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	Roy Lichtenstein - MSN Encarta
		Along with fellow American artist Andy Warhol, Lichtenstein was one of the central figures of the American pop art movement in the 1960s, which celebrated popular, commercial images.
		In his ceramic and painted bronze sculptures, Lichtenstein used the same flattening, two-dimensional devices of his paintings to depict subjects ranging from explosions to goldfish bowls, cups with steam rising from them, and brushstrokes floating in the air.
		Lichtenstein’s first solo show of comic-strip paintings, at the Leo Castelli Gallery in New York City in 1962, was one of the first pop art exhibitions and created an art world sensation.
	encarta.msn.com /encyclopedia_761561190/Roy_Lichtenstein.html (425 words)

	The Metropolitan Museum of Art - Special Exhibitions: Roy Lichtenstein on the Roof
		Also, with the reverse curve of her single supporting leg, counterbalanced by her off-center belly, Lichtenstein hints that Galatea is standing in a posture of contrapposto, a pose in which one part of the body is twisted in the opposite direction from the other part.
		In Lichtenstein's Brushstroke Nude (1993) contrapposto is exaggerated to the point that the female figure—red and white on one side, blue and white on the other, mirror-image side—has the appearance of a fashion model twisting to show her outfit as she minces down the runway.
		Endless Drip revives a characteristic of certain Lichtenstein sculptures of the late 1970s, in which the materialization of something evanescent, such as bronze steam rising from a sculptural coffee cup or bronze light beams cast by an overhead sculptural lamp, is conspicuous.
	www.metmuseum.org /special/Roy_Lichtenstein_Roof/roy_images.htm (803 words)

	Lichtenstein dynasty
		The Lichtenstein family consisted of several well-known naturalists of the eighteenth and nineteenth century stemming from the lineage of a converted rabbi, who was baptized in 1626.
		One of A. Lichtenstein's sons, Martin Heinrich Karl Lichtenstein (1780-1857), was a well known ornithologist and held positions as a professor of zoology at the University of Berlin as well as the director of the Zoological Museum of Berlin.
		Lichtenstein previously had written a series of three sales catalogs that included several species descriptions; in 1793 one on mammals and birds, in 1794 one on shells, and in 1796 one on insects.
	www.vetigastropoda.com /Lichtenstein/introduction.html (1822 words)

	Roy Lichtenstein
		Lichtenstein, the son of a wealthy middle-class family, was born in Manhattan.
		Lichtenstein was not interested in the sharp reflection of reality in a mirror, but with the reflection which seems to lift of the materiality of the reflected objects.
		Lichtenstein uses it as a mean to enlarge the space, but does not put in doubt the two-dimensional quality of the representation.
	www.cosmopolis.ch /english/cosmo12/lichtenstein.htm (680 words)

	TASCHEN Books: Lichtenstein
		Wholly in keeping with the spirit of the Classical Modern, he held that it was not the "rank" of the picture's subject that lends the picture its artistic character, but rather the artist's formal treatment of it.
		Developed in the early 60s, Lichtenstein's grid technique, with its allusion to the mass-production of graphic art, allowed the painter to give vent to his own artistic scepticism.
		In the 60s and 70s, Lichtenstein expanded his formal repertoire of techniques for creating distance and irony by means of an idiosyncratic process of abstraction and especially by his use of his numerous art quotations.
	www.taschen.com /pages/en/catalogue/art/all/01708/facts.lichtenstein.htm (244 words)

	Roy Lichtenstein - Louisiana
		Udstillingen viser, at Lichtensteins kunst i høj grad handler om, hvad visuel kommunikation overhovedet er i en fortsat undersøgelse af billedmediets forskellige muligheder for at administrere de grundfortællinger om kærlighed og konflikt, om intensitet og tomhed, om rum og spejling og flade, som maleriet har behandlet på forskellig måde gennem mange hundrede år.
		Lichtenstein's work deals with art and the images of art by means of popular culture.
		It is the intention to illuminate these aspects of Roy Lichtenstein's art and to point to the originality and intelligence of his images, the degree to which they go beyond the familiar story of our consumer culture's advertisement universe and the perpetually paraphrasing artist rebelling against the conventional notion of originality.
	kunstonline.dk /indhold/roy.php4 (1003 words)

