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	Kenny Burrell Soul Call by Dave Glackin
		Kenny Burrell's signature purity, fluidity, and dexterity are captured perfectly on this disk.
		Kenny Burrell is widely recognized as one of the handful of top guitarists of all time, and Rudy Van Gelder, the recording engineer on this album, is justifiably famous for his gorgeous sounding recordings of jazz from the "golden era".
		Kenny is accompanied here by a combo consisting of piano, bass, drums and conga, and most of the players get their chance to shine in this album.
	www.enjoythemusic.com /magazine/music/0902/burrell.htm (528 words)

	Kenny Burrell - Verve Records
		After 40 years as a jazz professional, appearing on several hundred albums as leader and sideman, Kenny Burrell is among the handful of guitar greats who have forever changed the role of their instrument.
		Kenny Burrell is also a prolific composer whose work is more and more in demand.
		Kenny, who credits Charlie Christian, Oscar Moore, and Django Reinhardt as influences, as well as such bluesmen as T-Bone Walker and Muddy Waters, played on his first major recording session in Detroit in 1951 with a Dizzy Gillespie combo that included John Coltrane, Milt Jackson, and Percy Heath.
	www.vervemusicgroup.com /artist.aspx?aid=2696 (1104 words)

	Biography - Kenny Burrell (Bio 517) (Site not responding. Last check: 2007-10-09)
		Kenny Burrell has been a very consistent guitarist throughout his career.
		Duke Ellington's favorite guitarist (though he never actually recorded with him), Burrell started playing guitar when he was 12 and he debuted on records with Dizzy Gillespie in 1951.
		Highly in-demand from the start, Burrell has appeared on a countless number of records during the past 40 years as a leader and as a sideman.
	musicbase.h1.ru /PPB/ppb5/Bio_517.htm (258 words)

	CD Review of Kenny Burrell - Blue Muse on Concord Records @ jazzreview.com
		Throughout his career, Kenny Burrell has amassed 96 of his own recordings as a leader, not to mention hundreds on which he was a backup musician.
		Moreover, Burrell seems to sing those tunes with a special emotional relevance, such as his paean to his wife, Katherine, on “Then I Met You,” or the melancholy nature of Duke Ellington’s “Solitude.” Like his guitar playing, Burrell’s voice has a calming effect as he burnished Kenny Dorham’s “Blue Bossa” with a warm glow.
		Through understatement and the straightforward regard for the harmonic possibilities of each tune, Burrell continues to infuse listeners with the qualifies of grace and clarity that have distinguished his playing throughout almost 50 years of landmark recordings.
	www.jazzreview.com /cdreview.cfm?ID=5376 (424 words)

	Kenny Burrell
		Kenny Burrell is one of the most respected jazz artists in the world.
		Burrell, recipient of many awards, was named a 2005 Jazz Master by the National Endowment for the Arts (NEA), a title awarded annually to a handful of living figures in recognition of their exceptional contributions to the field of jazz.
		Born and raised in Detroit, Burrell found musical colleagues at an early age among jazz greats such as Paul Chambers, Tommy Flanagan, Frank Foster, Yusef Lateef, Betty Carter, and the brothers Hank, Thad, and Elvin Jones.
	www.ethnomusic.ucla.edu /people/burrell.htm (490 words)

	Amazon.ca: 'Round Midnight: Music: Kenny Burrell (Site not responding. Last check: 2007-10-09)
		Kenny has other great records and recordings like Midnight Blue, Guitar Forms, Ellington Is Forever and the album he did with John Coltrane are classics but even they can't top this one.
		Burrell has the blues feeling and deep rhythm combined with harmonic sophistication and the ability to set a mood with his lyricism...
		Kenny is a modest person..like most jazz artists, they tend to shun flamboyance, opting instead for geniune FEEL and creating an atmosphere--speaking their thoughts through their instrument.
	www.amazon.ca /Round-Midnight-Kenny-Burrell/dp/B000009NWJ (958 words)

