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	Gladiator (Soundtrack) by Hans Zimmer and Lisa Gerrard
		Hans Zimmer and Lisa Gerrard combine their talents in producing a unique score that hints of the familiar spanning several genres and ages of music.
		Lisa Gerrard’s contributions to this score lay along the lines of the more mellow, melancholy, or even magicale as found in The Wheat, Sorrow, Reunion, Elysium.
		Lisa Gerrard performance is decidedly more upbeat and hopeful as accompanying guitars, percussions and additional vocals make this a more "celebratory" version of the memorable song.
	www.tracksounds.com /reviews/gladiator.htm (1729 words)

	Filmtracks: Gladiator (Hans Zimmer/Lisa Gerrard)
		Lisa Gerrard's role for Gladiator, meanwhile, was to capture the more ethereal moments of the film in her music.
		Gerrard's "Now We Are Free" cue, which has molded itself into somewhat of a song because of the film's popularity, receives much attention.
		Gladiator: (Hans Zimmer and Lisa Gerrard) Hans Zimmer's collaboration with Lisa Gerrard is notable for the expansion of the texture of the music which, in Zimmer's case, is normally considerably more simplified.
	www.filmtracks.com /titles/gladiator.html (2745 words)

	Lisa Gerrard Tickets - Lisa Gerrard Ticket Broker - Lisa Gerrard Concert Tickets - Cheap Lisa Gerrard Tickets
		When searching for Lisa Gerrard tickets that are right for you, keep in mind that the price listed is for 1 ticket with tax included.
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		If Lisa Gerrard show is canceled, you will have 30 days from the date the cancellation is announced to contact our office for reimbursement.
	www.vividseats.com /concerts/lisa-gerrard-tickets.html (656 words)

	Gladiator (Hans Zimmer and Lisa Gerrard) soundtrack review
		With soft strings and wordless female voice, Gerrard creates music that serves as an excellent contrast to Zimmer's synths and orchestra.
		As is the four last cues, "Am I Not Merciful?".
		"Elysium", "Honor Him" and "Now We are Free", with both the wordless vocals by Gerrard and Zimmer's lyrical and memorable themes these cues serve as a great ending to a score that unfortunately wasn't what I expected it to be, both when it comes to quality and style.
	www.scorereviews.com /reviews/review.aspx?id=145 (513 words)

	MySpace.com - Lisa Gerrard - AU - Classical / Alternative / Classical Opera and Vocal - www.myspace.com/lisagerrard
		Lisa Gerrard's Latest Blog Entry [Subscribe to this Blog]
		For the first time on CD, 4AD are to release a 'Best Of' collection of tracks covering Lisa's career.
		The collection combines Lisa's work with Brendan Perry as Dead Can Dance, her solo material and various examples of her Hollywood soundtrack work.
	www.myspace.com /lisagerrard (989 words)

	Lisa Gerrard
		Sanctuary: Lisa Gerrard (2006) (V) Ashes and Snow (2005)
		Discuss this name with other users on IMDb message board for Lisa Gerrard
		Find where Lisa Gerrard is credited alongside another name
	www.imdb.com /name/nm0314713 (382 words)

	Lisa Gerrard - Thank you for being you. ~ Search
		I do know know Lisa Gerrard, nor have I ever spoken to her, other t...
		Feel free to discuss whatever crossed your mind, preferably about Lisa Gerrard.
		If you would like your own special area here to discuss Lisa Gerrard, the Artist and Musician, please ask, and I'll s...
	lisa-gerrard.com /search.php?search_author=admin (90 words)

	Amazon.com: Gladiator: Music from the Motion Picture: Music: Hans Zimmer,Lisa Gerrard,Lisa Gerrard (Site not responding. Last check: )
		Gerrard's participation, in particular was a very pleasant addition, because it adds an ethereal element which is necessary for such concepts as Elysium (the Afterlife) and Freedom.
		Hans Zimmer and Lisa Gerrard work together (composed by and arranged by these two) in this soundtrack to bring a myriad of heart-pumping brass and percussion and ethereal ancient (or old-style) sounding music.
		I was most impressed with the four scores (The Wheat, Sorrow, Reunion and Elysium) written and sung by Gerrard, which sets the mood for the movie from the very beginning to the final scene.
	www.amazon.com /Gladiator-Picture-Various-Artists-Soundtracks/dp/B00004STPT (1573 words)

