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| | Rolling Stone : Leo Kottke |
 | | For his performance at St. Louis' Sheldon Concert Hall, Kottke dipped deep into his old repertoire for audience favorites like "Vaseline Machine Gun" and "Pamela Brown," auditioned a few new numbers for an album he'll be recording in Minnesota in the coming months, and kept the crowd amused in-between songs with his mordant wit. |
 | | Kottke doesn't, but he takes it seriously enough, performing a dazzling array of instrumental numbers, defying genre boundaries between blues, folk and jazz, and making music that is extraordinarily percussive -- there's not enough space left open for you to miss a rhythm section -- yet wonderfully lyrical. |
 | | Unbeknownst to his family, who figured him for dead, he was held captive across the street from their apartment, and sustained his spirit by peering out a high slit of a window, catching occasional glimpses of his daughters as they played on their balcony. |
| www.rollingstone.com /news/story/5922880/leo_kottke (496 words) |
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