	Lichtenstein new species
		Lichtenstein noted that this species is extremely rare with the three exclamation marks; C.
		The indication of mother-of-pearl in Lichtenstein's description points towards the Trochidae or Turbinidae; these two families are particularly distinguished by the corneous (Trochidae) or calcareous (Turbinidae) operculum of which there is no mention in Lichtenstein's description.
		Lunatia is a genus in the Naticidae, which was included by Lichtenstein (1794) in the genus Nerita, with the exception of modern species in Sinum, that were classified under Patella.
	www.vetigastropoda.com /Lichtenstein/species.html (1566 words)

	Guggenheim Collection - Artist - Lichtenstein - Grrrrrrrrrrr!!
		Lichtenstein cultivated imagery from the history of art while continuing to use the conventions of comics and advertisements.
		Lichtenstein often focused on the way his traditional and mass-media sources resolve the dilemmas of representing three dimensions on a flat picture plane, incorporating their solutions into his own work with witty exaggeration.
		Lichtenstein’s inclusion of an airplane window in the third panel of the painting foreshadows his engagement with modes of conveying the illusion of reflective glass, which he went on to explore in a series of paintings of mirrors.
	www.guggenheimcollection.org /site/artist_work_md_88_5.html (411 words)

	Roy Lichtenstein Biography
		Roy Lichtenstein was born in New York as the son of a realtor and a housewife.
		Lichtenstein was then in his late thirties and an unknown artist.
		Lichtenstein is usually characterized as ironic, humorous and witty.
	www.artelino.com /articles/roy_lichtenstein.asp (727 words)

	Lichtenstein Gallery - 718-531-7830.....Artdealer@earthlink.net
		Lichtenstein Gallery is Part of the NYmuseum.com community.
		NYmuseum.com represents artists like Erte, Lichtenstein, Chagall, Mucha, James Rizzi and others.
		We are not affiliated with Roy Lichtenstein and/or the Estate.
	www.lichtensteingallery.com (164 words)

	Roy Lichtenstein Posters - Roy Lichtenstein Prints - Free Shipping
		Roy Lichtenstein is a New York native, and considered one of the greatest artists of the Pop Art movement.
		Lichtenstein is best known for his use of comic strips and advertising themes within his work, making him very popular with art collectors everywhere.
		It is important to note that Lichtenstein worked primarily with stencils, allowing him to create perfect uniform rows of dots, which gave his work the look of a magnified print ad.
	www.postercheckout.com /a/Roy_Lichtenstein (299 words)

	Roy Lichtenstein Biography
		Roy Lichtenstein All About Art (pictured) has been published in collaboration with the Louisiana Museum of Modern Art to coincide with the forthcoming exhibition at the Hayward Gallery, London (26 February - 16 May 2004).
		Roy Lichtenstein, the artist whose classic paintings of comic strips were a defining factor in the Pop art movement that exploded in the 1960s, died on Monday, Sept. 29, 1997, at New York University Medical Center, where he had been hospitalized for several weeks.
		Lichtenstein was a native New Yorker, born Oct. 28, 1923, on the Upper East Side of Manhattan and raised on the Upper West Side.
	www.leninimports.com /roy_lichtensteinb.html (1069 words)

	Roy Lichtenstein Summary
		Roy Lichtenstein was, as Robert Hughes noted in Time magazine, "a postmodernist before the term got going." The artist, as much identified with the American Pop art movement as was Andy Warhol, "realized that in art, though style may not be everything, e...
		Artist Roy Lichtenstein was one of the foremost members of the Pop Art movement which challenged traditional definitions of art in the 1960s.
		Lichtenstein's trademark style, developed by 1962, was painting in the form of a comic-strip frame.
	www.bookrags.com /Roy_Lichtenstein (276 words)

	Lichtenstein: creator or copycat? - The Boston Globe
		He contests the notion that Lichtenstein was a mere copyist: "Roy's work was a wonderment of the graphic formulae and the codification of sentiment that had been worked out by others.
		Lichtenstein's fans, and the collectors who now pay millions of dollars for individual canvases, will continue to revere his work.
		After visiting a Lichtenstein exhibition in Chicago, attorney Mark Weissburg wrote an article titled ``Roy Lichtenstein, Copyright Thief?" ``I was struck by the fact that Lichtenstein was never sued for copyright infringement," Weissburg wrote.
	www.boston.com /news/globe/living/articles/2006/10/18/lichtenstein_creator_or_copycat (707 words)