	CMT.com : Lisa Gerrard : Biography (Site not responding. Last check: )
		Gerrard began her solo career with the 1995 release The Mirror Pool, which contained a lot of work that wouldn't fit comfortably into the DCD oeuvre.
		Gerrard released her second album, Duality, written and performed with Pieter Bourke, in the spring of 1998.
		Gerrard composed the score for director Niki Caro's Whale Rider in 2003, followed by Immortal Memory, a collaboration with Irish composer Patrick Cassidy in 2004.
	www.cmt.com /artists/az/gerrard_lisa/bio.jhtml (207 words)

	In Music We Trust - Lisa Gerrard: Whale Rider original soundtrack
		In all likelihood, Lisa Gerrard has never swam along with a pod of whales, listening to their "songs." However, one wouldn't know that after listening to her soundtrack for the film Whale Rider.
		Gerrard, who gained universal acclaim and an adoring cult following as the fairer half of Dead Can Dance for two decades, has since released her own, more lofty albums and done a considerable amount of work for films.
		Fans of Gerrard's otherworldly, spiritual singing will likely be disappointed with Whale Rider, considering there is very little singing going on, but those who can appreciate her subtle soundscapes will likely find this ethereal body of work to hold lasting charms.
	www.inmusicwetrust.com /articles/61r39.html (176 words)

	Lisa Gerrard - Music Downloads - Online
		Gerrard began her solo career with the 1995 release The Mirror Pool, which contained a lot of work that wouldn't fit comfortably into the DCD oeuvre.
		Gerrard released her second album, Duality, written and performed with Pieter Bourke, in the spring of 1998.
		Gerrard composed the score for director Niki Caro's Whale Rider in 2003, followed by Immortal Memory, a collaboration with Irish composer Patrick Cassidy in 2004.
	musicstore.connect.com /artist/780/Lisa-Gerrard/15133387.html (168 words)

	The Ectophiles' Guide to Good Music - Lisa Gerrard (Site not responding. Last check: )
		Lisa Gerrard's performances grate on me. I don't care how technically well she can sing, there doesn't seem to be a feeling human being attached to that voice except in terms of pretentiousness and taking herself far too seriously.
		Lisa is perfectly competent by herself, though, and her compositions are marvelous.
		Lisa Gerrard is my real attraction to Dead Can Dance, and her solo album, The Mirror Pool, is excellent and a must-have for all Dead Can Dance fans.
	ectoguide.org /commentator/neal/gerrard.lisa&p=2 (1828 words)

	Beggars Group, USA
		The extraordinary mosaic of musical influences is perhaps less surprising in the light of Lisa’s childhood in Melbourne, where she recalls Greek, Turkish and Irish melodies “oozing into the streets” of her neighbourhood.
		Lisa received Golden Globe nominations for Insider and Ali, Grammy and Oscar nominations and a Golden Globe award for the score of Gladiator and four international awards for Whale Rider.
		With Lisa singing in both ancient Gaelic and Aramaic - and sometimes without words at all - it’s a timeless record that takes the listener on a memorable journey as the ten tracks trace a cycle of life and death and rebirth that touches on the mystery of existence itself.
	www.beggars.com /us/lisagerrard (1558 words)

	Dancing Alone: Lisa Gerrard talks about her new album (Site not responding. Last check: )
		Gerrard has released her first solo effort, The Mirror Pool, and is touring alone for the first time.
		Gerrard has taken the Dead Can Dance musicians in tow for her live tour, which will include a stop in Meany Hall this Sunday.
		Dead Can Dance and Lisa Gerrard are among a very few popular artists that have successfully - sensitively - incorporated the broadest swaths of musical history with their own style.
	archives.thedaily.washington.edu /1995/101995/gerrard.html (1039 words)

