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| | Sculpture |
 | | Chartres Cathedral's sculpture, in addition, is a virtual encyclopedia of medieval knowledge; beyond the biblical narratives and depictions of various saints, one finds astrology, the labors of the months, the liberal arts, and the virtues and vices portrayed. |
 | | Ernst Barlach's sculpture, on the other hand, was expressionistic; he chose humble subjects and illustrated a wide degree of emotions, ranging from joy, as in Singing Man (1928, private collection, Germany), to revenge, as in The Avenger (1914, Hirshhorn Museum). |
 | | In general, American sculpture, unlike European, cannot be classified by movement during the first half of the 20th century; many new movements, involving new media, arose, however, during the latter part of the century. |
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