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	Kenneth Noland - Encyclopedia.com
		Asheville, N.C. Noland first experimented with bands of pure color in bull's-eye and chevron motifs and horizontal parallel stripes.
		Half a century in circles Ken Noland, veteran American painter, is back with new work.
		Life after formalism: in the 1960s, Anthony Caro, Helen Frankenthaler, Kenneth Noland, Jules Olitski and Larry Poons were often corralled together as Greenberg-approved modernists.
	www.encyclopedia.com /doc/1E1-Noland-K.html (934 words)

	AE160D Unit 10: Kenneth Noland
		Kenneth Noland was born in 1924 in Ashville, North Carolina.
		Noland returned to the United States in 1949 and settled in Washington, D. He student-taught and later became an instructor at the Institute of the Contemporary Arts.
		In 1977, Noland had a retrospective at the Guggenheim Museum in New York, which traveled to the Hirshorn and Corcoran Museums in Washington, D. Noland was divorced in 1957.
	arted.osu.edu /160/10_Noland.php (915 words)

	Kenneth Noland - April
		Noland found that the geometry of concentric circles gave him freedom to concentrate on the volatility of color.
		The development of Noland's Concentric Circles series was inspired by a myriad of sources, one of the earliest being the art and theories of Josef Albers, who was Noland’s teacher at Black Mountain College in North Carolina.
		Noland derived the idea of working in a series with a single motif to explore the expressive potential of color from Albers's own series, Homage to the Square.
	www.phillipscollection.org /american_art/artwork/Noland-April.htm (471 words)

	Kenneth Noland - Untitled
		The mood of Noland’s paintings changes depending on the selection and textures of the colors, and the primary function of shape in Noland’s art is to serve as a vehicle for expressive color, with no particular allusion beyond itself.
		Noland finds a balance between structure and color in Untitled, where the central chevron is thoroughly integrated within the square.
		Noland’s experiments with the chevron design were varied—he also rendered asymmetrical chevron pictures, where the shape was tipped to one side or placed off center.
	www.phillipscollection.org /american_art/artwork/Noland-Untitled.htm (340 words)

	Kenneth Noland - Wikipedia, the free encyclopedia
		Kenneth Noland (born April 10, 1924) is an American painter.
		He is identified today as one of the best-known contemporary American Color field painters, although in the 1950s he was thought of as an abstract expressionist and in the early 1960s he was thought of as a Minimalist painter.
		Noland’s preoccupation with the relationship of the image to the containing edge of the picture led him to a series of studies of concentric rings, or bull’s-eyes, using unlikely color combinations.
	en.wikipedia.org /wiki/Kenneth_Noland (291 words)

	Tate Liverpool \| Past Exhibitions \| Tate08 Series: Kenneth Noland
		Kenneth Noland's groundbreaking explorations of form, medium and scale have influenced artists internationally since the 1960s.
		Noland has always worked in series, creating paintings which explore regular schematic compositions or motifs in different combinations of colour – circles (1958-62), chevrons (1962-4), diamonds (1964-7).
		Kenneth Noland was born in Asheville, North Carolina in 1924.
	www.tate.org.uk /liverpool/exhibitions/kennethnoland/default.shtm (325 words)

	Kenneth Noland - Bio
		Kenneth Noland, along with Morris Louis, transmitted the energy, excitement, and inventiveness of the New York art scene to artists in Washington, D.C. Born in Asheville, North Carolina in 1924, Noland served in the Army from 1942 to 1945.
		Noland frequently returned to Black Mountain College, where in the summer of 1950 he met artist Helen Frankenthaler and Clement Greenberg, the noted critic, who became a champion of his art.
		This encounter was critical in the development of Noland’s artistic style; as he began experimenting with Frankenthaler’s pouring and staining techniques, which became the impetus for his own color field paintings, abstract canvases saturated with pure color.
	www.phillipscollection.org /american_art/bios/noland-bio.htm (357 words)

