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| | Sleeve Notes - L'Album des Six |
 | | 'Les cinq russes, les six français, et Erik Satie': so it was that in January 1920 Henri Collet, in a spirit of one-upmanship (and possibly short of an idea for his column in the arts journal, Comoedia), mooted the idea of 'Les Six'. |
 | | In so far as 'Les Six' had a unified aesthetic, it stood for French neoclassicism and, by implication, an anarchic rejection of all that was deemed to come from the over-ripe, Germanic romanticism of Wagner. |
 | | Although 'Les Six' existed formally only across 1920/21, its members somewhat unusually collaborated in two ventures: the wonderfully surreal divertissement of Les Mariés de la Tour Eiffel of 1921 (though Durey, feigning illness, had already declined to be involved with this) and the miniature Album des Six, for piano (1920). |
| www.hyperion-records.co.uk /notes/67204.html (1777 words) |
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