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| | BARBARIANS IV Celtic Style |
 | | Many other Hallstatt works foreshadow La Tène style, of course, but few were found in intimate proximity to works imported from the "Greek" Mediterranean, from which individual motifs and stylistic trends are supposed, according to the "Hellenization" model, to have been adapted or assimilated. |
 | | A very early La Tène burial, at Kleinaspergle, contains two Attic red-figure kylikes (drinking cups) that were provided with Celtic gold foil ornaments, again a situation in which the craftsman had to be intimately familiar with the import. |
 | | In addition, although Celtic aspects of the clothing, the faces, and the extremely stylized horses are generally acknowledged, the overall compositional scheme, the relationship of the figures to the picture plane, the questions of illusionism and narrative remain to be analyzed. |
| ccwf.cc.utexas.edu /~cmw/1995/Celtic_style.html (1157 words) |
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