	Amazon.ca: Immortal Memory: Music: Lisa Gerrard (Site not responding. Last check: )
		Lisa Gerrard's Immortal Memory looks, and feels, like albums released by 4AD used to in the glory years defined by Cocteau Twins and This Mortal Coil; Gerrard, of course, was half of another definitive 4AD group, Dead Can Dance.
		Lisa's voice has always had an otherworldly quality to it, whether she's singing in a "real" language or in her own private glossiola.
		While it would be fair to say that Lisa Gerrard's eagerly-awaited new album is closer in form and tone to her film soundtracks than to her previous solo efforts, that is not in itself a criticism.
	www.amazon.ca /Immortal-Memory-Lisa-Gerrard/dp/B0000D1C6T (1806 words)

	Amazon.ca: Reviews for Duality: Music: Lisa Gerrard & Pieter Bourke (Site not responding. Last check: )
		For those who found the voice of Lisa Gerrard in the movie Gladiator a memorable experience, this CD of that lady and her partner Pieter Bourke will be a definite treat.
		Hyped as Lisa Gerrard's "second solo album" (giving short shrift to Pieter Bourke), DUALITY shows the chanteuse formerly of Dead Can Dance and her percussionist collaborator entering a musical realm that resembles her latter work with DCD but which gets increasingly dull.
		Lisa Gerrard is by no means a bad musician, but her music is best when she is performing with someone who will even out her loopy tendencies.
	www.amazon.ca /Duality-Lisa-Gerrard-Pieter-Bourke/dp/customer-reviews/B0000062VG (1540 words)

	Lisa Gerrard brings a worldwide range to her new release - The Boston Globe
		Lisa Gerrard brings a worldwide range to her new release
		Gerrard's voice is otherworldly, and she often sings in unfamiliar languages -- some indigenous, some antiquated, some invented.
		Gerrard spent long hours learning the phonetics of Gaelic -- in which she sings the first words, according to legend, uttered by a mortal in Ireland -- and Aramaic, so that she might perform the Lord's Prayer in the language Jesus spoke.
	www.boston.com /news/globe/living/articles/2004/01/16/lisa_gerrard_brings_a_worldwide_range_to_her_new_release (772 words)

	Lisa Gerrard & Patrick Cassidy - Immortal Memory - 4AD - CD
		Although vocalist Lisa Gerrard has been quite busy with soundtrack contributions such as Whale Rider and Gladiator as well as other, less noticeable issues, she still manages to put out unmatched releases.
		Gerrard's latest album is a collaboration with Patrick Cassidy who has worked with Lisa Gerrard in the past (Gladiator soundtrack).
		With the ability of Gerrard to sing in multiple languages including Gaelic and ancient Aramaic, the credibility of this batch of songs rise above that of mere cover.
	www.musictap.net /Reviews/GerrardCassidyImmortalMemoryCD.html (333 words)

	Lisa Gerrard: Immortal Memory [with Patrick Cassidy]: Pitchfork Record Review (Site not responding. Last check: )
		As Gerrard and Brendan Perry became more accomplished over time and more deeply immersed themselves in the possibilities of ancient music, they left behind any semblance of "rock." Eventually, film soundtracks seemed a logical next step.
		Gerrard has scored some good ones since the duo split in 1998 (The Insider comes immediately to mind), in addition to continuing with her solo and collaborative work.
		Of course, the power of Immortal Memory ultimately comes from Gerrard's voice, and here, she is like five great singers rolled into one, shaping her tone and elocution to fit seamlessly with the mood and style of each individual piece.
	www.pitchforkmedia.com /article/record_review/18067/Lisa_Gerrard_Immortal_Memory_with_Patrick_Cassidy (585 words)

