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| | Variations on a Theme | Romanticism from the canvas to the printing press to the opera house |
 | | La Sylphide, based loosely on Charles Nodier's Trilby; ou, Le Lutin d'Argail (1822), illustrated the story of a supernatural female creature, half-human and half-bird, doomed to an eternity of dancing. |
 | | He does this in the hopes that Sylphide's wings will disappear and she will be his forever; unfortunately, the scarf kills her and Sylphide falls into the arms of her friends, the Sylphs, as a grieved James stands aside to watch her die. |
 | | However, the plot of La Sylphide was not the only novelty that inspired succeeding ballets; Marie Taglioni was the first to don a bell-shaped, calf-length, white tutu with a boned bodice that would be prevalent in Romantic ballet. |
| library.thinkquest.org /C0126184/english/musicballet.htm (1441 words) |
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