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Topic: Kindertotenlieder


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  Kindertotenlieder - Wikipedia, the free encyclopedia
Kindertotenlieder (Songs on the Death of Children) is a song cycle for voice and orchestra by Gustav Mahler.
The original Kindertotenlieder were a group of 425 poems written by Rückert in 1833–34 in an outpouring of grief after two of his children had died in an interval of sixteen days.
The Kindertotenlieder were premiered in Vienna on January 29, 1905.
en.wikipedia.org /wiki/Kindertotenlieder   (320 words)

  
 Kindertotenlieder -- Facts, Info, and Encyclopedia article   (Site not responding. Last check: 2007-09-18)
Kindertotenlieder (Songs on the Death of Children) is a (Click link for more info and facts about song cycle) song cycle for voice and (A musical organization consisting of a group of instrumentalists including string players) orchestra by (Austrian composer and conductor (1860-1911)) Gustav Mahler.
The original Kindertotenlieder were a group of 425 poems written by Rückert in 1833– (Click link for more info and facts about 34) 34 in an outpouring of grief after two of his children had died in an interval of sixteen days.
The Kindertotenlieder were premiered in (The capital and largest city of Austria; located on the Danube in northeastern Austria; was the home of Beethoven and Brahms and Haydn and Mozart and Schubert and Strauss) Vienna on January 29 1905.
www.absoluteastronomy.com /encyclopedia/k/ki/kindertotenlieder.htm   (339 words)

  
 Hampson on Mahler
Kindertotenlieder (Songs on the Death of Children) is a setting of five poems by the German romantic poet Friedrich Rückert (1788-1866), who wrote more than 400 after the deaths of two of his young children.
With its first-person voice, the poetry was personal, yet it was universal in its focus on the meaning and fragility of existence.
Hampson recorded Kindertotenlieder with Leonard Bernstein and the Vienna Philharmonic in October 1988.
www.chron.com /content/interactive/special/finearts/music/hampson.html   (1043 words)

  
 Amazon.ca: Music: Kindertotenlieder/5 Ruckertlie   (Site not responding. Last check: 2007-09-18)
Kindertotenlieder: Oft denk' ich, sie sind nur ausgegangen!
In the Kindertotenlieder, she is a bereft mother, crushed by the loss of her children.
While each song is heartbreaking in its own way, she still manages to reach even deeper in the final song, "In diesem Wetter, in diesem Braus" in which the mother, driven mad by her loss, laments that her (dead) children should not be out in the storm raging outside.
www.amazon.ca /exec/obidos/ASIN/B00000IOBY   (1241 words)

  
 Classical Net - Mahler - Kindertotenlieder
While thinking of the Kindertotenlieder may be painful – and why even risk invoking the jinx; after all, it struck Mahler himself – it is my belief that these people are missing a crucial part of Mahler's output that is as awe-inspiring as his symphonies and the other songs.
I've been listening to five different Kindertotenlieder's during all this: Thomas Hampson with orchestra (Bernstein/Vienna; DG 28943 16822) and piano (with Wolfram Rieger; EMI Classics 24355 64432); Norman Foster/Horenstein (Bamberg; VoxBox CDX2 5509); Baker/Barbirolli (Halle; EMI GROC 24356 69962); and Dietrich Fischer-Dieskau, with Daniel Barenboim at the piano (EMI CDC7676572).
The orchestra in the Kindertotenlieder is a small one, being only strings and winds, with the exception of two horns (and some brief but telling instances of kettledrum and gong).
www.classical.net /music/comp.lst/works/mahler/kindertotenlieder   (1460 words)

  
 INKPOT#83 CLASSICAL MUSIC REVIEWS: Requiem Issue - MAHLER Kindertotenlieder - an Inktroduction
In the Kindertotenlieder, Mahler's use seemingly major keys which change into the minor also reflect the emotional instability of the protagonist in the cycle.
Kindertotenlieder with Berlin Philharmonic Orchestra/Kempe Lieder eines fahrenden Gesellen with Philharmonia Orchestra/Furtwängler Rückertlieder with Daniel Barenboim (piano).
Janet Baker (mezzo) Kindertotenlieder, Lieder Eines Fahrenden Gesellen and Rückertlieder.
inkpot.com /classical/mahkinder.html   (2189 words)