	Roy Lichtenstein (1923 - 1997) Artwork Images, Exhibitions, Reviews
		Roy Lichtenstein: Interiors is generously sponsored by the Sara Lee Foundation and the Northern Trust Corporation.
		Lichtenstein was commissioned 12 years ago by New York's Metropolitan Transportation Authority to create a mural for the Times Square subway station.
		For more than three decades, Roy Lichtenstein (born in 1923 in New York; died in 1997 in New York) managed to stay true to his artistic sources and at the same time to stylistically expand the different thematic groups, to interlink and vary th...
	wwar.com /masters/l/lichtenstein-roy.html (1767 words)

	Roy Lichtenstein
		He was unique in that he developed a new visual language in an avant-garde style that was disruptive to viewers and yet was accessible and popular with them.
		Although Lichtenstein's pop paintings had widespread popular acceptance, he began in 1965 to do Abstract Expressionism, but in contrast to others in that style, he did work that was hard and static.
		Lichtenstein's murals are in Dusseldorf, Germany; Tel Aviv, Israel; and New York City.
	www.jewishvirtuallibrary.org /jsource/biography/lichtenstein.html (439 words)

	Roy Lichtenstein
		"Roy Lichtenstein was the master of the stereotype, and the most sophisticated of the major Pop artists in terms of his analysis of visual convention and his ironic exploitation of past styles.
		"Lichtenstein took in his comic-strip paintings unannounced to the new Leo Castelli Gallery, and was almost immediately accepted for exhibition there, in preference to Andy Warhol, who had started doing similar work.
		"Lichtenstein's development as a mature painter was marked by his propensity for working in successive series or thematic groups.
	www.artchive.com /artchive/L/lichtenstein.html (862 words)

	Guggenheim Collection - Artist - Lichtenstein - Biography
		Roy Lichtenstein was born on October 27, 1923, in New York City.
		Lichtenstein continued to question the role of style in consumer culture in his 1990s series Interiors, which included images of his own works as decorative elements.
		Lichtenstein participated in the Venice Biennale in 1966, and was honored with solo exhibitions in 1967 and 1968 at the Pasadena Art Museum and the Solomon R. Guggenheim Museum, New York, respectively.
	www.guggenheimcollection.org /site/artist_bio_88.html (465 words)

	MoMA.org \| The Collection \| Roy Lichtenstein. Drowning Girl. 1963
		Lichtenstein found sources for many of his early paintings in comic books.
		Lichtenstein cropped the image dramatically, showing the girl alone, encircled by a threatening wave.
		In addition to appropriating the melodramatic content of comics, Lichtenstein manually simulated the Benday dots used in the mechanical reproduction of images.
	www.moma.org /collection/browse_results.php?object_id=80249 (300 words)

	SFMOMA \| Exhibitions \| Exhibition Overview: Roy Lichtenstein
		Lichtenstein also often paraphrased the history of art in his paintings, referencing canonical masterpieces as well as the tools of art, such as stretchers and brushstrokes.
		Roy Lichtenstein presents a thorough selection of these groundbreaking works — including more than 65 paintings and works on paper — chronicling the artist's fascination with the act of art-making over his long career.
		Lichtenstein was one of the first artists to examine the way culture is experienced through mass media.
	www.sfmoma.org /exhibitions/exhib_detail.asp?id=172 (616 words)

	ARS : Alice Lichtenstein
		Matthan, N., Resteghini, N., Lichtenstein, A.H., Robertson, M., Ford, I., Shepard, J., Schaefer, E. Markers of Cholesterol Absorption and Synthesis in Individuals Without and With CHD Events During Treatment With Pravastatin: Insights from the Prospective Study of Pravastatin in the Elderly at Risk (PROSPER) Trial.
		Lichtenstein, A.H., Matthan, N. The effect of soybean based foods on plasma lipid and lipoprotein levels.
		Lichtenstein, A.H. Dietary fat, carbohydrate and protein: effects on plasma lipoprotein profiles fat, carbohydrate and protein and plasma lipids.
	www.ars.usda.gov /pandp/people/people.htm?personid=38216 (2895 words)

