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| | Katharine Anne Porter (1890-1980) |
 | | Porter does utilize personal experience in her work, but more often than not it is her internal experience that is true, while the factual events have been heightened, dramatized, and symbolized into fiction. |
 | | Like Faulkner, Porter has the historic memory of the southern temper, but it is a more feminine and particular vision, arising from a heightened social awareness that makes her sensitive to social mores, moral values, and the individual strengths that allow a person to survive. |
 | | In addition, a fine overview of Porter, including interviews with her contemporaries Robert Penn Warren and Eudora Welty, as well as dramatization of parts of "The Grave" and "The Circus," is available in the one-hour PBS program, "Katherine Anne Porter: The Eye of Memory," American Masterworks Series, produced by Lumiere Productions, New York, 1986. |
| www.georgetown.edu /faculty/bassr/heath/syllabuild/iguide/porter.html (1260 words) |
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