	E-Flux : Kenneth Noland at Chac Mool Gallery - (2003-05-08)
		In his long and distinguished career, Kenneth Noland has become recognized as one of the finest masters of color after Matisse.
		Asserting that rectangularity, strong intense lozenge-like elements appear, in blue at the upper right, a deeper blue "x" or cross at the lower left, and an orange-red and a green float in the almost white center of the target itself.
		Noland’s paintings shimmer and vibrate, underscoring the often-voiced comparison between them to musical harmonies and rhythms.
	www.e-flux.com /displayshow.php?file=message_1052401598.txt (324 words)

	Terry Fenton "Kenneth Noland" (Site not responding. Last check: 2007-11-02)
		Noland's ability to renew his art has been one of the rare excitements offered by contemporary art over the past half century.
		I haven't written about Noland's development as a biographical narrative Diane Waldman's catalog introduction for his retrospective exhibition at the Guggenheim Museum in 1977 does that too completely to bear repeating and it's impossible to properly acknowledge my debt to the pioneering writers on Noland: Clement Greenberg, Ken worth Moffett, and Michael Fried.
		Kenneth Noland's painting is immediate in the extreme, so much so that detractors suggest that it gratifies all too quickly, that it appeals only to the senses and not to the mind, that it offers little beyond the instant of appreciation.
	www.sharecom.ca /noland/apnolandintro.html (1037 words)

	Kenneth Noland Summary
		Kenneth Noland was born in Asheville, North Carolina, on April 10, 1924.
		Noland’s preoccupation with the relationship of the image to the containing edge of the picture led him to a series of studies of concentric rings, or bull’s-eyes, using unlikely color combinations.
		Noland pioneered the “shaped” canvas, initially with a series of symmetrical and asymmetrical diamonds or chevrons.
	www.bookrags.com /Kenneth_Noland (858 words)

	Kenneth Noland: The Nature of Color - Museum of Fine Arts, Houston - Absolutearts.com
		While not a full-scale retrospective, this survey highlights Noland’s transformation of the history of Modernism, demonstrating the extraordinary level of invention, exploration, and renewal he brought to American painting.
		Noland’s next important series, the Diamond and Chevron paintings of the mid-1960s, focuses on strong diagonal thrusts and forceful compositions that test the limits of the frame.
		It raises questions in you.” Kenneth Noland: The Nature of Color measures Noland’s brilliant achievement across his career, a career that never rested, but always pushed toward new questions and resolutions.
	www.absolutearts.com /artsnews/2004/11/24/32552.html (1087 words)

	Kenneth Noland: The Color of Nature
		Although it is called a survey, not a retrospective, this smallish but comprehensive exhibition, covering every phase of Noland's long career, demonstrates that his achievements have gone well beyond the breakthrough art of four decades ago to superb work in the new century.
		Noland was born in 1924 in Asheville, N.C. into a middle-class family.
		Noland's principal mentor was veteran abstractionist Ilya Bolotowsky, who introduced him to the expressive possibilities of color and the geometric abstraction of Dutch painter Piet Mondrian.
	www.antiquesandthearts.com /GH-2005-02-15-13-30-09p1 (1556 words)

	Kenneth Noland at Ameringer/Howard - acrylic painting - Brief Article - Review Art in America - Find Articles (Site not responding. Last check: 2007-11-02)
		In this handsome group of 11 new acrylic works, Noland reveals the methods that go into making them: brushstrokes are evident, and the density of paint varies, often leaving visible a delicate pencil line.
		It may be that Noland is once again devoting himself to the target format precisely because the composition's forthright self-sufficiency allows him to concentrate on the juxtaposition and application of hue.
		The consistent compositional structure is reinvigorated from work to work by intense color, which often overlaps its defining graphite line, and by the varied handling of paint, which ranges from near transparency to effects plainly achieved with spray and brush.
	www.findarticles.com /p/articles/mi_m1248/is_5_89/ai_74439419 (387 words)

