| | James Weldon Johnson (1871-1938) |
 | | Yet, he is remembered today, almost exclusively, as the author of "Lift Every Voice and Sing"; and to some degree as the author of the "Creation," the first sermon in God's Trombones. |
 | | Exemplary themes of major import in the Johnson canon begin with "Lift Every Voice" and "Bards." They relate to the fl presence in America via the "peculiar institution," slavery, but maintain relevance to the American Dream, "holy hope," and self-realization. |
 | | The editors of The Conscious Voice (1965) suggest that the poem is the rendering of experience--which also suggests "the intricacy of the poet's involvement in the world." Does Johnson use a suitable aesthetic distance from his subject matter in the poems: "Lift Every Voice" (1900); "Fifty Years" (1853-1913); and "Saint Peter Relates An Incident" (1930)? |
| www.hmco.com /college/english/heath/syllabuild/iguide/johnson.html (1578 words) |