  
 Classical Net - Mahler - Kindertotenlieder V
But recovery from such a trauma as the rapid, successive loss of two children cannot proceed in a linear way, so it is no surprise that the parent – if he wants to console his children in the sunshine on those heights and find resolution for himself – will be tested one more time.
Mahler, who in the Kindertotenlieder proves himself as masterly in psychology and human nature as he was in music and literature – again intensifying the original Rückert poem far beyond its original state – knew this.
After listening to the Kindertotenlieder at least 80 times in the past two months, my awestruck shake of the head has become a part of whatever version is playing.
classical.net /music/comp.lst/works/mahler/kindertotenlieder/ktl5.html   (1418 words)

  
 Mahlerfest - Lieder
Also in contrast to the Kindertotenlieder, these songs make no attempt to coalesce into a "cycle": there is no unifying thought, no journey, no story being told.
Written mostly during the summer of 1901 when the composer was turning 41, the Rückert songs are the archetype of what we now call "Middle Mahler." Scored for a smaller orchestra whose instruments rarely all play at the same time, the songs have a chamber-like atmosphere that underscores their intimate nature.
Most importantly, the song is built on the yearning four-note rising phrase that also appears in the 4th Symphony, movement three; the 5th, Adagietto; and the second of the Kindertotenlieder.
www.mahlerfest.org /mfXVI/notes_lieder.htm   (1479 words)

  
 Gustav MAHLER - Kindertotenlieder [JQ]: Classical CD Reviews- Oct 2003 MusicWeb(UK)   (Site not responding. Last check: 2007-09-18)
The performance of Kindertotenlieder was the first recording on which Bruno Walter and Kathleen Ferrier collaborated; and this recording of the Fourth symphony was Walter’s first recording of the work.
The Kindertotenlieder, produced by Walter Legge for Columbia, was the idea of Bruno Walter and followed three concert performances given by him and Ferrier.
This is an ideal opportunity for collectors to acquire a classic account of Kindertotenlieder by a great singer and to experience the work of one of the finest of all Mahler conductors.
www.musicweb-international.com /classrev/2003/Oct03/Mahler_4halban.htm   (1212 words)

  
 Gustav Mahler
The Kindertotenlieder, based on poems by Friedrich Ruckert (17888-1866) after the death of his only 2 children, were first performed in Vienna by Mahler on January 29, 1905.
Rückert's "Kindertotenlieder", written in 1834 after the death of his 2 children, was published posthumously in 1872 (he died in 1866).
The first 3 Kindertotenlieder were composed in 1901, when Mahler had not yet even known his wife.
www.expreso.co.cr /centaurs/posts/bio/mahler.html   (1438 words)

  
 KLEMPERER/WALTER - MAHLER
Four years later, Ferrier was the terminal victim of cancer at the age of only 41—not yet in her prime.
Fittingly, her Kindertotenlieder comes first, featured on the album cover and in the notes, although as usual there are no texts from Naxos.
But neither are there texts for Music and Arts’ two performances of the cycle, one after the other, on the fourth disc of their Klemperer set—but more of that gallimaufry anon.
classicalcdreview.com /gmok.html   (1135 words)

  
 Boston Philharmonic Music Review   (Site not responding. Last check: 2007-09-18)
In their second installment in a season-long Mahler cycle, the Boston Philharmonic and conductor Benjamin Zander have paired the Kindertotenlieder with the Symphony No. 4 — interspersed by a single Wunderhorn song —; in a rich expressive trajectory.
Nonetheless, the journey from dark to light, from earthly devastation to the abundance, playfulness, and perfection of heaven was vividly navigated.
For the five songs in Kindertotenlieder and the Wunderhorn song, Das irdische Leben (The Earthly Life), Zander had the inspired idea of engaging the great lieder singer Mitsuko Shirai.
www.bostonphil.org /review11-03.html   (377 words)

