
	Where results make sense

Topic: Ladislav Fialka

Related Topics

Pantomime

Burmite

Law of conservation of energy

Black Country English

Fury (DC Comics)

Pulp mill

Petra

Pencil case

UNIVAC 9200

	Pantomima
		The nadir of that form is too easily reached by the practitioners who stand gesticulating on city streets with a begging bowl at their feet.
		They set out to use mime as an expressive medium on its own account, avoiding the frequently met dangers of seeming like dance without choreography or, on the other hand, drama without words: in either case a kind of cheap imitation of the real thing.
		Fialka performed with a small supporting ensemble; Tomaszewski was content to stay out of the limelight him- self, and he worked on a bigger scale, creating narratives for a cast sometimes as large as thirty performers.
	www.teatry.art.pl /!inne/pantomima/henrykt.htm (529 words)

	Vaclav Dostal, mime (Site not responding. Last check: 2007-11-03)
		My first impulse to play pantomime surely was seeing performance of The Ladislav Fialka Pantomime-Enseble in theatre "Na Zabradli" maybe in 1983.
		I so often was imitating mime gesture (especialy by flboard), that I got nickname "Fialka" by my classmates.
		I met by this opportunity Mr.Jiri Kaftan, ex-member of Ladislav Fialka Pantomime-Ensemble and one of closest friend of Fialka.
	vaclavdostal.webpark.cz /index_en.html (627 words)

	TomFooleryProductions (Site not responding. Last check: 2007-11-03)
		He has also appread in movies for TNT and CBS.
		He has studied mime under James Dodding, a student of famed Czech mime Ladislav Fialka, physical comedy with Davis Robinson (author of The Physical Comedy Handbook) and clown with the North Carolina School of the Arts’ Richard Ellis.
		Michael has also taught theatre in public schools for more than six years.
	www.wfu.edu /theatre/tomfoolery/TFworkshops.htm (219 words)

	FAQ Page Three
		Fialka, B. Hybner, B. Polivka) and puppet theater (Spejbl a Hurvinek Theatre, Vychodoceske loutkove divadlo DRAK - East Bohemian Puppet Theater DRAK in Hradec Kralove).
		The majority of the most important authors of the generation continued their work abroad; or their samizdat works circulated during the following two decades only in typed copies.
		Czech filmmaking leaped into the international spotlight over the past couple of decades thanks to the work of directors Milos Forman and Jiri Menzel, whose films are played in moviehouses all over the world.
	www.aaro.org /prague/faq3.html (2581 words)

	Curriculum Development for Mime
		Initially, it was one of the subjects within the dance course and became a separate course after 1980.
		Until then, it was primarily concerned with classical mime, the founder and Senior Lecturer being the famous Czech mime lecturer, Ladislav Fialka.
		His work was taken over by Ctibor Turba, who introduced a broader concept of non-verbal theatre and the comic genre.
	scart.hku.nl /project10.html (345 words)

	[No title] (Site not responding. Last check: 2007-11-03)
		Outstanding directors, authors and prominent personalities have taken leading roles in various companies during the 40 years of the theatre's existence.
		In the initial period, the theatre's distinctive character was created by Jiří Suchý (poet, lyricist, playwright and cabaret performer), Ivan Vyskočil (writer, playwright and latterly professor at the Academy of Dramatic Art) and Ladislav Fialka (mime - originator of professional Czech pantomime).
		In the early 1960s, director Jan Grossman and playwright Václav Havel were to lay the groundwork for the Czech Theatre of Absurd.
	www.divadlo.cz /na-zabradli/en_historie.htm (313 words)

	The Hanging Man
		Ctibor Turba (pronounced "stee-bor toor-ba"), born in 1944, began his professional career in 1968, after an amateur career of five years, when his pantomime theater of Alfred Jarry, in its first performance ("Harakiri"), was recognized as a turning point in European pantomime theater.
		He and his collaborators, Boris Hybner, Richard Ryda, and Josef Platzer, rejected the elegant poetics of the lyrically imaginative pantomime Ladislav Fialka in favor of mute physical dramatic art and fl grotesque.
		On stage they made use of the devices of the dramatic theatre (scenery, props, and the like) and as clowns in hobo suits and without white masks, Hybner and Turba paid homage to the legacies of Jarry, Artaud, Beckett and especially, Keaton's grotesque comedic cinema.
	www.nytheatre-wire.com /turba.htm (1037 words)

	DIVADLO.CZ:
		1929), and Ladislav FIALKA (1931 - 1991), Divadlo na Zábradlí (Theatre on the Balustrade), became a significant centre of the younger generation.
		By the end of the 1950s, a number of small mime companies came into existence, the most important one created by Ladislav FIALKA, the co-founder, artistic director, and leading figure of the pantomime troupe at the Theatre on the Balustrade.
		The uniquely stylish and poetic character of his pantomime was, on one hand, based on ballet techniques, and, on the other hand, on a strong feeling for plasticity.
	www.theatre.cz /infosources/clanek.asp?id=181 (11303 words)

