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Topic: Kurt Weill


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  Kurt Weill - Wikipedia, the free encyclopedia
Kurt Julian Weill (March 2, 1900 – April 3, 1950), born in Dessau, Germany and died in New York City, was a German and later German-American composer of Jewish origin active from the 1920s until his death.
Weill's music was admired by composers such as Alban Berg, Alexander von Zemlinsky, Darius Milhaud and Stravinsky, but it was also criticised by others - by Schoenberg, who later revised his opinion, and Anton Webern.
Weill died in New York City in 1950 and is buried in Mount Repose Cemetery in Haverstraw, New York.
en.wikipedia.org /wiki/Kurt_Weill   (1501 words)

  
 NationMaster - Encyclopedia: Kurt Weill
Kurt Julian Weill (March 2, 1900 – April 3, 1950), born in Dessau, Germany and died in New York, was a German composer active from the 1920s until his death.
Weill embraced jazz as "the rhythm of our time" and "an international folk music of the broadest consequence." The foxtrots, Bostons, Charlestons, and tangos that crept into his modernist musical language provided the perfect counterpoint to the brash colloquialisms of Brecht's new language.
Performance of Kurt Weill's music is funded in part by the Kurt Weill Foundation for Music, a not-for-profit, private foundation chartered to preserve and perpetuate the legacies of Kurt Weill (1900-1950) and Lotte Lenya (1898-1981).
www.nationmaster.com /encyclopedia/Kurt-Weill   (5193 words)

  
 Kurt Weill   (Site not responding. Last check: 2007-10-22)
Kurt Weill (March 2 1900 - April 3 1950) was a German composer.
Too often, scholarly work on Kurt Weill focuses mainly on his German career in the 1920s-- "The Threepenny Opera," "Mahagonny"-- but Weill had a career that extended well into the 1940s as a Broadway composer, and Hirsch's book explore...
Kurt Weill and Lotte Lenya's relationship was hair-raising by modern American standards.
www.freeglossary.com /Kurt_Weill   (352 words)

  
 Kurt Weill   (Site not responding. Last check: 2007-10-22)
Kurt Weill war einer der wenigen Komponisten, die ihr Schaffen vollkommen unter das Zeichen der Opernreform gestellt haben.
In der Zusammenarbeit von Kurt Weill und Bertolt Brecht lag ein künstlerischer Glücksfall von ausgesprochener Einzigartigkeit vor.
Kurt Weill fand in den genauen Typen der Brechtschen Figuren die Pendants für sein eigenes Bemühen um Direktheit der Aussage und Bertolt Brecht sah in Weill den Menschen, der seiner Vorstellung von Theater als einer "moralischen Anstalt", seiner schonungslosen Zeit- und Gesellschaftskritik, seinem humanitären Ethos die musikalische Untermalung gab.
archiv.informatik.fh-augsburg.de /informatik/projekte/brecht/extra/komp/weill.htm   (337 words)

  
 Kurt Weill   (Site not responding. Last check: 2007-10-22)
Doch diese Einengung tut dem Komponisten Kurt Weill Unrecht, denn seine kontrastierende Musiksprache erstaunt immer wieder durch die Vielseitigkeit, in der Avantgarde und Assimilation auf das selbstverständlichste miteinander verbunden sind.
In Paris richtete Kurt Weill sein zweites Leben ein.
Das war es überhaupt, was Weills ungebrochenen Erfolg ausmachte und immer noch ausmacht: Er vermochte sich musikalisch perfekt zu assimilieren, ohne dabei seine spezifische Klangsprache aufzugeben.
www.baeng-2000.de /Unsere_Themen/Musik/Kurt_Weill/kurt_weill.html   (827 words)