  
 INKPOT#55 CLASSICAL MUSIC REVIEWS: MAHLER Symphony No.7. Kindertotenlieder. Terfel/Philharmonia/Sinopoli (DG Double)
The Kindertotenlieder ("Songs on the Death of Children") are a lieder cycle, in other words a collection of German art-songs.
Originally from the catalogue of 500 poems that Friedrich Rückert wrote after his own children passed away from sickness, these were set to music by Mahler, who's preoccupation with death led him to write many works dealing with the subject.
The Kindertotenlieder are written for either mezzo-soprano or baritone.
inkpot.com /classical/mah7kin.html   (1184 words)

  
 Historical Settings   (Site not responding. Last check: 2007-09-18)
Some two weeks after the engagement (late 1901) had been announced, Natalie Bauer-Lechner, Mahler's friend, musician, and his Boswell, made her last entry into the diary in which for some seven years she had kept careful notes of her conversations with Mahler about his music and his views on life in general.
However, in the forward to the English edition of Natalie's recollections, de La Grange speculates that perhaps three of the Kindertotenlieder were included along with in manuscripts of Wunderhorn songs which Mahler gave to Natalie.
In summary, the years when Mahler started his Fifth and Kindertotenlieder were good years for him, in his beautiful lakeside villa and comfortable composing hut up the hill in the woods.
www.mahlerfest.org /2001/essay.htm   (2344 words)

  
 Guardian | Mahler: Symphony No 3; Kindertotenlieder: DeYoung/ San Francisco Symphony/ Tilson Thomas
And as the vast structure unfolds, his approach seems increasingly laboured and two-dimensional, culminating in an account of the finale that is too drawn out to sustain its intensity.
It is paired with a performance of Kindertotenlieder that is equally underpowered emotionally.
Tilson Thomas colours the orchestral accompaniments to the song cycle strikingly, and mezzo Michelle DeYoung's delivery is beautiful, but these settings should be powered by an anguish and sense of loss that she never remotely suggests.
www.guardian.co.uk /print/0,3858,4669537-108884,00.html   (440 words)

  
 Los Angeles Philharmonic Association - Piece Detail
Mahler began his Kindertotenlieder in the summer of 1901, after a health crisis got him thinking about his own mortality.
That night, February 24, after the performance, Mahler telephoned his sister, who arrived at his apartment to find him lying in a pool of his own blood.
Mahler composed during summers, and the summer of 1901 was one of his most prolific, yielding a host of songs, including the first, third, and fourth of the Kindertotenlieder and two movements of his Fifth Symphony.
www.laphil.org /resources/piece_detail.cfm?id=18   (548 words)

  
 Music : Symphony 3 / Kindertotenlieder   (Site not responding. Last check: 2007-09-18)
She sings handsomely, though perhaps without the extra bit of gravitas that Janet Baker or Christa Ludwig could bring to the lyrics.
Also, quite nicely she fills out the set by doing the Kindertotenlieder cycle, a worthy companion that plumbs the depths, as does the symphony.
Kindertotenlieder is also amazing however I do prefer the recording Bernstein did in Isreal with Janet Baker.
vnet.org /Reviews/ItemId/B00008PX6K   (1533 words)

  
 Amazon.com: Mahler: Kindertotenlieder: Music   (Site not responding. Last check: 2007-09-18)
Kindertotenlieder, cycle of 5 songs for voice & piano (or orchestra) Wenn dein Mütterlein tritt zur Tür herein
Kindertotenlieder, cycle of 5 songs for voice & piano (or orchestra) Oft denk'ich, sie sind nur ausgegangen
Kindertotenlieder, cycle of 5 songs for voice & piano (or orchestra) In diesem Wetter, in diesem Braus
www.amazon.com /exec/obidos/tg/detail/-/B000002RZT?v=glance   (512 words)

