near Cologne.
		Stockhausen took a position as co-editor of die Riehe in 1954 and also enrolled in phonetics classes with Karl Meyer-Eppler at Bonn University, while still managing some time as a composer in the Cologne studios.
		In 1975, Stockhausen was given a grant by the German government to compose a piece as a gift to the United States for the American Bicentennial Celebration.
	www-camil.music.uiuc.edu /Projects/EAM/stockhausen.html (558 words)

	Karlheinz Stockhausen Biography \| Encyclopedia of World Biography
		The German composer Karlheinz Stockhausen (born 1928) was one of the most influential composers of the post-World War II period.
		Karlheinz Stockhausen was born August 22, 1928, in a suburb of Cologne, the son of a schoolteacher.
		In the mid-1950s Stockhausen became interested in writing compositions in which the form was fluid, to be determined by the performer at the time of performance.
	www.bookrags.com /biography/karlheinz-stockhausen (1159 words)

	Karlheinz Stockhausen Summary
		Stockhausen has worked with a form of serial composition that rejects the twelve-tone technique of Schoenberg, and electronic procedures, with spatial placements of sound sources (for example in his noted work Gesang der Jünglinge), and with graphical notation.
		Stockhausen sometimes departs radically from musical tradition and his work is influenced by Messiaen and Anton Webern, as well as by painters such as Mondrian and Klee.
		Stockhausen is one of the few major twentieth-century composers to write a large amount of music for the trumpet, inspired by his son Markus Stockhausen, a trumpeter.
	www.bookrags.com /Karlheinz_Stockhausen (2624 words)

	FAQ Karlheinz Stockhausen
		Karlheinz Stockhausen re-gained the copyright to his recordings because it was the only way to keep his recordings permanently available to listeners.
		Stockhausen is often referred to in the company of composers Pierre Boulez, and Bruno Maderna who he met in Paris 1952 while attending classes by the composer Olivier Messiaen.
		Stockhausen has worked with numerous musicians, dancers, drectors, technicians and designers as well as orchestras, opera choruses and music studios the details of whom can be found among discographies and sleeve notes.
	homepage.mac.com /bernardp/Stockhausen/ksfaq.html (2249 words)

	Karlheinz Stockhausen
		Born in the town of Mödrath, located near Cologne, Karlheinz Stockhausen's early life was marred by the violence brought about by the Nazi uprising and the extensive bombing of Germany during World War II.
		With his first trip to the States in 1958, Stockhausen made the acquaintance of American composer John Cage -- an associaton that was to have a noticable impact upon his subsequent work.
		Unfortunately, most of Stockhausen's notoriety in the 00s was due not to his creative output, but to a piece of media slander attributed to him shortly after the terrorist attacks in New York City in 2001.
	www.nndb.com /people/169/000057995 (736 words)

	Stockhausen Kurzwellen (Site not responding. Last check: 2007-10-26)
		Stockhausen comments on the material used, in relation to the composition (from the booklet to CD 13):
		This is a powerful choral work (and excellently recorded) in which a text is sung that was written by Stockhausen in 1968 and in which also the work KURZWELLEN is mentioned.
		The specific implementation of short-wave sounds, combined with the instruments used and the way they respond to, mimic and transform these sounds, results in both a sound world and a musical architecture that are most original.
	home.earthlink.net /~almoritz/kurzwellen.htm (4236 words)

	Klang Technik, Karlheinz Stockhausen
		There is a certain problem in approaching Stockhausen, and that is precisely the extent to which he has already and obsessively charted his theoretical and artistic progress in lectures, notes and, above all, in interviews.
		The canon is never static; Stockhausen is an almost fantastically meticulous reviser and rehearser of his own composition, and he is now faced with the irony that some of his early important tape pieces are deteriorating rapidly, without the back-up of a realisation score to allow them to be perpetuated.
		Stockhausen doesn't risk this piece of "park music" for five groups en plein air any more, but he does appear to be a little wry at his surroundings.
	www.thewire.co.uk /archive/interviews/karlheinz_stockhausen.html (1976 words)

	Salon.com People \| Karlheinz Stockhausen (Site not responding. Last check: 2007-10-26)
		Stockhausen also showed up on the cover of "Sgt. Pepper's Lonely Hearts Club Band," and if you've ever gone back to "The Beatles" (aka "The White Album") to listen to "Revolution 9" a second time, he's there, too.
		The young Stockhausen was sent out at nights to mind the cows, where he would lie in the snow and watch the stars.
		At a first encounter, the music Stockhausen created often seems to be abstract and cerebral, a mathematics of rhythm and pitch, but a close reading of the biography reveals an emotional aspect, a humanity struggling to come to the surface, even if it has to be in code.
	archive.salon.com /people/bc/2001/01/16/stockhausen (1160 words)

