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Topic: Lisson Gallery

	Art Critic London (Site not responding. Last check: 2007-10-13)
		This turned out to be the perfect frame of mind in which to approach the first one-man show at the Lisson Gallery of the young British artist Simon Patterson.
		His art is cerebral and witty and he has used the spaces at the Lisson so cleverly that a visit to the show lifts the spirits and delights the eye.
		Painted on to the gallery wall near each kite is the name of an historical figure who both literally and metaphorically flew a kite, from Benjamin Franklin to Marconi (who used one as an aerial for his wireless).
	www.theartnewspaper.com /artcritic/level1/reviewarchive/1996/apr_4_1996_main.html (887 words)

	BBC NEWS \| Entertainment \| Arts \| Gallery guests become exhibit
		Dozens of art fans were furious when they turned up to a gallery to find it locked and encased in corrugated iron.
		The "exhibition" was held at a new branch of the Lisson Gallery in London.
		Gallery director Nicholas Logsdail said he had a mixed reaction from guests, some of whom were angry at being locked out.
	news.bbc.co.uk /1/hi/entertainment/arts/2251656.stm (414 words)

	ARCH'IT files / Tony Fretton interview
		In some of the collective spaces of your buildings and projects (we think of the Lisson Gallery 2, the Hotel ProForma lobby and the courtyard in the Laban Dance Center) there are many 'open’ thresholds and no ultimate boundaries.
		Galleries have had their own intentional language of neutrality for the last 35 years let's say, and that they are always restlessly trying to change.
		Visitors came into the gallery through a door of etched glass that reduced but did not cut off the view of the street.
	architettura.supereva.com /files/20030703/index_en.htm (1511 words)

	Tony Fretton Architects (Site not responding. Last check: 2007-10-13)
		The Lisson Gallery has established itself as one of the principal private galleries in Britain.
		The buildings we made for the Gallery in 1986 and 1992 are internationally recognised by curators, artists and the public for their architecture and quality of their art spaces.
		The first project transformed a relatively modest existing building on Lisson Street by opening up a series of larger gallery spaces to accommodate the museum-scaled pieces that the Gallery's artists had begun to produce.
	www.tonyfretton.co.uk /lisson.htm (222 words)

	Lisson Gallery Page 6 (Site not responding. Last check: 2007-10-13)
		Signa Internet Strategies is currently undertaking a long term development strategy for the Lisson Gallery based on the preliminary infrastructure upgrade, staff training and web development.
		We will be assisting in the major re-branding of Lisson Gallery in the autumn of 2001 to tie in with the gallery's expansion plans.
		Also, Signa has undertaken the recruitment of a full time IT administrator and registrar on behalf of the gallery, to maintain the infrastructure development.
	www.signa.co.uk /case/lisson6.htm (82 words)

	Art Critic London (Site not responding. Last check: 2007-10-13)
		V ery few art galleries have a track record which would enable them to show half a dozen Turner prize-winners alongside a younger generation of artists who have yet to make their names.
		But in the 1980s the Lisson Gallery was the place to see new work by sculptors such as Tony Cragg, Anish Kapoor and Richard Deacon, while in the 1990s it has been showing conceptual artists such as Douglas Gordon, Ceal Floyer and Simon Patterson.
		But over the years I've come to see these messages as part of a single, seamless project in which the artist has attempted the impossible: to live each day, hour, and minute of his life fully conscious of his own mortality and therefore of the preciousness of the time remaining to him.
	www.theartnewspaper.com /artcritic/level1/reviewarchive/1998/aug_19_1998_main.html (712 words)

	England and Co Contemporary Art Gallery, Westbourne Grove, Notting Hill, London W11 Exhibitions
		Her reputation as 'an innovator in non-figurative art' had been noted by the critic William Lipke in 1965, and her series of thread and wire constructions, the Lines in Space that she began in 1935, had already been acknowledged as 'a completely original and independent conception'.
		He exhibited rarely and the last significant exhibition in his lifetime was at the Lisson Gallery in 1970.
		Gallery director Jane England also curates retrospective exhibitions re-appraising art and artists from the avant-garde of the 1930s through to the 1970s.
	www.westbourne-grove.com /englandarchive.html (4129 words)