  
 Amazon.com: Historical Recordings, 1947-52: Music   (Site not responding. Last check: 2007-09-18)
Kindertotenlieder (Ruckert): Wenn Dein Mütterlein Tritt Zur Tur Herein
Kindertotenlieder, cycle of 5 songs for voice & piano (or orchestra)
All these tracks are what you might expect from this fine voice, but of particular merit is her rendition of Mahler's Kindertotenlieder.
www.amazon.com /exec/obidos/tg/detail/-/B000001XLW?v=glance   (803 words)

  
 classical music - andante - artist mariele neudecker creates a multimedia installation around mahler's kindertotenlieder
The German-born artist Mariele Neudecker has taken quite a risk in her latest installation, Kindertotenlieder ('Songs on the Death of Children') — a multimedia installation commissioned by
Kindertotenlieder and Symphony No. 5, conducted by Mikko Franck, with mezzo-soprano Alice Coote.
Please read our privacy policy and terms of use for individuals or organizations.
www.andante.com /article/article.cfm?id=26071   (444 words)

  
 Amazon Shop - Mahler - Symphony No 3; Kindertotenlieder - Music   (Site not responding. Last check: 2007-09-18)
The second piece is Kindertotenlieder and here a lot depends on the bond between soloist and conductor.
I was pretty worried by Ms De Young when the fourth movement of the Symphony started, - a warbly, wobbly "Gib Acht" followed by a strained "Ich Schleif" raised alarm bells, but I needn't have worried as she gets progressively better after than uncertain start and makes a fine contribution.
However, more than that is needed in the Kindertotenlieder.
www.uksprite.com /store/info-B00008V6WI.html   (608 words)

  
 Ghost Story
Avant-garde director Robert Lepage builds an enigmatic scene around Mahler's heartbreaking "Kindertotenlieder," and the results are truly mortifying.
This season's novel approach is called "New Visions," a series designed to explore the classical repertoire "in bold new ways" by presenting music in theatrical contexts.
It's hard to know what the director saw in such an interior expression of grief that he felt could be dramatized.
www.newyorkmetro.com /nymetro/arts/music/classical/reviews/279   (543 words)

  
 Mahler - Das Lied von der Erde & Kindertotenlieder / Debart, Du Clossel, De Rooser, Jossoud, Brua   from ...
The Das Lied von der Erde is risibly dramatised, with performers who can neither sing nor act very well, and a reduced orchestration which hurts more than it helps.
The Kindertotenlieder is a straight concert performance with somewhat better singing, but again the orchestra is reduced, sounding more threadbare than focused.
Buying this awful DVD is a priority only for those who can stand unintentional humor for more than a full hour at a time.
www.thingsrooster.com /details/630534003X.html   (451 words)

  
 SFS Press Release
Music Director Michael Tilson Thomas (MTT) conducts the San Francisco Symphony (SFS) in Gustav Mahler’s Symphony No. 3 in a new recording on the Orchestra’s SFS Media label, to be released on March 11.
The third installment in the Orchestra’s on-going Mahler symphony recording cycle, the disc was recorded live in September 2002 concerts in Davies Symphony Hall with mezzo-soprano Michelle DeYoung, the women of the San Francisco Symphony Chorus, San Francisco Girls Chorus, and Pacific Boychoir.
Produced by Andreas Neubronner, the discs are recorded with Sony Direct Stream Digital technology and released in the SACD hybrid format, playable in conventional CD as well as SACD stereo and SACD surround formats.
www.sfsymphony.org /templates/pressReleasePrint.asp?releaseid=179   (607 words)

  
 SACD News: Orders Being Taken for SF Symphony's Mahler No. 3 SACD [HFR]
The San Francisco Symphony's record label, SFS Media, announced on the symphony's web site that they are now accepting orders for the 3rd recording in the orchestra's Mahler cycle on SACD.
Potential buyers will be interested to learn that the web site also has some preview sound clips from the new album as well as a video of the making of the earlier Mahler Symphony No. 6 recording.
Also included in this two-disc set is a recording of Mahler's heartbreaking Kindertotenlieder, with Michelle DeYoung.
www.highfidelityreview.com /news/news.asp?newsnumber=11575122   (795 words)

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