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| | London Shostakovich Orchestra - November 2000 Programme Notes |
 | | The successor to Shostakovich's Seventh Symphony was expected to be the second instalment of a symphonic war trilogy, and thus the sense of bleakness that pervades the work was incomprehensible, especially when `the People' were deemed to require only uplifting and celebratory music. |
 | | However, due to the international success of the Leningrad Symphony the cultural apparatchiks were unable to openly criticise Shostakovich, and therefore they propagated the notion that the Eighth Symphony was a memorial to the Soviet victims of the Battle of Stalingrad, adopting, in the Soviet Union at least, the tag `Stalingrad Symphony'. |
 | | The symphony's tepid reception meant that it was soon dropped from the concert repertoire both at home and abroad, having to wait, as with a number of other controversial works, until the 1960s for its revival. |
| www.shostakovich.com /nov2000.html (1188 words) |
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