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	Linda Hutcheon
		Linda Hutcheon is Professor of English and Comparative Literature, at the University of Toronto.
		"THEORIZING FEMINISM AND POSTMODERNITY: A Conversation with Linda Hutcheon"
		Linda Hutcheon, one of the most respected and renown of Canada's theorists, has long been known to dismiss this proclivity with an easy shrug of the shoulders.
	www.cddc.vt.edu /feminism/Hutcheon.html (2014 words)

	Linda Hutcheon - jahsonic.com
		Linda Hutcheon's A Theory of Parody is one of the most important theoretical books of the decade not only on parody but also on postmodernism.
		Linda Hutcheon's views on parody are far more positive and allows us to analyse contemporary writers and give them their due worth.
		Hutcheon's theory on parody helps us understand better what happens to the quotation from a canonical text when it is transported into a postmodern text which uses fragmentation and irony to subvert the original meaning.
	www.jahsonic.com /LindaHutcheon.html (940 words)

	Hutcheon / A Theory of Parody
		Hutcheon identifies parody as one of the major forms of modern self-reflexivity, one that marks the intersection of invention and critique and offers an important mode of coming to terms with the texts and discourses of the past.
		In a new introduction, Hutcheon discusses why parody continues to fascinate her and why it is commonly viewed as suspect--for being either too ideologically shifty or too much of a threat to the ownership of intellectual and creative property.
		LINDA HUTCHEON, a professor of English at the University of Toronto, is the author of Irony's Edge: The Theory and Politics of Irony, Narcissistic Narrative: The Metafictional Paradox, and other books.
	www.press.uillinois.edu /f00/hutcheon.html (298 words)

	To Subvert or Not to Subvert: Philosophising Postmodern Parody
		Dismissing Jameson’s critique of the demise of a modernist parody with the replacement of a postmodern apolitical pastiche, Hutcheon instead argues that a postmodern version of parody does exist and it is “a value-problematizing, de-naturalizing form of acknowledging the history (and through irony, the politics) of representations” (90).
		Hutcheon contends that postmodernity’s parody “is doubly coded in political terms: it both legitimizes and subverts that which it parodies” (101), which prevents “assumptions about its transparency and common-sense naturalness” (30).
		This said, Hutcheon issues a warning: this position does not mean that critique is not effective: postmodern parody “may indeed be complicitous with the values it inscribes as well as subverts, but the subversion is still there” (106).
	www.suite101.com /article.cfm/postmodern_literature_criticism/110541 (768 words)

	Introduction to "The Politics of Postmodernism" - Hutcheon © Liverpool John Moores University 1996 (Site not responding. Last check: 2007-10-15)
		Linda Hutcheon, The Politics of Postmodernism, Routledge, 1989.
		Hutcheon characterises postmodernism in terms of irony, de-naturalisation, and a commitment to doubleness and duplicity (as though all its statements were in quotes).
		In the final section, Hutcheon unpicks 'postmodernism' from 'postmodernity', and considers their relation to modernism and the philosophies and politics of modernists, in terms of representation.
	www.hku.hk /english/course/03354/introhut.htm (227 words)

	EN223 - Bibliography - Linda Hutcheon (Site not responding. Last check: 2007-10-15)
		Hutcheon describes how in this process Canadian writers deconstruct myths "inherited" from Britain and Europe to question their colonial heritage, utilising postmodernity with its self-reflexivity and self-awareness to construct a Canadian voice.
		Hutcheon describes how Atwood's particular concern with gender issues, national politics and human rights has produced a volume of work that explores and explodes the myths of human nature and human values.
		She further suggests that the universal tensions of the mind and the body are mirrored by Atwood's postmodern treatment of the unreconciled differences between her English heritage and her Canadian experience.
	www2.warwick.ac.uk /fac/arts/english/undergrad/modules/special/en223/biblio/hutcheon (306 words)

	Linda Hutcheon (Site not responding. Last check: 2007-10-15)
		Linda Hutcheon's ideas about history and (postmodern) culture are similar to Fredric Jameson's ideas, that postmodern art cannot escape the present.
		She however disagrees with Jameson's negative conclusion that postmodern culture suffers from "historical amnesia." On the contrary, postmodernism's a-historical nature (its inability to escape the present) allows postmodern art to better act as social commentary, which is in complete opposition to Jameson's conclusions that postmodern art reveals nothing but self-indulgence.
		Even the institutions of the past, its social structures and practices, could be seen, in one sense, as social texts.
	people.memphis.edu /~kahillis/readings/56_hutcheon-poetics_of_pomo.htm (664 words)

