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Topic: La Clemenza di Tito


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In the News (Tue 22 Dec 09)

  
  1791 La Clemenza di Tito by Mozart   (Site not responding. Last check: 2007-11-02)
La clemenza di Tito (The Clemency of Titus), K. 621, is an opera seria written by Wolfgang Amadeus Mozart.
LA CLEMENZA DI TITO' : Paul Austin Kelly as Tito and Phyllis Pancella as Sesto confront betrayal, remorse and forgiveness.
Titus Vespasianus ("Tito") ruled Rome for a short period A.D. 79–81, and in many respects shared some of the benign, enlightened characteristics of Emperor Leopold II, King of Bohemia, for whom the opera was commissioned.
www.preteristarchive.com /ARTchive/1791_mozart_clemenza-tito.htm   (1520 words)

  
 Mozart La Clemenza di Tito [RH]: Classical CD Reviews- March 2003 MusicWeb(UK)   (Site not responding. Last check: 2007-11-02)
"La Clemenza di Tito" was Mozart's last but one opera, written for Prague to celebrate the Coronation of the Emperor.
André Post sings Tito's arias mellifluously, but he is rather taxed by the fioriture which is a shame as he comes over well in the recitative.
"La Finta Giadiniera" (or 'The Bogus Landgirl' as Cyril Connolly evidently once translated it) is one of Mozart's early operas to have retained a toehold in the repertory.
www.musicweb.uk.net /classrev/2003/Mar03/Mozart_Clemenza.htm   (1822 words)

  
 La clemenza di Tito - Wikipedia, the free encyclopedia
La clemenza di Tito (The Clemency of Titus), K.
La Clemenza di Tito had already been set by nearly 40 composers; the first had been Antonio Caldara, in 1734.
Vitellia at this time is torn by guilt and decides to confess all to Titus, giving up her hopes of empire in the well-known rondo "Non più di fiori." In the amphitheater, the condemned (including Sextus) are waiting to be thrown to the wild beasts.
en.wikipedia.org /wiki/La_clemenza_di_Tito   (1317 words)

  
 OPERA REVIEW: Splendid Villainy By Kathryn Cathcart (West Bay Opera, Todd Wilander, Shana Blake-Hill, Megan ...   (Site not responding. Last check: 2007-11-02)
La clemenza di Tito was composed for the coronation in Prague of Austrian Emperor Leopold II as King of Bohemia.
Many of the numbers in Tito are puzzlingly short, for all their beauty, and likely attributable both to Mozart's illness and to the brevity of the time period of composition — approximately 11 days, according to some sources.
Tito's two greatest roles are Vitellia and Sesto, the vengeful hopeful to the throne and the young patrician who is desperately smitten with her.
www.sfcv.org /arts_revs/westbayoperatito_10_19_04.php   (707 words)

  
 PlaybillArts: Features: For the Greater Good
As La Clemenza di Tito returns to the Metropolitan Opera repertory next month, George Loomis looks at the late Mozart masterpiece whose underlying themes of politics, love, jealousy, and compassion continue to resonate.
As with Tito's other arias, its ternary form (similar to the da capo aria) establishes an aptly formal tone, yet Mozart supports the idea that Tito expresses with warm, expansive music that shows strength of purpose while sweeping away any notion that severity is an option.
By contrast, Tito is the dominant voice at the close of the opera, standing out from the others as he proclaims his devotion to Rome in a stirring ensemble that returns to the noble tone established by the chorus "Che del ciel, che degli Dei."
www.playbillarts.com /features/article/1454.html   (1576 words)

  
 Synopsis of La Clemenza di Tito - the Metropolitan Opera
Tito generously relinquishes all claim to her and leaves, followed by Servilia.
Vitellia takes Tito's announcement of her as his choice as proof that Sesto did not betray her secret, and she realizes she must die rather than accept the throne at the price of Sesto's life.
At the arena, Tito is meeting with Sesto for the last time when Vitellia interrupts, declaring her guilt.
www.metoperafamily.org /metopera/discover/stories/synopsis.aspx?id=24   (641 words)

