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	The Horn Parts in La Juive
		The orchestral début of the valved horn is the 1835 opera La Juive of Jules Halévy (1799-1862).
		La Juive has frequently been noted for its use of valved horns without examining the nature of the writing [Runyan, 270].
		The orchestration calls for four horns and includes parts for a pair of valved horns in seven of its twenty-two numbers; Meifred is recorded as performing one of the valved horn parts for the premiere [Carse, 76].
	www2.potsdam.edu /ericsojq/la_juive.htm (642 words)

	Guardian \| Halévy: La Juive: Isokoski / Schorg / Shicoff / Todorovic / Miles / Vienna Staatsoper / Young
		Gustav Mahler claimed La Juive as "one of the very greatest works ever written", while Wagner continued to study its dramatic strengths throughout his life, to the extent of borrowing the opening of its first act for the equivalent moment in the Mastersingers.
		The five acts of La Juive have all the ingredients of operatic spectacle - dramatic confrontations, big public set-pieces, a tragic end with a twist, and it is easy to see how it tweaked the imagination and conscience of its 19th-century audience.
		Anyone who has never heard La Juive, however, could investigate this new recording, though the lack of a libretto in the set seems totally absurd when the work will be so unfamiliar to most who might buy it.
	www.guardian.co.uk /print/0,3858,4514146-110760,00.html (545 words)

	A. Léon : La conception matérialiste de la question juive - IV.
		La découverte du nouveau monde et le formidable courant d'échanges qui s'en était suivi, sonnèrent le glas de l'ancien monde féodal corporatif.
		Tandis que la noblesse de l'Europe occidentale, grâce à la pénétration de l'économie échangiste et à l'abondance monétaire, est parvenue à se débarrasser partout de l'usure juive, la persistance de l'économie féodale en Europe la rendait impuissante sur ce terrain.
		La formidable révolte cosaque de Chmielnicki de 1648 a pour effet d'anéantir 700 communautés juives.
	www.marxists.org /francais/leon/CMQJ04.htm (5650 words)

	L'HUMANISME DANS LA PENSEE JUIVE MEDIVIEVALE
		La parole talmudique, dit-il, nous met seulement en garde de nous occuper de la nature de l'infini, l'infini dans l'espace «cee qui est en haut, ce qui est en bas ».
		C'est la reprise de la fameuse « sidra » (1) où Dieu donne à choisir à l'homme la bénédiction et la malédiction, le bien et le mal.
		Fondé sur la poussière » Où l'homme prend conscience de sa supériorité sur l'animal et de son devoir d'unifier son esprit et Dieu par un élan sensible : « Les mots sont sur la langue, la compréhension est dans le coeur, la prière dans le corps et la concentration dans l'esprit ».
	www.sefarad.org /publication/lm/043/8.html (3298 words)

	Metropolitan Opera - LA JUIVE
		Prior to this season, La Juive was last performed at the MET in 1936.
		La Juive concerns the forbidden love of a Jewish woman for a Christian man in 13th century Germany.
		La Juive was borrowed from the Vienna State Opera and was brought to the MET as a vehicle for Shicoff.
	www.robertaonthearts.com /id70.html (650 words)

	[No title]
		La cuisine " JUIVE " reflète la joie de vivre de tout un peuple heureux et gai, le folklore mêlé aux couleurs locales.
		La nourriture joue un rôle important dans le quotidien de la vie juive.
		C’est une cuisine qui est à la fois piquante et douce.
	www.chez.com /kosherfood2 (147 words)

	Audio Review--Halévy: La Juive
		In looking at a recent Legato release, that of La Juive, I want to start by stating that this is probably is my favorite opera by a French composer (Fra Diavolo comes close, although I prefer the Italian version).
		La Juive is also an opera I virtually grew up with - countless 78s, and my first 'complete' recording in 1961.
		The Legato Juive came out years before the Phillips, and since the Phillips had more music, and was on CD, I pretty much stopped playing the Legato when I got the Phillips, in spite of the younger Carreras and the presence of Merritt.
	www.jcarreras.com /contribute/c_rev002.htm (570 words)

	Guide Pratique de la Vie Juive - Bar/Bat Mitsva
		La Bat Mitsva est célébrée dès l'âge de douze ans et un jour, et marque la majorité religieuse des jeunes filles.
		La femme a aussi des obligations religieuses et doit respecter les mitsvot/commandements de la Tora, exception faite de presque toutes les mitsvot liées au temps.
		Comme les garçons, la jeune fille doit recevoir une éducation religieuse pour assumer son statut de femme juive au sein de la communauté.
	www.viejuive.com /synagogue/vie/barmitsva.htm (445 words)

