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Topic: Ketil Haugsand

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	Ketil Haugsand - Wikipedia, the free encyclopedia
		Ketil Haugsand is a Norwegian harpsichordist and conductor.
		In 1973 he received his solo diploma, and in 1975 the Prix d'Excellence at the Amsterdam conservatory where he studied under Gustav Leonhardt.
		Haugsand is now a world-renowned harpsichordist and has toured extensively in Europe, Israel and the United States.
	en.wikipedia.org /wiki/Ketil_Haugsand (113 words)

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		Ketil Haugsand’s harpsichord interpretation of these works is a massive undertaking that sees new aspects of Bach’s thoroughly interpreted works unveiled.
		The listener can relish the stunning beauty of these variations, be it Haugsand basking around in exquisite inventio and counterpoint, fully enjoying an extremely rich and dynamic espressivo or honing himself on some hair-raising technical challenges.
		The music is complex, both thematically and rhythmically, but Haugsand’s mastery of his harpsichord sees few equals and leaves the listener with an album that can be filed in the compulsory-listening category.
	www.ballade.no /mic.nsf/printstory/art2003101513245837120164 (124 words)

	Review: Goldbergs Ketil Haugsand (Site not responding. Last check: 2007-10-14)
		Ketil Haugsand is a Norwegian harpsichordist who has recorded several discs of music by Bach, as well as other baroque composers.
		While this recording may not be for everyone, Haugsand is presenting a personal vision of this work.
		Ketil Haugsand has done what too few harpsichordists have done - left his mark on this monument of keyboard music.
	www.bach-cantatas.com /NonVocal/Klavier-Goldberg-Haugsand[Kirk].htm (624 words)

	Ketil Haugsand (Conductor, Harpsichord) - Short Biography
		From 1974 until 1994, Ketil Haugsand was full time assistant professor at the Norwegian State Academy of Music in Oslo where he taught harpsichord repertoire, figured bass, pianoforte, early organ repertoire and coached baroque and classical ensemble on early instruments.
		Since his debut in November 1969, Ketil Haugsand has been steadily building his career as a performing artist, both in recital, as soloist with orchestra and in chamber music, and has toured extensively in Europe, Israel and the USA.
		Ketil Haugsand is the artistic leader of the Arte Real Ensemble and of the Norwegian Baroque Orchestra.
	www.bach-cantatas.com /Bio/Haugsand-Ketil.htm (372 words)

	THE NORWEGIAN BAROQUE ORCHESTRA, biografía, discografía
		The harpsichordist Ketil Haugsand is one of Norway’s most outstanding performers of early music.
		He was professor of Early Music at the Norwegian State Academy and from 1994 has been harpsichord professor at the Musikhochschule in Cologne.
		Ketil Haugsand has been closely associated with the Norwegian Baroque Orchestra since its foundation in 1988 as the first independent, professional orchestra performing on period instruments in Scandinavia.
	www.goldbergweb.com /es/interpreters/orchestras/10278.php (184 words)

	Norsk Musikkinformasjon: Ketil Haugsand - Biography
		The Norwegian harpsichord player Ketil Haugsand is a central character in the European Early music scene
		Ketil Haugsand, professor of harpsichord at the Hochschule für Musik in Cologne, is regarded as one of the great harpsichordists and Early Music personalities of today.
		Haugsand is a jury member at international harpsichord competitions in Warsaw, Leipzig, Hamburg and Prague, and gives summer courses regularly in Norway and Portugal.
	www.mic.no /mic.nsf/doc/art2002101213355844899977 (160 words)

	Goldberg Variations by Ketil Haugsand at jsbach.org
		I have enjoyed Ketil Haugsand's performances previously on recordings of Bach and Rameau and when I heard he had recorded the Goldberg Variations I had to have it.
		The result is a personal interpretation that separates it from the kind of dry performance of which there are many.
		It makes you love the Goldbergs all over again, as Ketil Haugsand obviously does.
	www.jsbach.org /haugsandgoldbergvariations.html (185 words)