	Kenny Burrell - Moten Swing & Blue Muse - Jazzmatazz review
		In 1960, Kenny Burrell was signed to Columbia Records.
		The sessions ended up staying in the can for over twenty years—nine tracks were released in 1983 on the LP "Bluesin' Around" and the complete sessions (thirteen tunes plus five alternate takes) have been released by Euphoria in 2002 as Moten Swing (part of their interesting set of jazz guitar reissues).
		Forty years after recording the sessions for Moten Swing, guitarist Kenny Burrell is still performing and recording and has a new CD out on Concord Jazz, Blue Muse.
	home.att.net /~jazzmatazz/reviews/03/r0311f.html (675 words)

	Classic Jazz Guitar - Guitarists
		Kenny Burrell (1931) began his musical career in Detroit while a student at Wayne State University.
		In the early 1970s Kenny Burrell moved to California and began recording on the Fantasy and CTI labels and later with Concord Records.
		From the start of his career Kenny Burrell was described as a bop and hard bop player.
	www.classicjazzguitar.com /artists/artists_page.jsp?artist=57 (693 words)

	Prestige Profiles Vol. 7: Kenny Burrell
		For many folks, Kenny Burrell is the epitome of the jazz guitarist, and his work is judged to be heavily influential on later guitarists—as influential as Wes Montgomery, who some consider to be the modern model for jazz guitar.
		But Montgomery is widely cited as declaring that Burrell influenced him, and there’s no denying the light, sophisticated approach that Burrell brings to the instrument.
		Burrell spent quite a while on Prestige—from 1956 to 1963, and the material here covers that territory ably, with selections from a number of Burrell releases: 2 Guitars, Bluesy Burrell, Kenny Burrell, Brother Jack McDuff/Somethin’ Slick, Kenny Burrell and John Coltrane, All Night Long, The Cats, All Day Long.
	www.jazzitude.com /prestige_burrell.htm (447 words)

	Amazon.com: Midnight Blue: Music: Kenny Burrell (Site not responding. Last check: 2007-10-09)
		Kenny Burrell's music is a wonderful blend of elegance and conviction, musical inventiveness and thoughtful restraint.
		Kenny Burrell was, and is, the master of this style.
		So few recordings actually achieve what Kenny Burrell does here which is deliver a group of very distinct, individually excellent pieces that are all quite interesting on their own, but stunning in their totality.
	www.amazon.com /Midnight-Blue-Kenny-Burrell/dp/B00000I41G (1198 words)

	Kenny Burrell - Music Downloads - Online
		Bio: Kenny Burrell has been a very consistent guitarist throughout his career.
		Highly in demand from the start, Burrell appeared on a countless number of records as a leader and as a sideman.
		He toured with the Phillip Morris Superband during 1985-1986, and led three-guitar quintets, but generally Kenny Burrell plays at the head of a trio/quartet.
	musicstore.connect.com /artist/640/Kenny-Burrell/1001058.html (187 words)

	Kenny Burrell: The Hard Bop Homepage (Site not responding. Last check: 2007-10-09)
		A member of a musical family, Kenny Burrell began playing guitar at the age of 12.
		Burrell performs most frequently in a trio with a double bass player and a drummer.
		Burrell's playing is in the bop style, but is more conservative than that of some of his colleagues, for he favors simple, often singable, melodic lines rather than flights of virtuosity.
	members.tripod.com /~hardbop/burrell.html (259 words)

	Amazon.ca: Kenny Burrell W/John Coltrane: Music: Kenny Burrell (Site not responding. Last check: 2007-10-09)
		Kenny Burrell's guitar-playing sounds a lot like Wes Montgomery, who didn't make a splash in the jazz world until two years after this recording date.
		One thing that bothers me a bit is that Burrell does not seem to comp for any of Trane's solos except when they play the duet "Why was I born?" I don't know why Trane never worked with guitarists.
		Recorded when both Burrell and Coltrane were on the rise, it is simply beautiful and gives some hint to the greatness to come from Coltrane (it was recorded when he was still playing with Miles Davis).
	www.amazon.ca /Kenny-Burrell-W-John-Coltrane/dp/B000000YGR (826 words)

	Kenny Burrell : Bluesy Burrell - Listen, Review and Buy at ARTISTdirect
		Leader Kenny Burrell's playing is much more in line with the Moodsville groove.
		Unlike Hawkins, Burrell's subdued contribution is made to measure for this date.
		This is where Burrell gets a chance to cook in his classic hard bop style, along with the fine alto player Leo Wright.
	www.artistdirect.com /nad/store/artist/album/0,,59320,00.html (291 words)