	A. Léon : La conception matérialiste de la question juive - VI.
		La Révolution française permit de parfaire les résultats de l'évolution économique et sociale du judaïsme de l'Europe occidentale.
		Des statistiques comparées de la répartition professionnelle d'ouvriers juifs et « aryens » permettront mieux de se rendre compte de ce phénomène [8].
		La « renaissance de la nation juive », la formation de la culture juive moderne, l'élaboration de la langue yiddish, le sionisme, accompagnent le processus d'émigration et de concentration des masses juives dans les villes et vont de pair avec le développement de l'antisémitisme moderne.
	www.marxists.org /francais/leon/CMQJ06.htm (2676 words)

	United Press International: Review: 'La Juive' revived at Met Opera (Site not responding. Last check: 2007-10-15)
		One of Caruso's tenor successors at the Met, Neil Shicoff, is credited with persuading the opera company's management to present "La Juive" for the first time since 1936, and Shicoff -- the son of a Brooklyn cantor -- is singing the role of Eleazar that was one of Caruso's favorites.
		"La Juive" was an immediate success when it debuted in Paris in 1835 and was the only one of Halevy's 40 operas, many of them quickly and carelessly composed, to continue being performed after his death in 1862.
		Bass Ferruccio Furlanetto seems tentative in the early acts of the opera but brings the full resonant power of his prodigious voice to bear on scenes where he is the focus of the drama, and Julien Robbins, another bass, gives a fine accounting of the minor role of Ruggiero, the grand marshal of the court.
	www.upi.com /view.cfm?StoryID=20031205-082722-6977r (867 words)

	FORWARD : Arts & Letters (Site not responding. Last check: 2007-10-15)
		"La Juive" is an opera one reads about in the history books, and curiosity led many — including yours truly — to attend, fully expecting a quaint, hoary showcase for vocal pyrotechnics.
		"La Juive" is a career-making achievement for these two beautifully matched singer/actors, whose characters represent opposite sides of the Jewish-Christian divide and goad each other on to ever-greater heights and depths.
		Even the vicious antisemite Richard Wagner was overwhelmed by "La Juive" and remained a lifelong advocate both for this opera and its composer.
	www.forward.com /issues/2003/03.11.21/arts6.html (1110 words)

	Louis Morrisson - Belgisch tenor (Site not responding. Last check: 2007-10-15)
		In that town he had sung 'La Juive' the night before and last night he had to sing the part of Arnold.
		It is in France, in the part of Eleazar of 'La Juive' that this singer obtained a world-wide reputation in a record time.
		In the meantime, due to a misunderstanding, the newspapers had announced his death, news soon given the lie, and all agreed that the voice of M. Morrisson had by no means lost any of its quality through this surgical intervention; on the contrary his timbre seemed to have gained in velvetness and range.
	www.dutchdivas.net /tenoren/morrisson.html (5360 words)

	Metropolitan Opera International Radio Broadcast Information Center - 2004-05 Broadcasts
		It is the Council of Constance that serves as the background to Halévy’s La Juive (1835), a cruel tale of persecutions, hatred, revenge, and martyrdom.
		The anti-Semitic outbursts newly fueled by the reaction to the heretics are faithfully reflected in Halévy’s La Juive.
		The five acts of La Juive have all the ingredients of operatic spectacle -- dramatic confrontations, big public set-pieces, a tragic end with a twist, and it is easy to see how it tweaked the imagination and conscience of its 19th-century audience.
	www.operainfo.org /broadcast/operaTeaching.cgi?id=84&language=1&material_id=349 (2822 words)

	medias (Site not responding. Last check: 2007-10-15)
		La tentative échouée des Palestiniens de démontrer qu'il y eut un massacre à Jennine lors des derniers combats dans cette ville parle d'elle-même. En Israël, il y a un million de citoyens musulmans et leur niveau de vie est bien meilleur que celui de la majorité des Musulmans de tous les pays arabes.
		La police a déclaré qu'il s'agissait bel et bien d'un «crime à caractère haineux» et antisémite, revendiqué par une organisation inconnue francophone qui témoignerait ainsi sa solidarité envers la cause palestinienne.
		La réalité, lorsqu'on la regarde par le gros bout de la lorgnette, est bien différente… L'Organisation de libération de la Palestine (OLP) est vraiment une organisation terroriste, pour laquelle tous les moyens sont bons.
	www.amitiesquebec-israel.org /mediasfr.htm (9996 words)

