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| | CONTEXT - This Week in Arts and Ideas from The Moscow Times (Site not responding. Last check: 2007-11-02) |
 | | That last one proved memorable only for its first two performances, both of which were graced by the singing of three borrowed soloists from the Mariinsky and by the conducting of Mstislav Rostropovich, who immediately afterward departed the theater, leaving behind him a scorching denunciation of the Bolshoi's management and its working conditions. |
 | | Set in Moscow during the year 1682, "Khovanshchina," over its nearly five-hour length, tells a complicated tale of the political and religious struggles that followed the death of the second Romanov tsar, Alexei Mikhailovich, and ends, with special drama, in a scene of self-immolation by a group of the religious schismatics known as Old Believers. |
 | | Alexandrov concentrates on the individuals involved, on "their souls," as he puts it, and on the opera's ideas, rather than on a precise depiction of historical events, as is commonly the case in "Khovanshchina" stagings. |
| context.themoscowtimes.com /stories/2002/06/07/101.html (948 words) |
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