	MAM - Collection - Contemporary Art - Roy Lichtenstein
		Crying Girl was one of Roy Lichtenstein’s first ventures into producing enamel-on-steel multiples of the comic-strip imagery he had first introduced in conventional hand-painted canvases.
		With other leading American Pop artists, Lichtenstein turned to popular culture and the worlds of commerce and advertising for attitudes and approaches as well as for content.
		Eliminating any trace of the individual artist’s hand in favor of reinforcing the notion of its mechanical origin, here Lichtenstein emphasized in rigid fl outlines and the benday dots of printing the primacy of the image itself – a sentimental, glamorized and equally “mechanical” idealization of the American girl.
	mam.org /collections/contemporaryart_detail_lichtenstein.htm (125 words)

	SFMOMA \| Exhibitions \| Roy Lichtenstein
		It will be the first exhibition in the Bay Area to present such a large number of Lichtenstein's works, and will include paintings from the early 1960s to the mid-1970s.
		The exhibition will be presented in two galleries: the first will focus on quintessential Pop Art paintings and works that illustrate Lichtenstein's stylized, pictorial rendering of his subjects; and paintings in the second gallery will emphasize the abstract and formal qualities in the artist's work.
		He was a complex and innovative artist whose work ranged from instantly recognizable subjects of popular culture to eloquent and austere compositions of a relatively high degree of abstraction.
	www.sfmoma.org /exhibitions/exhib_detail/99_exhib_roy_lichtenstein.html (304 words)

	Roy Lichtenstein — Infoplease.com
		Roy Lichtenstein - Roy Lichtenstein painter, sculptor Born: 10/27/1923 Birthplace: New York City A major figure in the...
		Lichtenstein: seeing is believing: at the Museum of Contemporary Art in North Miami, a recent exhibition--replete with visually cunning......
		Lichtenstein's Indian territory: linking two bodies of painting based on Native-American subjects and motifs, and supplementing them......
	www.infoplease.com /ce6/people/A0829699.html (324 words)

	lichtenstein
		Roy Lichtenstein was not generally thought of as a ceramist; yet, in 1954–65, he created an extraordinary body of work—26 ceramic sculptures—exhibited as a discrete group only twice: at Leo Castelli Gallery, New York in 1963, and at the University Art Museum (UAM) in 1977.
		Lichtenstein constantly subjected his images and motifs to reexamination and renewal.
		Thus, the crockery forms of 1964–65 were recreated in the Cubist Still Lifes of 1972, and were seen again in an entirely new guise in his freestanding bronzes of 1976.
	www.csulb.edu /org/uam/pages/Collections/Works_on_paper/lichtenstein.html (187 words)

	Roy Lichtenstein: Keen Observer Of Life's Little Ironies \| csmonitor.com
		Always a provocateur, Lichtenstein appropriated the subjects and commercial style of cartoons and advertising.
		Lichtenstein's first sold-out show of Pop work at New York's Leo Castelli Gallery in 1962 scandalized critics but captured the zeitgeist of a consumerist era.
		Lichtenstein's 1978 "Self-portrait," depicting himself as a T-shirt with a mirror as his head, sums up his lifetime of sly, probing art.
	www.csmonitor.com /durable/1997/10/03/feat/arts.2.html (544 words)

	Lichtenstein the Critic
		Due to the vast assortment of prints, one is able to take in a good dose of Lichtenstein the cultural commentator, who offers satirical critiques of the contemporary culture from within the culture itself; who, at the same time, takes full advantage of that very culture in order to establish himself in the arts community.
		For example, in what is likely Lichtenstein’s most famous print WHAAM!, as well as This Must be the Place, and Crying Girl, Lichtenstein ably captures the daunting mixture of a sense of post-war disillusionment and 50s era idealizations that was present in society.
		Oftentimes appearing pretentious, otherwise commonplace, the air of easiness which runs about Lichtenstein’s prints reflects their largely unassuming nature, in that they are able to say so much with so little.
	www.wsu.edu /~kimander/lichtensteinthecritic.htm (611 words)

	BLAM - Roy Lichtenstein - painting 1962 - Pop Art
		Artists such as Warhol, Lichtenstein, and Rauchenberg sought to blur the lines between high and low art as well as the boundaries between art and everyday life.
		Roy Lichtenstein's original painting is in the Yale University Art Gallery New Haven, Connecticut.
		And A is for Art, Lichtenstein's first pop comic masterpiece, Look Mickey, now in the collection of the National Gallery of Art, Washington, D.C. This mini-retrospective is a must for art lovers, letter lovers, and those just cutting their teeth on the alphabet.
	hans.presto.tripod.com /blam.html (779 words)

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