  
 La clemenza di Tito - Wikipedia, la enciclopedia libre
La trama se desarrolla en Roma, en la época del Imperio Romano.
Tito, sin embargo, escoge a la hermana de Sexto, Servilia, y ordena a Annio que le lleve su mensaje a Servilia.
La Clemenza di Tito (1980), producción alemana, dirigida por Jean-Pierre Ponnelle, Eric Tappy, Tatiana Troyanos, Carol Neblett, Anne Howells, Kurt Rydl y Catherine Malfitano.
es.wikipedia.org /wiki/La_clemenza_di_Tito   (2005 words)

  
 La Clemenza di Tito - English National Opera, London Coliseum - Cultured Gent review | MODERN GENT
Tito, with its minimalist Yannis Thavoris design of plain fl and patterned curved panels on a revolving stage, is a triumph.
Tito is pretty pissed off; well in a huff anyway as Tito doesn't do pissed off, and sends Sesto to the dungeons and signs his death warrant.
Tito, surprise, surprise, changes his mind, but only because he wants to impose the sentence in front of the people - he wants to be a nice emperor but obviously the focus group has reported that he should show he is tough on crime and tough on the causes of crime.
www.moderngent.com /site/clemenza.php   (1066 words)

  
 La clemenza di Tito: The Story of the Opera
But when Servilia confesses her true feelings to Tito, the Emperor is so impressed by her honesty that he grants permission for her to marry Annio after all.
By now Tito and the people of the city are assembled at the arena where Sesto is to be thrown to the lions.
Tito addresses Sesto, but before the Emperor can reveal his decision, Vitellia throws herself at his feet and confesses that it was she who lead the conspiracy.
www.wbopera.org /0405/Tito/story/index.html   (553 words)

  
 Clemenza di Tito, La (1991) (TV)   (Site not responding. Last check: 2007-11-02)
This is not the best version of Tito that I have ever heard, and I have only heard two.
Maybe one clue is in the billing: Nicholas Hytner's La Clemenza di Tito, suggesting based on an original idea by WA Mozart.
Philip Langridge as Tito wears a bemused expression and a toga throughout.
us.imdb.com /title/tt0254228   (658 words)

  
 La clemenza di Tito - Wikipedia
La clemenza di Tito (deutsch: Die Milde des Titus; früher oft unter dem Titel Titus) ist eine Oper von Wolfgang Amadeus Mozart.
La clemenza di Tito KV 621 Opera seria in due atti
La clemenza di Tito war zu Beginn des 19.
de.wikipedia.org /wiki/La_Clemenza_di_Tito   (506 words)

  
 La Clemenza di Tito - Wolfgang Amadeus Mozart
Libretto to La Clemenza di Tito in Italian and English By Wolfgang Amadeus Mozart.
La Clemenza Di Tito, the essence of Wolfgang Amadeus Mozart’s last opera occurs in one of the last scenes.
Vitellia, the ambitious daughter of the deposed emperor Vitellius, laments that she sent her admirer Sesto to assassinate the new emperor, Tito, who now seeks her as his queen.
www.culturevulture.net /opera/Clemenza.htm   (676 words)

  
 Amazon.com: Mozart - La clemenza di Tito / Bartoli · Heilmann · D. Jones · Montague · Cachemaille · ...   (Site not responding. Last check: 2007-11-02)
The plot is creaky: Vitellia, angry that Tito (the Emperor Titus) plans to marry another woman, coaxes Sesto (who is hopelessly in love with her) to assassinate Tito.
La Clemenza di Tito is, according to James Levine, "a neglected masterpiece".
He is one of the most accomplished Titos in the discography and sings the incredibly difficult Se all'impero with admirable ease.
amazon.com /Mozart-clemenza-Heilmann-Montague-Cachemaille/dp/B000004CYG   (2348 words)

  
 MOZART La Clemenza di Tito OPUS ARTE OA 0942 D [RJF]: Classical CD Reviews- March 2006 MusicWeb-International   (Site not responding. Last check: 2007-11-02)
Certainly La clemenza di Tito was chosen for the Coronation Day opera because of the prior availability of Metastasio’s libretto - one that could easily be adapted by Mazzola the Court poet who had replaced Da Ponte.
That Tito was in the rather static opera seria form might have disappointed Mozart whose last work in this genre had been Idomeneo in 1781 since when his operas had moved on in style and vitality as well as humour.
This point is much more debated now that Tito is more widely available for critical appraisal than it was when Decca issued their ground-breaking Vienna recording forty years ago.
www.musicweb.uk.net /classrev/2006/Mar06/Mozart_Clemenza_OA0942D.htm   (1272 words)