	Kenneth Noland Biography and Artworks - Leslie Sacks Fine Art
		An American painter and sculptor, Kenneth Noland was born in Asheville, NC in 1924.
		Also while in Paris, Noland was exposed to Picasso, Miro, and Matisse and eventually had his first solo show at the Galerie Raymond Creuze, in 1949.
		Noland is considered part of the Abstract Expressionist movement and is associated with the color-stain painters, Helen Frankenthaler and Morris Louis.
	www.lesliesacks.com /gallery/artistPages/noland/nolandbio.htm (226 words)

	The Art Collectors Program - Kenneth Noland, Hirshorn Opening, 1974
		Noland studied at Black Mountain College and with Ossip Zadkine in Paris.
		His works are on display at the Guggenheim Museum, the Museum of Modem Art, the National Gallery of Art and numerous other museums throughout the nation.
		An offset lithograph of Kenneth Noland's Beginning, originally painted in 1958, was created to celebrate and promote the 1974 opening of the Hirshhorn Museum and Sculpture Garden.
	www.artcollectorsprogram.org /TheCollection/archives/noland.htm (110 words)

	Kenneth Noland Online
		Original works by Kenneth Noland available for purchase at art galleries worldwide
		Kenneth Noland at the Smithsonian American Art Museum, Washington D.C. Tate Gallery, London, UK Walker Art Center, Minnesota
		All images and text on this Kenneth Noland page are copyright 2007 by John Malyon/Artcyclopedia, unless otherwise noted.
	www.artcyclopedia.com /artists/noland_kenneth.html (300 words)

	david cohen on kenneth noland at ameringer & yohe fine art, markus linnenbrink at margaret thatcher, sentimental ...
		Noland, his exhibition at Ameringer Yohe of nine new canvases is in equal measure elegant and enigmatic.
		Noland's own rhetoric, and that of his formalist champions, speaks about optical hedonism.
		Noland's paintings are "about" color relationships rather than actually embodying them: They are beautifully printed scores, not symphonies.
	www.artcritical.com /DavidCohen/SUN26.htm (1069 words)

	kennethweines.com - Country Musikk Artist (Site not responding. Last check: 2007-11-02)
		Countryartisten Kenneth Weines (24) fra Harstad skriver sine egne låter, og i januar-05 var han i Nashville og spilte inn sitt første album.
		Kenneth Weines ble som 18-åring oppdaget av NRK Troms og invitert i studio for å lage demo.
		Nå har Kenneth signert platekontrakt med Tylden and Co, og hans første album var i salg 22.juni.
	www.kennethweines.com (145 words)

	Kenneth Noland
		In his paintings of the late 1950 's and early 60 's, Kenneth Noland used circles and chevrons for their familiarity as forms, to serve as carriers for his explorations of what colors can do, and the effects of stained color on unsized canvas.
		Like many other artists before him, Noland has taken up again one of his key images as a structure to carry his ongoing pursuit of other aspects of painting: Translucency and pearlescence, the timely counterpoint of opacity and luminescence.
		It is with joy that the gallery presents this exhibition of Kenneth Noland's recent work.
	www.abstract-art.com /abstraction/l3_more_artists/ma83_noland.html (140 words)

	Kenneth Noland (1924 - ) Artwork Images, Exhibitions, Reviews
		Kenneth Noland moved to Washington in 1949 and made the acquaintance of Morris Louis.
		Kenneth Noland - Turnsole 1961 synthetic polymer pa The Museum of Modern Art American
		Kenneth Noland - Purple in the Shadow of Red 1963 acrylic on canvas The Detroit Institute of Art American
	wwar.com /masters/n/noland-kenneth.html (869 words)

	Kenneth Noland (Site not responding. Last check: 2007-11-02)
		Kenneth Noland, 4 February-7 March 1965, no. 2.
		Kenneth Noland: The Concentric Circle Paintings 1956-1963, 14 November 1993-9 January 1994.
		"On Color in Kenneth Noland's Painting," Art International, IX/5 (June 1965) p.
	hirshhorn.si.edu /collection/gallery/noland.html (335 words)