	Midnight Blue: The Hard Bop Homepage
		That's the way Kenny Burrell felt when he talked with Alfred Lion about the idea for the album.
		Kenny decided that there would be no need for a piano on this occasion; not that he believes exclusively in pianoless rhythm sections as such, but the sound just wasn't required for his concept of the groove he wanted to establish.
		Both Stanley and Kenny offer in this jazz waltz some of their most inspired moments of the whole album; I found myself feflecting how sad it is that because of the prejudices of those days against anything but four-four time, men like Charlie Christian and Chu Berry never got to waltz the blues.
	members.tripod.com /~hardbop/midblue.html (656 words)

	Kenny Burrell \| Lucky So And So
		Kenny Burrell listeners' appetites never will be sated because his playing is of such a quality that new facets can be discovered with every listening.
		Burrell's guitar style is so rooted in the vocal tradition—what with its attention to the phrasing of unspoken words and the development of mini-dramas within a song—that his playing must be guided by singer's awareness of meaning.
		Burrell says in the liner notes that he feels lucky to have been able to carve out a career by doing what he loves.
	www.allaboutjazz.com /reviews/r0601_082.htm (733 words)

	Kenny Burrell Biography : Oldies.com
		Coming from a family that encouraged music (all his three brothers were musicians), Burrell studied classical guitar for a mere 18 months (1952-53).
		Like all jazz guitarists of his generation Burrell was primarily influenced by Charlie Christian, but developed his own particular playing style.
		In the late 90s Burrell was also to be found teaching at UCLA, and became a professor of music in 1997.
	www.oldies.com /artist-biography/Kenny-Burrell.html (327 words)

	Kenny Burell/John Coltrane \| Kenny Burrell and John Coltrane
		Burrell was a highly respected sideman, able to fit seamlessly into any context, who also recorded sturdy sessions as a leader.
		Coltrane and Burrell frequently trade off the first solo chair, never hogging the spotlight, and on “Big Paul” the rhythm section is allowed to navigate the changes for a few minutes while the two leads sit out.
		Burrell, who plays with more of an edge than other guitarists of the era, pulls multiple riffs out of his bag of tricks.
	www.allaboutjazz.com /reviews/r0501_102.htm (564 words)

	MP3.com: Jazz guitarist Kenny Burrell feted in LA (via CobWeb/3.1 planetlab2.cs.unc.edu) (Site not responding. Last check: 2007-10-09)
		Burrell, a master of bebop guitar who played with Dizzy Gillespie, Coleman Hawkins, John Coltrane, Sonny Rollins, and Benny Goodman, turned 75 last month and the party was an acknowledgment both of his music and his pioneering teaching of jazz studies at UCLA.
		Burrell, a ramrod-thin, white-haired man, took a look at his watch as midnight approached and apologized to the audience at UCLA's Royce Hall for the tribute being so long.
		Duke Ellington's favorite guitarist (though he never actually recorded with him), Burrell started playing guitar when he was 12, and he debuted on...
	www.mp3.com.cob-web.org:8888 /news/stories/7374.html (564 words)

	Amazon.com: Kenny Burrell & John Coltrane: Music: Kenny Burrell,John Coltrane (via CobWeb/3.1 planetlab2.cs.unc.edu) (Site not responding. Last check: 2007-10-09)
		Burrel, Flanagan and all the company are worthy of him and the result is, I insist, a wonderful moment in the history of jazz.
		KENNY BURRELL & JOHN COLTRANE is not one of the greatest records of all time.
		KENNY BURRELL & JOHN COLTRANE is not a masterpiece - not even barely.
	www.amazon.com.cob-web.org:8888 /Kenny-Burrell-John-Coltrane/dp/B000000YGR (1505 words)

	Amazon.com: Introducing Kenny Burrell: The First Blue Note Sessions: Music: Kenny Burrell (Site not responding. Last check: 2007-10-09)
		Burrell's nifty "Fugue 'n the Blues" is a Bach-meets-bop excursion worthy of the Modern Jazz Quartet.
		Kenny Burrell Sheet Music — Sheet music for Kenny burrell at Sheet Music Plus.
		Burrell's beautiful tone and exceptional swing are evident throughout.
	www.amazon.com /Introducing-Kenny-Burrell-First-Sessions/dp/B00004TR15 (1019 words)

