| |
| | Self-referential movies: La Ronde |
 | | The presence of this world-wise director-surrogate, along with numerous other endistancing devices, reminds us that this movie is not a "filming" of Schnitzler's "La Ronde" (which would be an absurd project in a ruined, post-Hitler Europe). |
 | | The movie, like the play, follows a series of couples as they meet, make love, and separate. |
 | | Ophuls has unearthed a relic of vanished Vienna and presents it to us an artifact-with-commentary, the central exhibit in his own, quite non-Schnitzlerian meditation on romance, disillusionment, and the passage of time. |
| www.kinexis.com /moviesseivom/La_Ronde.htm (460 words) |
|