	Norsk Musikkinformasjon: Ketil Haugsand: J.S. Bach: Goldberg Variations
		Norsk Musikkinformasjon: Ketil Haugsand: J.S. Bach: Goldberg Variations
		MIC’s Listen to Norway profile series continues with Ketil Haugsand’s interpretations of Bach’s Goldberg Variations.
		Listen to Ketil Haugsand’s interpretations of Bach’s Goldberg Variations.and purchase single tracks or the entire album
	www.mic.no /mic.nsf/doc/art2003101513245837120164 (148 words)

	Norsk Barokkorkester
		Run by the musicians themselves, the orchestra has collaborated widely with a number of conductors - most notably the Norwegian harpsichordist Ketil Haugsand and the British conductor Andrew Parrott.
		Most of the orchestra`s performances have been transmitted or recorded by radio stations in Norway and abroad.
		Ketil Haugsands tempi were throughout dreamlike, the orchestra`s treatment of the works of Bach, Roman and Rameaus were beyond chritisism».....
	www.nbo.no /english/whoarewe.html (265 words)

	First International Harpsichord Competition, Budapest
		The competition took place September 19-30, 2000 with János Sebestyén presiding over a jury consisting of Máté Hollós, Anikó Horváth, István Lantos, Ketil Haugsand, Jacques Ogg, Miklós Spányi and Elzbieta Stefanska.
		The competition opened on September 19 with a concert at the Liszt Academy in commemoration of the 250th anniversary of Bach's death.
		It was easy to appreciate the different timbres of the four solo instruments in the excellent acoustics of the Academy's large hall.
	www.jsebestyen.org /competition.html (1160 words)

	[No title] (Site not responding. Last check: 2007-10-14)
		Bach, Sinfonia from Cantata Num42; Orchestral Suites 1 & 2; Harpsichord Concerto Num2, BWV 1053.
		(Ketil Haugsand, harpsichord and conducting the Norwegian Baroque Orch.)Bach, Sinfonia from Cantata Num42; Orchestral Suites 1 & 2; Harpsichord Concerto Num2, BWV 1053.
		(Ketil Haugsand, harpsichord and conducting the Norwegian Baroque Orch.)
	www.classicalenthusiast.com /gordonscds/html/114011.htm (83 words)

	Classics Today.com - Your Online Guide to Classical Music
		Let's face it: just about everybody, especially early music specialists, plays these works well.
		The chamber-sized Norwegian Baroque Orchestra, under the leadership of Ketil Haugsand, is no exception.
		Thanks to its small complement, this group gives texturally clear, incisive readings that are in tune, technically flawless, and will not disappoint: you simply hear every note Bach wrote in these well-known works.
	www.classicstoday.com /review.asp?ReviewNum=5096 (228 words)

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		He played in Boismortier concerto for 5 flutes - e minor, M.de la Barre's G major suite (book 2) and Telemann's G major Paris quartet in the final concert (with Terpsichoria's co-founder Philip at the harpsichord).
		March 2002, Lisbon early music course with Peter Holtslag, Richard Gwilt and Ketil Haugsand.
		Played works by Telemann, Quantz and Les Nations by Couperin in final concert.
	ourworld.compuserve.com /homepages/byronmahoney/byronM.htm (193 words)

	American Bach Soloists - Kristin Zoernig
		KRISTIN ZOERNIG (contrabass) received her formal training at Interlochen Arts Academy, National Music Camp, School of Music at Northwestern University, Norwegian State Academy of Music and Johannesen International School of the Arts.
		Teachers have included Gary Karr, Knut Guettler, Dan Styffe, Ketil Haugsand, Jeff Bradetich, Jack Budrow and Christopher Brown.
		Her career has taken her around the U.S. and Norway, and to Canada, Sweden, and Iceland.
	www.americanbach.org /Artists/ZoernigKristin.htm (135 words)

	Norsk Barokkorkester
		From the Nidaros Cathedral August 2000, leader Ketil Haugsand
		From Tage Alte Musik Regensburg -95, leader Ketil Haugsand
		From Musikfest Bremen -98, with Bruce Dickey - cornetto, leader Ketil Haugsand
	www.nbo.no /english/hearus.html (104 words)

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