  
 Prima la musica, poi le parole: La Clemenza di Tito
I did manage about half of Mayr's Ginevra di Scozia the previous weekend, but that was the first time I'd tuned in since Rodelinda back in May. I didn't really expect anything as exciting as this Clemenza to be offered up, and yet there it was.
Clemenza has the potential to be rather on the dry side, conventional and stuffy and lacking in the colour and vitality of other Mozart operas.
I don't necessarily think Clemenza is a boring opera - there are too many hits in it for that - but I also hadn't imagined it could be quite as interesting as this.
primalamusica.typepad.com /primalamusica/2006/07/la_clemenza_di_.html   (857 words)

  
 Handlung E La clemenza di Tito
She is obsessed with the idea that Tito is only Emperor because his father usurped Vitellius’ throne, and she is outraged that Tito now plans to marry the foreign princess Berenice.
Tito is delighted that someone has dared to tell him the truth and holds Servilia up as an example to the world (Aria: Ah, se fosse intorno al trono).
Vitellia, believing Servilia to be the new Empress, returns to her conviction that Tito must be killed; the Capitol must be set on fire and in the confusion Tito murdered.
www.staatstheater.bayern.de /staatsoper/oper/Handlung/clemenze.htm   (922 words)

  
 Amazon.ca: La Clemenza Di Tito: Music: Wolfgang Amadeus Mozart,Nikolaus Harnoncourt,Zurich Opera-house Chorus & ...   (Site not responding. Last check: 2007-11-02)
La Clemenza di Tito: Act 1: Recitativo 'Amico, il passo affretta' (Annio, Vitellia, Sesto)
The story is an aristocratic one (the title character, Tito, is actually the Roman Emperor Titus; the story turns on many loves and counter-loves between major characters, which includes a plot by Vitellia, daughter of the former emperor, to murder the new emperor Tito because of his rejection of her.
The final night of the performance of 'La Clemenza di Tito' was apparently the opening night of 'The Magic Flute', as fate would have it.
www.amazon.ca /Clemenza-Tito-Wolfgang-Amadeus-Mozart/dp/B000000SJC   (1052 words)

  
 Amazon.com: La Clemenza di Tito: Books: Wolfgang Amadeus Mozart   (Site not responding. Last check: 2007-11-02)
Based on incidents in the life of the Roman emperor Titus, La Clemenza di Tito was composed during the same climactic period in which Mozart completed the Requiem and The Magic Flute, and first performed in Prague in September 1791, a few months before his death.
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www.amazon.com /Clemenza-Tito-Wolfgang-Amadeus-Mozart/dp/048627540X   (837 words)

  
 The Prague Post Online: Night & Day: A winning reprise
Mozart was commissioned to compose La clemenza for the coronation of Czech King Leopold II in the fall of 1791, a busy and difficult time for Prague's adopted son.
The story of La clemenza had been popular on opera stages for much of the 18th century: Titus, the Roman emperor, has his reputation for clemency put to the test when one of his best friends, Sesto, betrays him — unknown to Titus, at the behest of Vitellia, who longs to be the emperor's wife.
The Prague premiere of La clemenza was a dud, with Leopold's wife, the Empress Maria Luisa, falling asleep and famously dismissing it afterward as "porcheria tedesca" (German swinishness).
www.praguepost.com /articles/2006/10/25/a-winning-reprise.php   (910 words)

  
 'La clemenza di Tito' at Covent Garden, with Robert Anderson   (Site not responding. Last check: 2007-11-02)
Thereafter Titus showed remarkable forbearance to all who plotted against him, and his only warfare was in Britain, where Agricola took his forces to Scotland and the Tay.
Leopold II, for whose Prague coronation in 1791 the opera was commissioned and speedily composed, smiled initially at the French Revolution, but naturally showed alarm when it seemed even his sister Marie Antoinette and her husband might be heading for 'La veuve'.
Leopold died (1792) before he could take effective action against a French movement become ever more bloodthirsty, égal and fraternal in its choice of victims.
www.mvdaily.com /articles/2002/10/tito1.htm   (230 words)