	The Centre for Critical and Cultural Studies, The University of Queensland
		This illustrated (multi-media) lecture will introduce and provide an overview of the Hutcheons' new research project on the beliefs and attitudes that Western cultures hold about death and dying--as they are played out in opera, an art form that has proved to be inordinately obsessed with this theme.
		Linda Hutcheon is University Professor in the Department of English and the Centre for Comparative Literature at the University of Toronto.
		Michael Hutcheon is Professor of Medicine at the University of Toronto where he is a Medical Director of the University Health Network.
	www.cccs.uq.edu.au /?page=16529&pid= (518 words)

	Irony's Edge (Site not responding. Last check: 2007-10-15)
		Hutcheon's text contributes considerable analytical clarity to each of the areas with which it concerns itself - the semantics, the pragmatics (both personal and social), and the politics of irony.
		While Hutcheon deals instructively with both sides of the ironic interchange, she focuses more upon the crucial role played by the interpreter of irony and - given the range of possible interpreters - the degree of indeterminacy that opens up.
		Again, though, Hutcheon would remind us of the risks of generalizing further and of the fact that irony remains a preliminary and provisional rhetorical gesture.
	www.utpjournals.com /product/utq/671/irony22.html (741 words)

	provost - Professor Linda Hutcheon (Site not responding. Last check: 2007-10-15)
		She has achieved broad international recognition as a literary theorist, by helping define and describe the idea and characteristics of postmodernism as a way of delineating the most recent period in literary history and through extended examination of verbal and cultural constructs such as irony and parody.
		A prolific writer, Professor Hutcheon was appointed to the University of Toronto in 1988, having been an associate of the Centre for Comparative Literature since 1980.
		Professor Hutcheon is known for the quality of her graduate students and is in constant demand as a doctoral and postdoctoral supervisor.
	www.provost.utoronto.ca /English/Professor-Linda-Hutcheon.html (621 words)

	Theories Of Culture, Ethnicity, And Postmodernism: Linda Hutcheon (Site not responding. Last check: 2007-10-15)
		Hutcheon: The similarities on the surface are formal ones.
		Hutcheon: The 1990 conference in Edmonton, “Imag(in)ing Women” made me see—both in the kinds of papers that were presented and in the tone of those papers—how far feminist theory and criticism have come in the last ten years or so.
		Hutcheon: Yes and no. I don’t think my work actually enacts that breaking down of barriers, but I think I have tried to think through the consequences of that breaking down of barriers in my work on postmodernism.
	aurora.icaap.org /archive/hutcheon.html (2505 words)

	Harvard University Press/Opera/Reviews (Site not responding. Last check: 2007-10-15)
		The art is one of the most death-obsessed of all Western forms, say Linda and Michael Hutcheon, authors of Opera: The Art of Dying...In it, they explore musical drama as a kind of contemplatio mortis, or contemplation of death, an extension of the medieval notion of ars moriendi, or art of dying.
		Linda and Michael Hutcheon's Opera: The Art of Dying is a learned, absorbing, and (if one dare use this adjective for a study of death) enjoyable book.
		Building upon recent studies of death emanating from medicine and the social sciences, the Hutcheons demonstrate the ways that opera audiences experience the various deaths they witness onstage as a means of confronting their own mortality.
	www.hup.harvard.edu /reviews/HUTOPE_R.html (267 words)

	Harvard University Press/Opera
		Linda Hutcheon is University Professor of English and Comparative Literature at the University of Toronto.
		Michael Hutcheon is Professor of Medicine at the University of Toronto.
		In works by Janacek, Ullmann, Berg, and Britten, among others, the Hutcheons examine how death is made to feel logical and even right morally, psychologically, and artistically--how, in the art of opera, we rehearse death in order to give life meaning.
	www.hup.harvard.edu /catalog/HUTOPE.html (207 words)

	Amazon.co.uk: Books: Opera: Desire, Disease and Death (Texts & Contexts S.) (Site not responding. Last check: 2007-10-15)
		Linda and Michael Hutcheon have done a fine job of pulling together medical and literary sources to make sense of the changing depiction of disease in opera.
		Michael Hutcheon, M.D., is a professor of medicine at the University of Toronto.
		Michael Hutcheon is a doctor and analyzes the prevalence of consumption and tuberculosis in 19th Century Europe the backdrop of Verdi's "La Traviata".
	www.amazon.co.uk /exec/obidos/ASIN/0803223676 (834 words)

	New Page 2 (Site not responding. Last check: 2007-10-15)
		Linda Hutcheon is Professor of English and Comparative Literature, at the University of Toronto in Canada.
		She draws attention to the plurality of disciplines and institutions involved in postmodernism from the media to universities and she suggests that all institutions are currently interrogating their own borders, artistic conventions and histories.
		Hutcheon hints at, but does not explore, postmodernism's appeal to feminists in her analogy between postmodernism and "ex-centrics": fl, women and others on the margins of culture.
	www.sociologyonline.f9.co.uk /post_essays/PopHutcheon.htm (299 words)

