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| | King Kong (2005): Naomi Watts, Jack Black, Adrien Brody, Jamie Bell - PopMatters Film Review |
 | | In fact, the 2005 film's relationship to the original is consistently intriguing, in part because it remains so fraught (while there's something to be said for the giant Kong hands that clutched Jessica Lange in the 1976 version, that film is not so much in dialogue here). |
 | | It's greed, meanness, and fear that destroy Kong's "nature" and "wildness," his emblematic manhood, indeed, his "darkness." As many viewers have pointed out, the 1933 film is pervaded by disturbing racism, in its depictions of the Skull Island natives, extended to the fearful specter Kong provides in relation to the perfect white woman. |
 | | At the same time, her evolving affection for Kong (her first efforts to appease him, dancing and juggling as she did on stage, are bizarrely charming) is markedly different from the worship acted out by the natives who kidnap and sacrifice her to him (with ropes and rattles and pounding drums). |
| popmatters.com /film/reviews/k/king-kong-2005.shtml (1435 words) |
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