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| | Dziga Vertov |
 | | Yet so much, in hindsight, sounds more like a classic realist position than that of the formalist experiments Vertov claimed for his group, Kino-Pravda and its doctrine of Kino Eye—the term he invented to cover both the ideology of his short lived group and the filmmakers in it. |
| | For a little more than ten years he was, along with Sergei Eisenstein, the leading theoretician of the new art of cinema itself and by the end of that ten years his career and his outpouring of cinema ideas were effectively over. |
| | He even called the 23 newreels he directed between 1922 and 1925 Kino-Pravda, 'pravda' being not only the Russian word for the truth but also the title of the official party newspaper. |
| www.sensesofcinema.com /contents/directors/03/vertov.html (2010 words) |
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