	Guardian Unlimited \| Arts features \| Santiago Sierra, Lisson gallery, London NW1
		The gallery assistant with the gun reaches for a fresh canister.
		The gallery looks like someone's studio, abandoned in the middle of things, with boxes of materials and grubby heaps of protective clothing, grey paper tacked to the floor and around the walls, and somewhere a neat pile of folded blankets.
		In the end, we must attend to what is there, to the painful evidence of the work, its impotence and emptiness and violence, and a kind of shame.
	www.guardian.co.uk /arts/features/story/0,11710,1260090,00.html (1444 words)

	BBC News \| ARTS \| Pop goes the Portrait Gallery (Site not responding. Last check: 2007-10-13)
		The gallery has unveiled Julian Opie's portraits of pop group Blur as well as self-portraits by two of Britain's most important female artists, Tracey Emin and Sarah Lucas.
		Much of Tracey Emin's work is based on images of herself and her portrait is a stark image of herself crouched on the floor in the nude.
		Charles Saumarez Smith, director of the National Portrait Gallery, said: "During the past year the trustees of the National Portrait Gallery have made good the lack of any systematic coverage of the [Young British Artists] YBA movement in British art by making a small number of strategic acquisitions.
	news.bbc.co.uk /hi/english/entertainment/arts/newsid_1527000/1527587.stm (316 words)

	For Art
		It became obvious from such solo shows in London as those at the Institute of Contemporary Arts in 1985 and at the Lisson Gallery in 1983 and 1985 that an articulate, humorous and accessible artist had arrived.
		Opie's most recent exhibition in London, Imagine you are Driving (June-July 1996, Lisson Gallery), a dense installation of objects, painting and video, continued to examine life as a 'forest of signs' from the 'no-place' security of a car.
		We were bidden to pass office buildings, a castle, to drive through a wood, see hills in the distance, the car itself, central to each section of the exhibition, becoming the lens through which we viewed such 'reality'.
	www.forart.no /shone/shone.html (2664 words)

	Rodney Graham Intrigues At Whitechapel Art Gallery - 24 Hour Museum - official guide to UK museums, galleries, ...
		The Whitechapel Art Gallery in London is hosting a retrospective of Canadian artist, Rodney Graham until 17 November 2002.
		Occupying the upper and lower galleries, the cinema and even the stairs, the exhibition takes in the whole range of the Vancouver based artist and is his first sizeable retrospective in Europe.
		Wandering through the gallery it is easy to become ensnared in any one of Graham's concepts and fabrications.
	www.24hourmuseum.org.uk /exh_gfx_en/ART13957.html (791 words)

	artshole.co.uk Specialising in Student and independent Artists
		The gallery was founded in February 1996 by Laurent Delaye in a four storey warehouse space in St. Christopher's Place, London W1.
		Peter Nahum At The Leicester Galleries specialises in 19th and 20th century paintings, drawings and sculpture; in particular quality Victorian paintings, the Pre-Raphaelites, The Liverpool and Birmingham Schools including artists working in egg tempera, the New Sculpture and the European Symbolists.
		The Lisson gallery has grown along with the careers of many of its earlier artists to become one of the world's leading galleries for British and International contemporary art.
	www.artshole.co.uk /links/galleries_L.htm (781 words)

	frieze (Site not responding. Last check: 2007-10-13)
		His latest exhibition at Lisson, ‘God is Great and Belief Systems as Such’, presented works selected from a 15-year period, a number of which aimed to combine the sacred texts of the world’s three great monotheistic religions — the Torah, the New Testament and the Qur’an.
		The first indication of any unification in the gallery was provided by a self-titled vinyl text work, God is Great (2005), situated in the window and written in the languages of Hebrew, English and Arabic.
		God is Great (#2) (1991) was also positioned on the ground floor, and consisted of an eight-foot tall sheet of glass penetrated yet stabilized at the bottom by five large bound volumes of The Times.
	www.frieze.com /review_single.asp?r=2139 (773 words)

