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| | The Picturesque and the Sublime: a Poetics of the Canadian Landscape by Stan Dragland (Site not responding. Last check: 2007-10-08) |
 | | It is a very different thing from alienation.' Glickman picks this up as a highlight of her reading for the sublime, which, she says, `accepts that nature is always already Other and will evade any net of language, colonial or otherwise.' |
 | | McKay is one of the Canadian poets Glickman lists as those in whose work `this imaginative sequence is enacted over and over again.' The others are Don Coles, Don Domanski, Dennis Lee, Tim Lilburn, Kim Maltman, Erin Mouré, Al Purdy, Anne Szumigalski, Phyllis Webb, and Jan Zwicky. |
 | | The book is short, but the thinking, like the writing, is flexible and lithe, full of common sense and composed of layers of learning not paraded but effectively deployed. |
| www.utpjournals.com /product/utq/691/sublime83.html (553 words) |
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