	Lisa Gerrard Bio - Lisa Gerrard Biography - Lisa Gerrard Stories
		Singer, composer and actress in El Nino de la Luna (a film which, of course, she also scored), Lisa brings a vision that is both precise and all-embracing to everything she does.
		With Lisa's otherworldly voice counterpoised by Brendon's mellifluous tones, from the outset, they thought nothing of setting discordant electric guitars and dark, rolling bass lines against cellos, trombones and timpani.
		Lisa Gerrard has composed and produced music for numerous films and television shows over the past 20-plus years.
	www.tv.com /lisa-gerrard/person/233169/biography.html (626 words)

	Lisa Gerrard Duality CD
		Dead Can Dance singer Lisa Gerrard teams up with percussionist Pieter Bourke on this experiment in musical "fusion cooking." In fact, the selections on DUALITY exemplify the belief that, in the end, all musical styles are related.
		Gerrard's voice is heard on DUALITY in a number of contexts.
		Lisa Gerrard has one of the most amazing voices and styles that I've ever heard.
	www.cduniverse.com /search/xx/music/pid/1102009/a/Duality.htm (463 words)

	Echoes On-Line: Lisa Gerrard
		Lisa Gerrard and her Dead Can Dance partner, Brendan Perry, filtered sounds and spirits from the ancient past and merged them into a ritualistic music.
		Lisa Gerrard's immaculate voice intones words of a language of the imagination while Perry surrounds her with atmospheres and rhythms that propel the music forward.
		Gerrard and her partner, Pieter Bourke talk about the psychology of their soundtrack.
	www.echoes.org /onlinegerrard.html (426 words)

	Official Ticketmaster site. Lisa Gerrard tickets, dates
		Lisa is world renowned for the extraordinary Dead Can Dance collaboration with Brendan Perry - a musical partnership that generated 9 albums - through to her solo recordings; The Mirror Pool and the current The Silver Tree as well as her other collaborative recordings; Duality with Pieter Bourke and Immortal Memory with Patrick Cassidy.
		Lisa Gerrard's music compositions, recordings and performances have enthralled and inspired an international listening and viewing audience for over two decades.
		Lisa Gerrard is also the subject of ‘Sanctuary; Lisa Gerrard' - an emblematic documentary especially created with and for her by UK based film director/producer Clive Collier.
	www.ticketmaster.com.au /artist/768980?brand=none (592 words)

	Amazon.co.uk: Sanctuary - Lisa Gerrard [2006]: DVD (Site not responding. Last check: )
		The visual effects and editing are first class and at times aide in the mystique of Lisa Gerrard and her voice.
		Lisa Gerrard's wonderful world of music, composition and even better...her persona, her values and the special way of her creativity with the results that touches people all over the world to the core of their souls.
		Gerrard by people that have and are working with her.
	www.amazon.co.uk /Sanctuary-Lisa-Gerrard/dp/B000IAZ2LO (1491 words)

	4AD - Lisa Gerrard - Releases
		Gerrard's album is a bewitching collaboration with the award-winning composer Patrick Cassidy and is a transcendent, hymnal collection of music which draws on a global variety of musical influences, literary inspirations and mythical traditions.
		Mixing traditional Maori instruments and vocals with more conventional orchestral strings, Gerrard has created the perfect soundtrack to accompany this acclaimed contemporary story of love, rejection and triumph as a young girl fights to fulfill her destiny.
		Lisa Gerrard was so indelibly and obviously a part of what made Dead Can Dance what it is, that it's little wonder her debut feels essentially like a continuation of that band's haunting, vast atmospheres and when it comes to singing she again is without peer.
	4ad.com /lisagerrard/releases (177 words)

	Lisa Gerrard: The Color of Sound
		Since then, Gerrard has imported her unique musical sensibilities into an arena dominated by symphonic and rock sounds, while retaining her idealism and artistic identity in the face of Tinseltown orthodoxy.
		Gerrard says that for Whale Rider, she has used “very low, very dark shell flutes” that are common to the Maori people.
		Despite the fact that Gerrard found some frustration working on bigger films, she is very appreciative of the directors, particularly Mann.
	bg.mixonline.com /ar/audio_lisa_gerrard_color (1423 words)

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