  
 OperaWorld.com's Opera Insights: The Threepenny Opera   (Site not responding. Last check: 2007-10-22)
Weill's opera attacked bourgeois post-War Europe and the role that Wagnerian opera and its concept of continuous drama had taken in the opera world.
Weill sought to avoid operatic conventions and to mix the idioms of spoken theater with popular music.
Weill fled Germany in 1933 because of a Nazi ban on his music and lived in Paris for two years.
www.operaworld.com /special/threepenny.shtml   (908 words)

  
 Biographie: Kurt Weill, 1900-1950
März: Kurt Julian Weill wird in Dessau als Sohn eines jüdischen Kantors geboren.
Notenpapiere mit Weills Musikstücken gehen bei der Bücherverbrennung in Flammen auf.
Kurt Weill und Lotte Lenya heiraten zum zweiten Mal.
www.dhm.de /lemo/html/biografien/WeillKurt   (442 words)

  
 Kurt Weill in America
But as we celebrate the centenary of his birth and the semicentennial of his death, most people still tend to think of Weill as a "Brecht-composer," whereas he would probably have preferred to be remembered as a "Whitman-composer." However, America figured almost as prominently in Weill's works with Bertolt Brecht.
Weill's wife, Lotte Lenya, remembered that "one or two Negro jazzbands played in Berlin and exerted a strong influence on composers and the instrumentalists of dance orchestras.
If today we are finally beginning to comprehend Weill as a unitary figure, there will always remain within his legacy "the two Americas" he experienced -- the one he imagined from afar and the one he embraced from within.
www.americancomposers.org /weillinamerica.htm   (1374 words)

  
 Kurt Weill Foundation for Music Collection   (Site not responding. Last check: 2007-10-22)
The Kurt Weill Foundation for Music was established by Lotte Lenya in 1962 to continue the legacy of musician and composer, Kurt Weill.
Maurice Abravanel was once a student of Kurt Weill and the interviews center around their association and respective careers.
Correspondence between Kurt Weill and Maurice Abravanel, as well as between Lotte Lenya and Lucy Abravanel, are included in the collection.
www.lib.utah.edu /spc/mss/accn1555/1555guid.html   (210 words)

  
 Kurt Weill - Bedeutung, Definition, Erklärung im netlexikon
Sein Vater Albert Weill kommt aus Kippenheim, eine einstmals blühende jüdische Landgemeinde in Baden.
Kurt Weill beginnt 1918 mit dem Studium der Musik an der Hochschule für Musik in Berlin.
Weill arbeitet bereits in seinen frühen Opernprojekten ab 1925 mit hervorragenden Schriftstellern wie Georg Kaiser und Yvan Goll zusammen.
www.lexikon-definition.de /Kurt-Weill.html   (1401 words)

  
 Sheet Music Plus - Kurt Weill: From Berlin To Broadway   (Site not responding. Last check: 2007-10-22)
Kurt Weill Centennial Anthology, A Volume 2 For piano, guitar, vocal...
Kurt Weill: Kurt Weill Songs - A Centennial Anthology, Volume 1 For voice and piano...
Kurt Weill - Broadway & Hollywood For piano, guitar, vocal...
www.sheetmusicplus.com /a/item.html?id=67745&item=2902073   (205 words)

  
 Tribute to Kurt Weill
Kurt Weill was born in Desau, Germany in 1900, the son of a synagogue cantor.
Weill came of age at the end of World War I, in a Europe that was both spiritually exhausted, ghastly, frightening, desperate -- and remarkably creative.
Weill's lyricists were the greatest poets, novelists and playwrights, in at least three languages, of Europe and America.
www.youkali.com /weill.html   (1013 words)

  
 September Songs: the Music of Kurt Weill
The socially aware savagery and bittersweet off-kilter art music of composer Kurt Weill seems to be on several people's minds of late.
Weill became a criminal — an "anti-nationalist." He and his wife Lotte Lenya, the first singer to do his music justice, fled to America where Weill wrote for Broadway and beyond.
To show all sides of Weill, director Weinstein rounds up the usual oddball suspects and asks them to pontificate madly and wriggle wildly around cheesy warehouse sets, mouthing the taut sarcastic words of Bertolt Brecht and the mordantly optimistic poetry of Sherwood Anderson.
www.citypaper.net /articles/032797/article018.shtml   (424 words)

