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 | | To formulate theories of communication, as is a theory of semiotics or of literature, one must explore the mechanics of human perception and the affect of language as referent, accurate or inaccurate, upon the perception process. |
 | | Theorists with an interest in semiotics (Barthes, 1964; Derrida, 1974; Dewey, 1922; Eco, 1976; Greimas, 1983/1966; Hjelmslev, 1943; Lotman, 1990; Peirce, 1931) have asserted the belief that perception in itself is the interpretation of disconnected sensory data and the creation of cognitive hypotheses based upon individual experience. |
 | | The central question regarding semiotics and pictures (in its broadest sense) has been focused on the semiotic autonomy of the picture: "Is an autonomous semiotics of pictorial perception possible, or does the semiotic analysis of pictures always require recourse to the model of language" (Noth, 1990, p. |
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