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| | La Reine Margot |
 | | In an attempt to bring peace to the country, the king's sister Margot is married to the Protestant leader Henri de Navarre. |
 | | What is more, as the film's sets, costumes, and depictions of the distinctive values and behaviors of a bygone age bring that time to life, they enhance the director's ability to involve the viewer with the struggles and concerns of his often genuinely intriguing characters. |
 | | Consequently, while neither Margot nor Henri, with whom the narrative is primarily concerned, is a particularly sympathetic character, both are such fascinating and carefully crafted individuals and inhabit such a remarkably well realized universe that they are able to captivate the viewer. |
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