  
 Kurt Weill Edition wins Paul Revere Award
European American Music Distributors LLC and the Kurt Weill Foundation are delighted to announce that the Chamber Music volume of the Kurt Weill Edition (Series II, Volume 2) has won, with a perfect score, the Music Publishers’ Association prestigious Paul Revere Award for Graphic Excellence in music engraving.
The Kurt Weill Edition comprises the first comprehensive accounting of Weill’s vast oeuvre.
Weill’s chamber works, including such pieces as String Quartet in B minor, Sonata for cello and piano, String Quartet, Op.
www.schott-music.com /news/komponistennews/show,14117.html   (409 words)

  
 Kurt Weill News
Kelly Markgraf as Dick McGann and Leah Dexter as Mae Jones in Kurt Weill's Street Scene at Opera Theatre of Saint Louis.
UNLIKE THEIR troublesome hit "The Threepenny Opera," Bertolt Brecht and Kurt Weill's follow-up musical "Happy End" doesn't seem to bear the weight of the scummy world on its shoulders.
Weill is the composer of such musicals as 'Lady in the Dark,' 'The Threepenny Opera,' 'Happy End,' 'Johnny Johnson,' 'Knickerbocker Holiday' and 'Lost in the Stars.' The song cycle with dance will feature six...
www.topix.net /who/kurt-weill   (659 words)

  
 ute-lemper Mp3 Albums Review
Weill - The Threepenny Opera / Kollo · Adorf · Dernesch · Lemper · Milva · Reichmann · Tremper · Boysen · RIAS · Mauceri
Lemper as the leading Kurt Weill interpreter since Lotte Lenya, Weill's wife and the singer for whom many of his vocal pieces were written.
Weill's venue was not the opera stages of Berlin or Vienna, it was the popular stage, actually much closer to what we see in the movie `Cabaret' than what we see in `Amadeus'.
www.full-albums.net /albums_review-ute-lemper.asp   (4462 words)

  
 Kurt Weill Sheet music : Lyrics and tabs
Kurt Weill: Kurt Weill Songs - A Centennial Anthology, Volume 1 Composed by Kurt Weill (1900-1950).
Kurt Weill Centennial Anthology, A Volume 2 Performed by Kurt Weill.
Kurt Weill: From Berlin To Broadway Composed by Kurt Weill (1900-1950).
www.sheetmusicnotes.biz /weillkurt.htm   (226 words)

  
 Kurt Weill i djerv konsertfilm
Her kan du ta del i en konsertfilm garantert utenom det vanlige - en hyllest til komponisten Kurt Weill (1900-1950) framført av en rekke kjente og mindre kjente pop-, rock- og andre artister.
Kurt Weills virke er jo ikke minst knyttet til teaterfornyeren Bert Brecht.
Weills teatermusikk er blitt betegnet som mesterverker i ironisk tonekunst - selv i anerkjent populære komposisjoner som «September Song»; og «Speak Low» (fra hans USA-tid) tar fraser/harmonier uventede vendinger som fjerner sangene fra det konvensjonelt «flotte» og innsmigrende.
www.dagbladet.no /anmeldelser/960322-anm-film2.html   (340 words)

  
 kurt-weill Mp3 Albums Review
'Lotte Lenya sings Kurt Weill's The Seven Deadly Sins and Berlin Theatre Songs' is a single CD combining two separate 1955 LPs recorded in Germany, five years after the death of husband and composer, Kurt Weill.
As a lifelong Weill fan who has heard many different interpretations of these songs most notably from Ute Lemper and Maria Stratas, I was struck by how dramaticly better was Lenya's performance of the lyrics.
As I am most familiar with female interpretations of Kurt Weill's songs, especially by the likes of his widow, Lotte Lenya and Weill interpreter extraordinare, Ute Lemper, I have to say that while Upshaw does them justice, she does ont outshine the very best Weill interpretations.
www.full-albums.net /albums_review-kurt-weill.asp   (5338 words)