	Artist Selects - Kenny Burrell by Kenny Burrell CD
		One of the best soul-jazz guitarists of the 1950s and '60s, Kenny Burrell's cool-toned bop technique graced several important Blue Note records of the era.
		Burrell's accompanists include the likes of Herbie Hancock, Ray Barretto, Art Blakey, Jimmy Smith, and Paul Chambers, making for a veritable Blue Note all-star team.
		Burrell's liner notes also give the whole package a nice personal touch.
	cduniverse.com /search/xx/music/pid/6968218/a/...+-+Kenny+Burrell.htm (322 words)

	Tower Records - Kenny Burrell (OJC) - Kenny Burrell (Site not responding. Last check: 2007-10-09)
		Tommy Flanagan and Doug Watkins are well chosen confreres, sharing Burrell's taste for a down-home, understated approach to the bop vocabulary, and Elvin Jones' brushwork is the low blue flame underneath it all.
		Burrell frames the head chord-melody style in conjunction with Payne on Bud Powell's "Strictly Confidential," and takes on the set's ballad, "All of You" as a quartet before bringing Payne back for "Perception," another midtempo bop excursion.
		Throughout, Burrell is a graceful leader and an articulate soloist, giving room to his sidemen in creative head arrangements, and calling tempos that swing hard without sounding forced.
	www.towerrecords.com /product.aspx?pfid=1001712 (309 words)

	Review - Kenny Burrell: Moten Swing! (Site not responding. Last check: 2007-10-09)
		What possessed Burrell and producer John Hammond to make the guitarist's first Columbia release a vocal album is a mystery, but while it was considered an artistic success, it wasn't what the jazz record buying public wanted from the then-reigning Downbeat Guitarist Of The Year.
		For fans of Burrell's cool-toned bop guitar work this disc is long overdue.
		It's Kenny Burrell at the peak of his powers along with some of the best horn and rhythm players in the business, and it's one you should hear.
	www.cosmik.com /aa-october02/reviews/review_kenny_burrell.html (244 words)

	Review - Kenny Burrell: Lucky So And So (Site not responding. Last check: 2007-10-09)
		Burrell adds his own vocal talents to four tracks on this disc, and while I wouldn't advise him to permanently lay his axe aside in favor of a microphone, he sings just fine, including a convincing bit of scat on "Squeeze Me," one of a trio of Ellington compositions included.
		Burrell is the front man for a quartet that includes Onaje Allan Gumbs (keyboards), Rufus Reid (bass) and Akira Tana (drums), and all turn in the quality performances you'd expect.
		Outside of the vocal contributions, there's not a lot of new ground explored here, but listening to Kenny Burrell cover familiar territory is like visiting favorite relatives in the old home town.
	www.cosmik.com /aa-august01/reviews/review_kenny_burrell.html (260 words)

	Kenny Burrell @ The Jazz Files (Site not responding. Last check: 2007-10-09)
		While few fans of guitarist Kenny Burrell would claim that he has been an innovator, most would point to his solid creativity, strongly bluesy rhythm feel and the fact that he has worked with most of the giants of the soulful hard-bop era dominated by the Blue Note and Prestige labels.
		Burrell never achieved the popularity of George Benson or Wes Montgomery.
		His best Blue Note efforts include Blue Lights and Midnight Blue, while his Kenny Burrell and John Coltrane on Prestige is also recommended, along with his Verve collaboration with arranger Evans, Guitar Forms.
	www.thejazzfiles.com /JazzBurrell.html (208 words)

	Kenny Burrell - Wikipedia, the free encyclopedia
		After moving from Detroit to New York City in 1956, he recorded with a wide range of prominent musicians, including John Coltrane, Paul Chambers, Benny Goodman, Gil Evans, Stan Getz, Billie Holiday, Milt Jackson, Quincy Jones, Oscar Peterson, Sonny Rollins, Jimmy Smith, Stanley Turrentine, and Cedar Walton.
		Organ trio, a type of small jazz ensemble in which Burrell often performed
		This page was last modified 00:29, 9 December 2006.
	en.wikipedia.org /wiki/Kenny_Burrell (265 words)

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