Next to famous Phidias, Myron and Kresilas, he is the most important sculptor of Classical antiquity: the fourth-century catalogue attributed to Xenocrates (the "Xenocratic catalogue"), which was Pliny's guide in matters of art, ranked him between Phidias and Myron (Stewart).
He was of the school of Argos, a contemporary of Phidias and in the opinion of the Greeks his equal.
He made a figure of an Amazon for Ephesus which was regarded as superior to the Amazon of Phidias and Kresilas made at the same time; and his colossal Hera of gold and ivory which stood in her temple, the Heraion of Argos was ranked with the Zeus of Phidias.
en.wikipedia.org /wiki/Polykleitos (688 words)
Polykleitos(Site not responding. Last check: 2007-10-12)
Next to famous Phidias, Myron and Kresilas he is the most important sculptor of the Classical antiquity.
He was of the school of Argos, a contemporary of Pheidias and in the opinion of the Greeks his equal.
He made a figure of an Amazon for Ephesus which was regarded as superior to the Amazon of Pheidias and Kresilas made at the same time; and his colossal Hera of gold and ivory which stood in the temple near Argos was considered as worthy to rank with the Zeus of Pheidias.
1.28.2), which scholars have tried to connect with Kresilas’portrait (Athens EM 6258 is a fragmentary statue base from the Athenian Acropolis that is signed by Kresilas, and has been unconvincingly connected with the portrait of Pericles).
This portrait type is idealizing: it shows Pericles with a trim, curly beard, mustache, and lush, curly hair emerging from beneath his Corinthian helmet, which is tilted back on his head.
The image evoked by these copies matches the overall appearance of Pericles noted by ancient writers: he was described as austere and aristocratic and his appearance was compared to that of the tyrant Pisistratus (Plut.
Temple of Artemis(Site not responding. Last check: 2007-10-12)
It was built about 550 B.C., although the foundation of the building dates back to the 7th century B.C. Artemis was the twin sister of Apollo, the god of t.ruth and love.
The temple was decorated with bronze statues sculpted only by the most skilled artists of their time: Phidias, Polycleitus, Kresilas, and Phradmon.
Built on a platform measuring 430 feet by 259 feet, the rectangular temple was larger than the Parthenon in Athens that measured 366 by 170 feet.
The catalogue is an important reference, based on a vast amount of study and research, but M. has attempted to make his publication more than merely a catalogue by including five short interpretative chapters, plus a conclusion; these are overly ambitious and ultimately confusing.
is not concerned with the attribution of the statue to Kresilas, but with the identification of the figure as Diomedes.
He begins by discussing the statue type, the reconstruction of the original bronze, and its identification as the Greek hero.
The Aesthetics of Emulation in the Visual Arts of Ancient Rome - Cambridge University Press(Site not responding. Last check: 2007-10-12)
Still others have suggested that visual repetition, whether in ideal sculpture or in other genres such as portraiture, was a conscious strategy employed by Roman patrons toward various ends that often had nothing to do with the appreciation for and reproduction of Greek masterpieces.
Reflecting on the remarkably few surviving copies of a portrait of Perikles generally attributed to Kresilas (Figure 3), Ridgway has remarked that these replicas “seem few indeed compared with the mass of Demosthenes replicas.
Kresilas, if the statue copied is truly by him, should have been more famous than an early Hellenistic artist by whom nothing else is known; it was therefore not the fame of the respective sculptors but the importance of the subject to the Romans which determined demand and consequent production.”
The original statue of Pericles was probably done shortly after Pericles' death in 429 BCE and was created by the sculptorKresilas.
So it is less Pericles' distinctness and more of how he conforms to the ideal or expectations of what a strategos should be.
The Roman writer Pliny in describing the Kresilas "portrait" characterized it as "the Olympian Pericles," or in other words how Pericles reflects the Greek conception of their gods.
The statue might represent him descending from the ship, ready to meet his fate.
Following the discovery of a wound carved in the right armpit, the figure was reinterpreted as a dying warrior falling backward and identified as a famous statue by the sculptorKresilas.
Many other identifications have been suggested to explain the unusual stance and the unique iconography of this statue and of the copy in London, but none has been generally accepted.
Grail Inittation(Site not responding. Last check: 2007-10-12)
The building project was sponsored by the Lydian king Croesus and was designed by the Greek architect Chersiphron.
It was decorated with bronze statues sculpted by Pheidias, Polycleitus, Kresilas, and Phradmon, who were the most skilled artists of their time.
The fame of the great temple was not only due to its great size (over 350 by 180 feet [about 110 by 55 m]) but also for the magnificent works of art that adorned it.
:: View topic - The Literary and Prophetic Structure of Revelation 2 and 3(Site not responding. Last check: 2007-10-12)
When the Ephesians erected the world-famous Temple of Artemis in Ephesus in the fifth century BCE, they announced a contest for the most beautiful statue of an Amazon.
Famous masters of sculpture participated in this contest, such as Polykleitos, Pheidias, Kresilas, and Phradmon.
Historical sources tell us that the judges of the contest comprised the same masters, and that the statue of Polykleitos earned the prize.
He just wore a hoplite helmet, morning noon and night.
I know this because I have just bought, from the British Museum's magnificent shop, the last plaster cast of the 2nd-century Roman copy of the 5th-century BC bust of Pericles by Kresilas.
It weighs 23.5kg and is totally fab, if you ignore a few blue crayon marks, which enabled me to knock a few quid off.