	Style: Troping History: Modernist Residue in Fredric Jameson's Pastiche and Linda Hutcheon's Parody - Critical Essay
		I would like to take up Fredric Jameson's and Linda Hutcheon's competing accounts of the relation between postmodernism and history not because their differences stand as a recognized debate (such as that of J[check{u}]rgen Habermas and Jean-Francois Lyotard), but rather because their accounts of postmodern fiction seem to leave little room for compromise.
		Hutcheon notes the confusion that results from Jameson's use of "the word postmodernism for both socio-economic periodization and the cultural designation," a move that deliberately collapses the distinction between postmodernism and postmodernity (Politics 25).
		Jameson's postmodernism shows his debt to both reader-response criticism and the work of Jean Baudrillard, who as early as Consumer Society (1970) was attempting to shift attention away from a traditional Marxist category--the means of production--and toward a new one--the means of consumption.
	www.findarticles.com /p/articles/mi_m2342/is_3_33/ai_62828819 (1173 words)

	Amazon.co.uk: Books: A Poetics of Postmodernism (Site not responding. Last check: 2007-10-15)
		It continues the project of Linda Hutcheon's Narcissistic Narrative and A Theory of Parody in studying formal self-consciousness in art, but adds to this both a historical and an ideological dimension.
		Partly this had to do with a certain amount of confusion surrounding the term; but this confusion is not necessarily part of the term itself, it has also to do with a lot of critical excesses and theoretical gibberish that have been noted in the area.
		But Hutcheon does know where she stands, she builds her argument very carefully, contextualises it with regard to previous literature, and applies it effectively to texts she treats as postmodernist.
	www.amazon.co.uk /exec/obidos/ASIN/0415007062 (551 words)

	University of Toronto -- News@UofT -- Hutcheon wins Killam Prize (Apr 4/05)
		University Professor Linda Hutcheon of English and comparative literature is one of five winners of the 2005 Killam Prizes.
		Hutcheon, who has taught at U of T since 1989, is one of the best known and most highly respected Canadian scholars in the humanities today.
		Her collaborative work with her husband, Professor Michael Hutcheon of medicine, focuses on opera’s illumination of the intersection of medical and cultural history and has already yielded three books.
	www.news.utoronto.ca /bin6/050404-1219.asp (586 words)

	The Canada Council for the Arts - Luc Devroye, Brian Hall, Linda Hutcheon, Margaret Lock and Nahum Sonenberg to receive ... (Site not responding. Last check: 2007-10-15)
		The $100,000 awards to Luc Devroye, Brian Hall, Linda Hutcheon, Margaret Lock and Nahum Sonenberg were announced today by the Canada Council for the Arts, which administers the Killam program.
		Linda Hutcheon is University Professor of English and Comparative Literature at the University of Toronto and has been a visiting professor in Australia, the USA and Europe.
		Hutcheon has been the recipient of major fellowships and awards (Woodrow Wilson, Killam [Research and Post-Doctoral], Guggenheim, Rockefeller, Connaught, Social Sciences and Humanities Research Council of Canada (SSHRC), Northrop Frye Award) and numerous honorary degrees (in Canada and Europe).
	www.canadacouncil.ca /news/releases/2005/fs127566712239373750.htm (2353 words)

	News@UofT -- Lecture focuses on literary adaptation -- January 22, 2003
		Linda Hutcheon to discuss the art of tranforming literature into theatre and film
		Hutcheon, a professor of comparative literature in the Department of English, is co-director of the Rethinking Literary History project, a five-volume series from Oxford University Press.
		She is currently engaged in a collaborative interdisciplinary project on the topic of death and dying, using opera as the vehicle for studying cultural and social history.
	www.newsandevents.utoronto.ca /bin4/030122a.asp (262 words)

	Theorizing Feminism and Postmodernity: A Conversation with Linda Hutcheon (Site not responding. Last check: 2007-10-15)
		Her extensive writings, both on postmodernity and feminism, provide lucid and succinct analyses of the most slippery of topics -- parody, irony, aesthetics -- and do not stop there.
		What is not disputed is that her writings are always engaging, dynamic, and above all else, prolific.
		You have recently co-authored a book which examines the aesthetic and erotic representation of disease in the heroines from various operas.
	bailiwick.lib.uiowa.edu /wstudies/hutcheon.html (2001 words)