	La cuisine polonaise La carpe à la juive (Site not responding. Last check: 2007-10-15)
		Passer au hache-viande la chair du poisson, le pain trempé et essoré, l'oignon, ajouter les jaunes d'oeufs, les blancs en neige, les amandes mondées hachées.
		Remplir la peau de farce pour reformer les morceaux, couvrir du bouillon de tête chaud.
		A la fin mettre la gélatine trempée à l'eau.
	www.beskid.com /carpe.html (163 words)

	Histoire des Khazars et Khazarie en francais
		La plupart des informations que l'on a sur les khazars provient de sources arabes, hébraïques, arméniennes, byzantines et slaves.
		Pendant des années, les archéologues ont essayé de localiser avec précision la capitale Atil; certains croient que le mur qui l'entourait a été repéré sous les eaux tandis que d'autres associent Atil avec une colline dans la région du delta de la volga appelée Samosdelka.
		Dans la capitale, les khazars établirent une cour suprême composée de 7 membres, et chaque religion y était représentée (d'après un chroniqueur arabe contemporain, les khazars étaient jugés selon la Torah, tandis que les autres tribus respectaient leurs propres lois).
	www.khazaria.com /francais/histoire-khazars.html (1583 words)

	Public Domain Music - Master Operas - La Juive at Web-Helper.net
		La Juive was written upon a libretto by Scribe, which had previously been rejected by Rossini as unsuitable for his purposes.
		The libretto of La Juive is an exceptionally fine piece of work for the time, filled with pageantry and tensely dramatic situations.
		Rachel remains steadfast and, as she is dropped into a caldron of boiling water, Lazarus informs the Cardinal that she is his long lost daughter.
	www.web-helper.net /PDMusic/Master-Operas/lajuive.asp (1187 words)

	H-France Reviews (Site not responding. Last check: 2007-10-15)
		Coinciding with the revival of this unjustly forgotten opera, Hallman’s carefully detailed analysis of La Juive sheds much needed light on this issue by placing the work in the artistic, social, and political context in which it was produced.
		Placing La Juive in the context of contemporary struggles over the place of the church in public life allows Hallman to identify an important source of the opera’s ambiguous representations of Jews and Judaism as well.
		Although she does a wonderful job showing how both liberalism and antisemitism existed in the world in which La Juive was produced, she misses the opportunity to contribute a new analytic perspective to this lively and important discussion.
	www.uakron.edu /hfrance/reviews/leff.html (1877 words)

	[No title] (Site not responding. Last check: 2007-10-15)
		La juive (occasionally called The Cardinal’s Daughter) by Jacques Fromental Halévy, which earned the composer instant renown in 19th-century Europe and perpetuated his name in the operatic world, reappears on the Lithuanian opera stage.
		However, it was for that theme of love why the opera became appealing to the Jews and the Lithuanians alike as much as to the entire humankind – at the time when the opera events took place, at the time when the opera was premiered and at present.
		The plot of La juive is somewhat reminiscent of a soap opera or the popular TV programme Atleisk, which is rather characteristic of the opera in general.
	www.opera.lt /DesktopDefault.aspx?tabID=528 (438 words)

	NPR World Of Opera
		With this week’s opera, ”La Juive,” Jacques Halevy demonstrates that he knew that as well as anyone.
		In this opera, the deadly conflict is an ugly one, as well, between Christians and Jews - oppressors and the oppressed.
		Because in “La Juive,” rather disturbingly, the only folks who wind up happy are the ones whose bigotry caused all the bloodshed in the first place.
	www.npr.org /programs/worldofopera/archives/990925.woo.html (473 words)

	LA JUIVE,HALEVY'S OPERA-THE STORY LINE - AN OPERA BY JACQUES HALEVY> (Site not responding. Last check: 2007-10-15)
		It is another labor of love from MIRIAM PALAY who, as she notes in the link, Verdi's NABOCCO, wants more people to be exposed to LA JUIVE as another example of the many important operas with Jewish themes.
		He became a teacher at that conservatory by the time he was 17 and produced La Juive in 1835 when he was 36.
		BACKGROUND TO THE STORY LINE: LA JUIVE is a most dramatic opera - one that allowed the composer, through his main characater, Eleazar, to wrack vengeance on the Christian community in Switerland where he was living for its hundreds of years of atrocities against Halevy's Jewish people.
	home.earthlink.net /~mgpalay/opera2.html (1552 words)