	Karlheinz Stockhausen - Leader of the Cosmopolitan Avant-garde [Biography]
		Stockhausen has worked with serial and electronic procedures, with spatial placements of sound sources (for example in his noted work Gesang der Jünglinge), and with graphical notation.
		The dream of flying has accompanied Karlheinz Stockhausen's career since the very beginning.
		Back in the early 1950s, when he was enthralling some and infuriating others in the avant-garde community around the Darmstadt Summer Courses in New Music with his first works Punkte, Kontra-Punkte and Kreuzspiel he was already developing his first ideas for liberating musicians from the constraints of gravity.
	www.humanitiesweb.org /human.php?s=c&p=c&a=b&ID=79 (569 words)

	Karlheinz Stockhausen - Edition No. 5: Gruppen / Carré
		Stockhausen is an artist that has kept the child alive within himself, and without which he would not have been able to bring to life so many important works of art.
		Stockhausen noticed that a rhythmic pulse that is repeated in a sped up fashion eventually, at about 30 pulses per second, transforms into pure pitch.
		Stockhausen taps the source of life itself, in all its innumerable gestures in the form of an Alpine silhouette, a series of airplane flights, a dream or almost any other occurrence.
	home.swipnet.se /sonoloco2/Rec/Stockhausen/05.html (2304 words)

	Stockhausen, Karlheinz
		To Webern's theory of presenting the notes of the chromatic scale in series, Stockhausen added the serial ordering of other musical dimensions, such as volume, duration, and tone color.
		He expanded Webern's concept of points of interest to what he termed "group composition," in which several groups of materials, each having its own character, are linked together, sometimes leaving the order of presentation to the performer, as in Klavierstuck XI (1956).
		Stockhausen's imaginative use of electronic and acoustic materials and elements of chance has produced such innovative works as Gruppen (1955-57), Telemusic (1966), Autumn Music (1974), and Michael's Youth (1978-79).
	www.indiamusicinfo.com /new/composers/stockhausen.html (258 words)

	Karlheinz Stockhausen (1928)
		Stockhausen is one of the biggest innovators and pioneers of modern music in Europe, who effectively used every technological means in order to promote the modern music to new directions, directions more effective and more "genuinely" artistic in relation to our epoch.
		Stockhausen was the first to be directed towards the idiom that considers music as a transformation of densities, timbres and textures that can be controlled by statistical means, and that this process by itself can give birth to new, original, "open" or accidental forms.
		Stockhausen's work is based on a series of proposals about the material of sound and how we can act upon it.
	www.artissimo.gr /english/cm_composers/Karlheinz_Stockhausen.htm (505 words)

	Karlheinz Stockhausen - Edition No. 3: Etude / Studie I / Studie II / Gesang der Jünglinge / Kontakte
		Stockhausen’s events here are short and many, conveying the impression that this is a generated electronic piece, since it is impossible to deduce where the sounds come from.
		Since Stockhausen only had studio availability with a technician a few hours a week, he prepared himself at home in the student hostel, by cutting and splicing tapes according to his score, which then could be used in the studio, when that time came.
		Stockhausen’s idea was to unify vocal sounds and electronically produced sounds – not only to play vocals and electronics simultaneously, but also to unify them, letting voices blend over in electronics and vice versa.
	home.swipnet.se /sonoloco2/Rec/Stockhausen/03.html (2832 words)

	Karlheinz Stockhausen
		Karlheinz Stockhausen (born August 22, 1928) is a contemporary composer.
		Stockhausen is one of the few major twentieth-century composers to write a large amount of music for the trumpet, owing to the fact that one of his sons, Markus Stockhausen is a trumpeter.
		Stockhausen was also referenced in Thomas Pynchon's novel The Crying of Lot 49.
	www.compositiontoday.com /composers/75.asp (615 words)

	Browse by Artist: STOCKHAUSEN, KARLHEINZ
		Recorded in 1969, with Stockhausen in the control room operating filters and potentiometers, this is performed by long time electronic music ensemble members like Aloys Kontarsky (piano), Michel Portel (reeds), Johannes Fritsch (viola), Alfred Ailings (tam-tam), Rolf Gehlhaar (tam-tam), Harold Boje (electronium), Jean-Pierre Drouet (percussion) & Jean-Francois Jenny-Clark (bass).
		"Stockhausen experimented with different modes of attack and pedaling which modify the vibration of the strings and with silent depression of the keys which frees particular strings to resonate.
		"As part of the celebration of Karlheinz Stockhausen's 75th birthday, Wergo is proud to release an exceptional new recording of Tierkreis and Zodiac, under the direction of Mike Svoboda.
	www.forcedexposure.com /artists/stockhausen.karlheinz.html (317 words)

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