  
 Opera Today : MOZART: La clemenza di Tito
Vitellia, daughter of deposed emperor Vitellius, wants revenge against Tito ("Titus") and stirs up Titus' vacillating friend Sesto ("Sextus"), who is in love with her, to act against him.
But when she hears word that Titus has sent Berenice, of whom she was jealous, back to Jerusalem, Vitellia tells Sextus to delay carrying out her wishes, hoping Titus will choose her (Vitellia) as his empress.
Vitellia at this time is torn by guilt and decides to confess all to Titus, giving up her hopes of empire in the well-known rondo "Non più di fiori." In the ampitheater, the condemned (including Sextus) are waiting to be thrown to the wild beasts.
www.operatoday.com /content/2006/01/mozart_la_cleme.php   (1164 words)

  
 La clemenza di Tito Bibliography   (Site not responding. Last check: 2007-11-02)
Ciliberti, Galliano, ‘La clemenza di Tito di Mozart e la sua tradizione’, Bericht über den Internationalen Mozart-Kongreß Salzburg 1991, ed.
Senici, Emanuele, ‘Adapted to the Modern Stage: "La Clemenza di Tito" in London’, Cambridge Opera Journal, 7 (1995): 1-22.
Senici, Emanuele, La Clemenza di Tito: I primi trent’anni (1791-1821), Speculum musicae, 3, Publications of the Pietro Antonio Locatelli Foundation (Amsterdam and Cremona: Brepolis, 1997)
www.soton.ac.uk /~me/pmr/clemenza.html   (436 words)

  
 Musical Pointers
La voix est splendide et son allure souveraine est renforcée par la noblesse vocale et par des aigus triomphants.
Tito's outfits relate directly to those in David's many portraits of Bonaparte, the rest are decidedly modern
Publio is depicted as a rather sinister character; for Tito it's a question of weighing up humanitarianism against weakness.
www.musicalpointers.co.uk /reviews/cddvd/MozartClemenza.htm   (983 words)

  
 "Signora Antonini" in La Clemenza di Tito - MozartForum
Most all commentators of Mozart’s La Clemenza di Tito have identified the singer of the part of Servilia as an unknown female singer.
The impressario of the performance of Tito, Domenico Guardasoni, had returned to Prague after almost two years in Warsaw with his acting troupe.
In 1806 at the Kärntnertortheater in Vienna she again sang in La Clemenza di Tito', but this time as Vitellia.
www.mozartforum.com /VB_forum/showthread.php?p=8543   (639 words)

  
 Mozart Vocal Score: La clemenza di Tito
It survived in its own right as opera seria through the first two decades of the 19th century, then, but for occasional performances (these sometimes with altered or added texts), fell into obscurity for the next 150 years.
This piano-vocal score is based on the opera seria “La clemenza di Tito” as edited by Franz Giegling for the “Neue Mozart-Ausgabe” (NMA II/5/120).
His “Foreword” to that edition discusses, as far as can be documented, the commission and genesis of the opera, the libretto of Caterino Mazzolà as revised from the original of Pietro Metastasio, and the first performances, likewise the relevant musical and textual sources drawn on for the edition.
www.baerenreiter.com /html/vosco/laclemenza.htm   (582 words)

  
 Back Story, La Clemenza di Tito in Majestic Theatre Boston
La Clemenza di Tito is an opera seria composed for the coronation of Emperor Leopold II as King of Bohemia.
Harmer’s most recent appearance with Opera Boston was as Edith in 2002’s The Pirates of Penzance; more recently, she has appeared in Parsifal and Le Nozze di Figaro at the Metropolitan Opera.
La Clemenza di Tito will be directed by Brad Dalton, who returns to Opera Boston after directing Gluck’s Alceste for Opera Boston and Boston Baroque in 2005.
www.maj.org /P2007/OpB_Clem_Story.html   (397 words)

  
 BRAHMS: Symphony No. 3 in F Major, Op. 90; HAYDN: Symphony No. 86 in D Major; MOZART: La Clemenza di Tito Overture; La ...
From a rather volatile period in the life of Bruno Walter (1886-1962), we have restorations of the records he made at the end of his Viennese sojourn just before and in flight from the Nazi annexation of Austria, 1936-1938.
To wit, the inscription of La Clemanza di Tito Overture is the very last piece Walter inscribed prior to his move to London and finally to America.
The light-footed Overture to La finta giardiniera suffers more surface noise, but the Mannheim elements bubble with frothy good nature.
www.audaud.com /article.php?ArticleID=1117   (726 words)

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