	Kenneth Noland. Apuntes sobre su vida
		El respeto a los bordes del soporte es otra de las constantes en la obra de Noland que, en ocasiones, ha alterado el formato tradicional para trabajar a partir de configuraciones extrañas, pero nada caprichosas, y sí basadas en las necesidades estructurales de la obra que aborda.
		Y Noland prefiere utilizar imágenes existentes, entre lo simbólico y lo publicitario, cuya cotidianidad evita la especulación filosófica, la metafísica superflua que sistemáticamente rechaza la pintura como componente de su quehacer artístico.
		Noland no rehuye el signo asequible, casi banal, que trasciende al trabajarlos en su propio lenguaje, especulando con sus posibilidades pictóricas, apropiándose de ellos y evitando significados que le distraigan de su aventura artística.
	www.dpm-cultura.org /2001/noland.html (422 words)

	[No title]
		First gaining notice in the late 1950s, Kenneth Noland was a member of the group of Color Field abstract painters promoted by New York "Times" critic, Clement Greenberg.
		Noland began with a series of luminous, stained canvases of concentric circles, and focused on the center of the picture, which he regarded as symbolizing all possibilities and the specific genius of the work.
		With his concentric circles surrounding the "bulls eye," he combined a staining method that softened the acrylic paint o (showing 500 of 2805 characters).
	www.askart.com /askart/artist.aspx?artist=30081 (273 words)

	Palm Springs Art Museum
		Working in Washington, D.C. in the late 1950s, both Noland and his contemporary Morris Louis used the stain-painting technique of applying fluid color to raw canvas adapted from Helen Frankenthaler.
		Noland first worked with targets and chevrons of color echoing the shape of the stretched canvas, later switching to painting horizontal bands of color.
		In the early 1980s, Noland returned to the shaped canvas, introducing irregular and asymmetrical shapes.
	www.psmuseum.org /collectionpages/art_kenneth_noland.shtml (159 words)

	Amazon.com: Noland, Kenneth: Books (Site not responding. Last check: 2007-11-02)
		Kenneth Noland: The Nature of Color by Kenneth Noland, Alison De Lima Greene, and Karen Wilkin (Paperback - Nov 30, 2005)
		Kenneth Noland: Monotypes, Barcelona 1984 by Kenneth Noland (Unknown Binding - 1984)
		Kenneth Noland: The Circle Paintings 1956-1963 by Kenneth Noland, William C. Agee, and Alison De Lima Greene (Paperback - Nov 1993)
	www.amazon.com /b?ie=UTF8&tag2=artandartist&node=67989 (231 words)

	Tate \| Press Releases \| Tate 08 Series: Kenneth Noland: The Stripe Paintings (Tate Liverpool)
		Tate Liverpool is delighted to announce an exhibition of paintings by Kenneth Noland, one of the most important American painters of the post-war period.
		His experiments with form, medium and scale radically redefined the notion of painting and his technical and formal innovations have remained influential to succeeding generations of artists around the world.
		Varying in colour, number and width, the bands of colour across the length of the canvas became the sole means of defining the dimensions of the painting.
	www.tate.org.uk /about/pressoffice/pressreleases/2006/liverpool_noland_17-03-06.htm (445 words)

	Kenneth Noland
		“Kenneth Noland: A Retrospective,” Solomon R. Guggenheim Museum, New York, April 15-June 19.
		Leo Castelli Gallery, New York, “Kenneth Noland: A Selection of Paintings”
		Metta Galeria, Madrid, Spain “Kenneth Noland: Encounter and Reflexion” 02/00-08/00.
	www.kennethnoland.com /biography (896 words)

	Party Pictures 11/12/03 - John Loring, Tiffany in Fashion, Kenneth Noland, Contrapuntal, International Auction of ...
		Kenneth Noland's Contrapuntal, an exhibition on nine new paintings, at Ameringer and Yohe Fine Art
		Paige Rense hosted a dinner for her husband Kenneth Noland to celebrate the opening of Contrapuntal, an exhibition of nine new paintings.
		Jean Tailer with Kenneth Noland and Paige Rense
	www.newyorksocialdiary.com /partypictures/2003/11.12.03/partypictures11.12.03.php (602 words)

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