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| | iDC Rome: 500 Years of the Laocoon |
 | | Almost immediately, the fragments were identified as belonging to the Laocoon, a sculpture that had stood in the palace of the ancient Emperor Titus and that was known to Renaissance humanists because it received the highest of praise from the first-century writer, Pliny the Younger, in his volume, The Natural History. |
 | | Just as Laocoon and his sons struggle against the snakes that will bring them to their death, so too do a number of Michelangelo's sculpted figures struggle against external bonds, as in his famous Slaves, intended for the tomb of Pope Julius II, but now in the Louvre in Paris and the Accademia in Florence. |
 | | The intense pain suffered by Laocoon and his sons, and the contrast of this pain with the beauty of the sculpture, was a topic of discussion for the eighteenth-century father of art history, J. Winckelmann. |
| www.idcrome.org /laocoon.htm (1169 words) |
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