| |
| | The Life Of Galileo |
 | | Howard shows the various sometimes contradictory sides of Galileo’s temperament, including his need to be effectively and alternately conciliatory, condescending, humble, humorous, and defensive. |
 | | This is a Galileo whom we see at critical moments in his life beginning in 1611 as he feels no compunction to claim the telescope as his own invention. |
 | | Robbie Collier Sublett is something of a revelation, as Andrea Sarti, Galileo’s conscientious and supportive apprentice, who, despite the amusing distraction of his artfully disheveled hair, gives an engagingly savvy performance and generally illuminates the stage without upstaging his master. |
| www.theaterscene.net /ts/articles.nsf/RP/A5DE2B8FB687CECD852570750054CFFB (692 words) |
|