	Irony, Nostalgia, and the Postmodern, by Linda Hutcheon
		Irony, Nostalgia, and the Postmodern, by Linda Hutcheon
		Andreas Huyssen, "Mapping the Postmodern," reprinted in Joseph Natoli and Linda Hutcheon, eds., A Postmodern Reader (Albany: SUNY P, 1993), 112.
		Jean Baudrillard, "The Precession of Simulacra," in Natoli and Hutcheon 361.
	www.library.utoronto.ca /utel/criticism/hutchinp.html (6684 words)

	Style: Troping History: Modernist Residue in Fredric Jameson's Pastiche and Linda Hutcheon's Parody - Critical Essay
		(10.) Speaking of the Chicago Tribune Tower, Hutcheon notes, "The pun on newspaper columns is deliberate; the fl and white of the building are meant to suggest print lines and, of course, the Chicago Tribune is red/read all over" (Poetics 33).
		(11.) Hutcheon acknowledges the problem ("Like all parody, postmodernist architecture can certainly be [acute{e}]litist, if the codes necessary for its comprehension are not shared by both encoder and decoder") but optimistically believes that the quotations are usually "common and easily recognized" (Poetics 34).
		For McHale, the "supeiority of Jameson's readings" is a function of his dialectical method, as opposed to Hutcheon, whose reading of Ragtime is yet another instance of the way "her readings end up collapsing all her texts into the same oxymoronic structure of 'complicitous critique'" (26).
	www.findarticles.com /p/articles/mi_m2342/is_3_33/ai_62828819/pg_7 (606 words)

	notes from Linda Hutcheon The Politics of Postmodernism
		Linda Hutcheon The Politics of Postmodernism London: Routledge, 1989.
		Historians, like novelists, are said to be interested not in ''recounting the facts, but [in] recounting that they are recounting them.' (48)
		Of course, both discovery and invention would involve some recourse to artifice and imagination, but there is a significant difference in the epistemological value traditionally attached to the two acts.
	www.ualberta.ca /~jwilliam/eng478/pomo.htm (636 words)

	Le Conseil des Arts du Canada - Luc Devroye, Brian Hall, Linda Hutcheon, Margaret Lock et Nahum Sonenberg sont les ... (Site not responding. Last check: 2007-10-15)
		Luc Devroye, Brian Hall, Linda Hutcheon, Margaret Lock et Nahum Sonenberg sont les lauréats des Prix Killam 2005, d’une valeur de 100 000 $
		Mme Hutcheon a reçu d’importants prix et bourses de recherche (Woodrow Wilson, Killam [recherche et postdoctorat], Guggenheim, Rockefeller, Connaught, Conseil de recherches en sciences humaines du Canada et Northrop Frye) ainsi que de nombreux diplômes honorifiques canadiens et européens.
		En plus de ses travaux personnels, Mme Hutcheon s’est associée à de vastes projets impliquant des centaines de chercheurs universitaires et à de plus modestes entreprises en collaboration avec son conjoint, Michael Hutcheon.
	www.canadacouncil.ca /nouvelles/communiques/2005/fs127566712239373750.htm (2478 words)

	DIRECTORY - LITERATURE LINDA HUTCHEON - ARTS AND LITERATURE LINDA HUTCHEON
		»Canadian Writers: Linda Hutcheon - Biography, bibliography, and "A Crypto-Ethnic Confession", an essay by Hutcheon.
		»Theorizing Feminism and Postmodernity: A Conversation with Linda Hutcheon - By Kathleen O'Grady of Trinity College.
		Dark, brooding themes run through Circle Of Silence's music and a real power and intensity is ever-present in their live shows.
	www.themusichype.com /dir/Arts/Literature/World_Literature/Canadian/Authors/Non-fiction/Hutcheon,_Linda (224 words)

	Linda Hutcheon Non-fiction Authors Canadian World Literature Literature Arts English LoCuaL
		◈ Theorizing Feminism and Postmodernity: A Conversation with Linda Hutcheon
		Essay by Hutcheon from the Association of Departments of English Bulletin.
		Biography, bibliography, and "A Crypto-Ethnic Confession", an essay by Hutcheon.
	locual.com /D/Idioma/English/Arts/Literature/World_Literature/Canadian/Authors/Non-fiction/Hutcheon,_Linda (123 words)

	VoS - Voice of the Shuttle (Site not responding. Last check: 2007-10-15)
		Linda Hutcheon, "Irony, Nostalgia, and the Postmodern" (UTEL: U. Toronto English Library)
		Introduction to Linda Hutcheon, Module on Postmodernity - I: on postmodernity (includes link to second page on Hutcheon and parody) (Dino Felluga, Purdue U.)
		VoS is woven by Alan Liu and a development team in the U.California, Santa Barbara, English Department.
	vos.ucsb.edu /browse-netscape.asp?id=1674 (138 words)

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