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| | American Cinematographer: The Road to Perdition |
 | | The second location, on Belbow Street, made for a more interesting background and also made the transition from open space to the city more dramatic. |
 | | For the LaSalle Street location, certain modern buildings, streetlights and street markings were replaced or eliminated. |
 | | The final shot, which is approximately 1,100 frames long, shows the car passing the park, the buildings reflected in the windows, and the car crossing the LaSalle Street bridge into the city, and it looks as though it was one long take filmed at one location. |
| www.theasc.com /magazine/aug02/perdition/sidebar2.html (934 words) |
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