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| | Thirty-Seventh Caracolá de Lebrija |
 | | This is not the case of Lebrija which, for all practical purposes, is in the middle of nowhere. |
 | | The Caracolá de Lebrija is one of the oldest cante festivals and in this, its thirty-seventh edition, it sought to put on a fresh face paying tribute to the women of flamenco. |
 | | With her well-worn voice, tasting of the earth itself, she sang malagueñas, fandangos, bulerías and soleá, closing, as is her custom, with the unusual solea of Tío Pacote de Jerez, in major key, with the guitar of Antonio Malena. |
| www.flamenco-world.com /magazine/about/caracola/caracola2.htm (796 words) |
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