	Madonna, la fille "matérialiste" plonge dans la mystique juive - Stormfront White Nationalist Community (Site not responding. Last check: 2007-10-15)
		La superstar américaine Madonna, longtemps un symbole sexuel, s'est départie jeudi de son extravagance habituelle en participant à Tel-Aviv à une retraite de Kabbale, la mystique juive, dont la "fille matérialiste" (Material Girl) est devenue une fervente adepte.
		A la porte de l'hôtel, une jeune israélienne, blonde platinée, Orit Naor (23 ans), trop légèrement vêtue pour entrer dans la salle proclamait qu'elle était la "jeune Madonna" de l'époque pré-cabalistique, fredonnant un tube de la vedette "Like a Virgin" (Comme une Vierge).
		La superstar est arrivée mercredi en Israël pour une retraite de plusieurs jours qui a commencé par une cérémonie traditionnelle à l'occasion du Nouvel An juif.
	www.stormfront.org /forum/showthread.php?t=155861 (868 words)

	Re: Scribe's libretto for 'La Juive' (Site not responding. Last check: 2007-10-15)
		They maintain an awesome website with all of their electronic library at: http://gallica.bnf.fr/ To get to the Scribe documents for ‘La Juive’ go to ‘Recherche’ and enter ‘juive’ in ‘mots de titre’ and ‘scribe’ in ‘auteur’.
		Hit ‘rechercher’ and two titles are retrieved, one is the Stock (French publisher) libretto from the 1930’s and the other is an 1859 edition published by Scribe of several of his opera libretti.
		You also get the libretti for: La] muette de Portici [Le] comte Ory [Le] philtre Robert-le-Diable [La] juive / Eugène Scribe [Les] huguenots / Eugène Scribe [Le] prophète / Eugène Scribe As I said, this Gallica website is an ablsolute must for anybody interested in 19th century French Opera.
	www.meyerbeer.com /disc99/_disc10/00000894.htm (170 words)

	ArkivMusic \| Red Seal - Halévy: La Juive / Young, Shicoff, Et Al
		La juive premiered the same year as Donizetti's Lucia di Lammermoor (1835) and was even more successful in its time than its Italian contemporary, with close to 600 performances in its first 100 years.
		But La juive disappeared entirely in the 1930s, and unlike the operas of the bel canto, did not find a champion--or champions--to revive it.
		It was staged occasionally for tenor Richard Tucker in 1973, and he fought for a production of it at the Met and eventually won the battle; unfortunately, he died soon after the agreement was reached.
	www.arkivmusic.com /classical/album.jsp?site_id=CTRV&album_id=60054 (830 words)

	Johann Strauss: Eine Nacht in Venedig
		Still the immense and continuing popularity of La Juive (libretto by Eugène Scribe, opening on February 23, 1835 at the Opéra) established firmly Halévy's fame in France and most of Europe.
		Both, La Juive and Les Huguenots (1836, set by Meyerbeer) were designed to demonstrate to a broad public the cruel way in which the (Catholic) church once treated heterodox minorities.
		Contemporaries, such as Louis de Bonald (in 1836) and Philarète Chasles (in 1845) considered La Juive as "an apotheosis of Judaism", whereas the concervative-legitimist press engaged in a fierce and unrelenting battle against the opera.
	www.alkor-edition.com /juiveeng.htm (1222 words)

	The New Yorker: The Critics: Musical Events (Site not responding. Last check: 2007-10-15)
		Nonetheless, Mahler believed in “La Juive,” and he lavished special attention on the finale of Act III, in which Brogni, a cardinal in fifteenth-century Switzerland, condemns the heretical love of Léopold, a Catholic prince, and Rachel, the “Jewess” of the title.
		“La Juive” is now playing at the Metropolitan Opera for the first time in decades, in a production borrowed, fittingly enough, from the Vienna State Opera.
		One of the great inspirations of “La Juive” is the ironic use of a church organ and the Te Deum as counterpoint to the action.
	newyorker.com /critics/music/?031124crmu_music (1407 words)

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