  
 Kurt Weill - Classical music composer   (Site not responding. Last check: 2007-10-22)
The Unknown Kurt Weill P/v By Kurt Weill.
Kurt Weill: Mack the Knife - SATB Composed by Kurt Weill (1900-1950), arranged by Russ Robinson.
There is a Kurt Weill home page on the Web, maintained by the Kurt Weill Foundation for Music in New York.
www.classical-composers.org /cgi-bin/ccd.cgi?comp=weill   (1097 words)

  
 Kurt Weill on Broadway   (Site not responding. Last check: 2007-10-22)
It would seem a bit disingenuous to criticize a disc called "Kurt Weill on Broadway" for excluding selections from "Die Dreigroschenoper," a work written in 1920's Berlin in a style so distinctly different from that of his Broadway years.
'Kurt Weill on Broadway' sung by Thomas Hampson is a good Kurt Weill album, but not the best it could have been.
I have a strong suspicion that rather than do a collection of those English stage songs for which Weill is best known, Hampson simply did a collection of songs by Kurt Weill in which Hampson has already performed.
www.tutorgig.com /store/PRB000002RVU   (590 words)

  
 Weill, Kurt (1900 - 1950)   (Site not responding. Last check: 2007-10-22)
Kurt Weill was an important figure in German musical life during the period of the Weimar Republic.
Weill collaborated with Bertold Brecht in Die Dreigroschenoper (The Threepenny Opera), a topical derivative of The Beggar's Opera set in contemporary Germany, with music strongly influenced by the jazz of the period.
Weill arranged an instrumental suite from Die Dreigroschenopfer, the Kleine Dreigroschenmusik.
www.hnh.com /composer/weill.htm   (113 words)

  
 Moritat vom Kurt Weill: Tunes, Tomes, & Videos on TheaterMania.com
Weill's own sense of humor was strong but sly in both conversation and song, and he certainly proved capable of dealing with the pompous Anderson.
As detailed in the Hirsch biography, Weill was very often put out by the shenanigans of his librettists, as when Brecht went around claiming full credit for their work together or forcing wildly unfair royalties contracts on him.
In America, it was the same, as Weill cotinually moved from collaborator to collaborator and from project to project.
www.theatermania.com /content/news.cfm/story/2530   (592 words)

  
 Music of Kurt Weill
There will also be a performance of Weill’s Violin Concerto by soloist Bettina Mussumeli and the New Music Ensemble of the San Francisco Conservatory of Music, conducted by UCSC music professor Nicole Paiement.
Kurt Weill was one of those immigrants and is best known for works such as The Threepenny Opera and Mahagonny, as well as American musicals such as Lady in the Dark and One Touch of Venus.
Titled “Kurt Weill and the American Songbook,” it will feature Baumgarten and Francesco Spagnolo, a guest lecturer in music and Jewish studies at UCSC this winter and spring.
currents.ucsc.edu /04-05/10-25/weill.asp   (497 words)

  
 Bebe Neuwirth in ‘An evening of Kurt Weill’
Kurt Weill said that every note he ever wrote he heard in the voice of Lotte Lenya.
Weill, of course, was a three-strikes winner: a homosexual, a Jew, and a Communist.
Neuwirth was far too young to see and hear Lenya in “Threepenny” on Christopher Street, but she has, of course, listened to Lenya on CD, and was herself a Pirate Jenny at ACT (American Conservatory Theatre) in San Francisco five years ago.
www.thevillager.com /villager_39/bebeneuwrthin.html   (717 words)

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