	Výsledky - vechny kategorie
		Karas Ladislav FSP9000 C VTJ Stavební fakulta Praha 35.16 17.
		Fialka Petr TAP8802 C KOB TRETRA Praha 34.06 19.
		Farský Ladislav DKP6100 C SK Kotláøka Praha 31.01 2.
	www.skpraga.cz /vysledky/p011006/p011006v.htm (4997 words)

	history
		Such an attitude was of course very dangerous at that time and this was the reason why the album couldn't have been released before.
		The albums also included two instrumental works of Martin Koubek, which were composed for the last theatre performance of a world known Czech mime Ladislav Fialka.
		And even the songs sung in Czech were not omitted (the ones from the time of The Thrill of Love).
	www.dux-mk.cz /hist_en.html (1248 words)

	[No title]
		It was a natural step for him then to exchange light athletics for mime.
		He wrote a letter to Ladislav Fialka of Theatre Na zabradli, but never received an answer.
		Nevertheless, he soon relaized that the poetic and distinguished style of Ladislav Fialka didn't suit him, and he decided to pursue his own way.
	carolina.cuni.cz /archive-en/Carolina-E-No-013.txt (1477 words)

	Mezinárodní festival Divadlo / International festival Theatre
		On the 3rd March, 1959, the theatre joined with Ladislav Fialka and his pantomime company (in the performance called The Pantomime on the Balustrades), in an attempt to return the neglected theatrical genre to fame.
		The drama and pantomime companies existed alongside each other until 1991 when Fialka died.
		However, in 1968 Jan Grossman and Václav Havel had to leave the theatre.
	festival.divadlo.cz /rocniky/roc03/a_namesti_hrdinu.asp (979 words)

	The Prague Post Online
		Also on the bill this year is Mimraj, a single evening heralding the start of a wider-scale, summer-long celebration of 50 years of mime in the Czech Republic.
		This evening will feature solo performances by students of movement theater and modern pantomime, commemorating the work of Ladislav Fialka, the original Czech master of mime.
		Old postcards of the region will also be on display, some of which date back 100 years or more.
	www.praguepost.com /P03/2006/Art/0629/calen3.php (716 words)

	The Evolution of Mime: Towards Expansiveness of Being
		What are the present trends in the theatrical mime, and what kind of future can it have?
		There is Adam Darius who became inspired with Les Enfants du Paradis; in Poland The Wroclaw Pantomime Theatre, the Theatre on the Balustrade in Prague with Ladislav Fialka; The Theatre of the Deaf, who study acting, modern dance, and mime.
		And of course, the International Mime Festival held in the summer of 1974 at Viterbo College in La Crosse, Wisconsin presented some of the actual mime workers of today.
	www.indranet.com /arts/lcds/expansiveness/evolution_mime.html (1102 words)

	CLEXO - Publikationen
		Rauko Peter Novotny Ladislav, Mego Michal, Saiko Philipp, and Szekeres Thomas, In vitro and in vivo antileukemic effect of novel dimers consisting of 5-fluorodeoxyuridine and arabinofuranosylcytosine; Cancer Sci.
		Saiko Philipp, Horvath Zsuzsanna, Bauer Wolfgang, Hoechtl Thomas, Grusch Michael, Krupitza Georg, Rauko Peter, Mader Robert M., Jaeger Walter Schott, Herbert, Novotny Ladislav, Fritzer-Szekeres Monika and Szekeres Thomas: In vitro and in vivo antitumor activity of novel amphiphilic consisting of 5-fluorodeoxyuridine and arabinofuranosylcytosine; Int J Oncol 25:357-364, 2004
		Saiko Philipp Horvath Zsuzsanna, Illmer Christoph, Madlener Sibylle, Bauer Wolfgang, Hoechtl Thomas, Erlach Natascha, Grusch Michael, Krupitza Georg, Mader Robert M., Jaeger Walter Schott, Herbert, Agarwal Ram P., Fritzer-Szekeres Monika, Szekeres Thomas: Cytotoxic effects of novel amphiphilic dimers consisting of 5-fluorodeoxyuridine and arabinofuranosylcytosine in cross-resistant H9 human lymphoma cells; Leuk Res.
	www.clexo.at /publikationen.htm (4930 words)

	The Arts Centre - Centre Stage
		Chris Harris was born in Bridgwater, and trained at the Rose Bruford College, the Jacques Lecoq Mime and Theatre School in Paris, Ladislav Fialka's Pantomime Company in Prague, and for a short time at the Moscow State Circus School.
		His theatre work includes seasons with the Royal Shakespeare Company, the Bristol Old Vic, the New Shakespeare Company, Lincoln, Salisbury and Worthing Reps. He was also a founder member of the Avon Touring Theatre Company.
		Written by Chris Harris and Chris Denys, also directed by Chris Denys.
	www.ridingsartscentre.co.uk /harris.htm (1096 words)

Try your search on: Qwika (all wikis)