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| | Film-Philosophy |
 | | films that begin with an ongoing event or action, representations of the act of writing, films which predict the future, the appeal and effects of popcorn cinema, films that deal with genocide, post-gaming interactive 'uncinema', Antonioni and the aesthetic of boredom, and definitions of 'pretentiousness'. |
 | | male beauty, the face in cinema, and the theme of the 'forest', downloading movies, films that are 'structured' according to a soundtrack of a film that already exists, films that introduce key characters as they wake up, revenge movies, and films where the actor is located both within and outside the narrative. |
 | | emotions and ethics of Dogme films, cinema and psychiatry, interpreting interpretations, zombie films, "freaks" in film, children in film, headaches in film, Mikhail Bakhtin, and the theoretical and institutional dimensions of film criticism. |
| www.film-philosophy.com (1441 words) |
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