	Tony Oursler, Blue Transmission
		Tony Oursler, Blue Transmission 953501534 952729200 London Gran Bretagna Lisson Gallery http://www.lisson.co.uk/ 956267999 Lisson Gallery The Lisson Gallery is pleased to announce an exhibition of new works by Tony Oursler, Blue Transmission.
		Tony Oursler, Blue Transmission The Lisson Gallery is pleased to announce an exhibition of new works by Tony Oursler, Blue Transmission.
		His work is included in many permanent collections, including the Tate Gallery and the Saatchi Gallery in London, The Centre Georges Pompidou in Paris, the Whitney Museum of American Art and the Museum of Modern Art in New York, the Museum of Contemporary Art in Chicago and the Depont Foundation for Contemporary Art in Tilburg.
	www.undo.net /artinpress/952729200.953501534.html (487 words)

	www.likeyou.com - Julian Opie - Sara, Bryan & Monique - Lisson Gallery, GB-London (Site not responding. Last check: 2007-10-13)
		Lisson Gallery is pleased to announce an exhibition of new work by Julian Opie.
		This will be his seventh solo exhibition at Lisson, the first since 2001.
		An outdoor installation for the Public Art Fund, on Broadway, NYC is scheduled for September 2004 and the Boston I.C.A City Project for 2005.
	www.likeyou.com /art/julian_opie_lisson_04.htm (593 words)

	UMass Amherst Fine Arts Center - University Gallery
		The University Gallery is currently hiring motivated and enthusiastic students for positions as gallery attendants and more.
		The University Gallery is happy to announce that the exhibition The Intimate Expanse: Recent Works of Alumni of the Department of Landscape Architecture and Regional Planning has won an award from the Boston Society of Landscape Architects.
		The University Gallery is located on the lower level of the Fine Arts Center.
	www.umass.edu /fac/universitygallery (184 words)

	Tate \| News
		The Tate Gallery today announced the four artists who have been shortlisted for the 1999 Turner Prize, supported by Channel 4 since 1991.
		Jane and Louise Wilson for their exhibition Gamma at the Lisson Gallery which revealed the wit, intelligence and drama of their work in video, sculpture and photography.
		The Prize was established in 1984 by the Tate Galleryís Patrons of New Art and is intended to promote public discussion of new developments in contemporary British art.
	www.tate.org.uk /home/news/03_0699.htm (438 words)

	Archinect : Links : Lisson Gallery. British and International Contemporary Art
		Lisson Gallery was opened in 1967 by Nicholas Logsdail.
		Since then the gallery has expanded, moving into its current premises designed by Tony Fretton near Baker St in Marylebone London.
		The gallery has grown along with the careers of many of its earlier artists to become one of the world's leading galleries for contemporary art.
	www.archinect.com /links/detail.php?id=9151_0_26_0_M64 (101 words)

	Jack Goldstein exhibition
		The Luckman Gallery, located on the campus of California State University, Los Angeles, announces a solo survey exhibition of paintings by artist Jack Goldstein entitled Jack Goldstein: Paintings from the 1980s.
		Goldstein’s paintings were exhibited widely throughout the 1980s at Los Angeles galleries Rico Mizuno (1981), Larry Gagosian (1982) and Asher/Faure (1988 & 1991); and galleries in New York including Metro Pictures (1981, 1983, 1986) and John Weber (1987 & 1990).
		The Luckman Gallery is located on the campus of Cal State L.A. at the intersection of the #10 and #710 freeways.
	www.calstatela.edu /univ/ppa/newsrel/jgoldstein.htm (742 words)

	Exhibition: November 2001 - January 2002
		The desire to mount this exhibition was kindled when I attended the opening of Margaret’s Cornucopia show at the Russell-Cotes Art Gallery and Museum in Bournemouth in July 1996.
		It was a couple of years before I was to open Gallery 286, but I was determined that the work should be seen by a London audience at some time in the not too distant future.
		Web is a large stereo painting installed on all three walls of the upstairs gallery, part of which was first shown at the Lisson Gallery London in 1970.
	www.holonet.khm.de /jross/gallery/nov2001/nov2001.html (753 words)

	MODERN ART: “Anything goes”: gallery - 9 September, 2000
		One of Australia’s leading portrait artists, Paul Fitzgerald, described to News Weekly how symptomatic the Lisson Gallery’s exhibition is of much of modern art.
		“The Lisson Gallery chairman’s definition of art was identical with that of the spokesman for the Tate Gallery, Simon Wilson, when he was challenged over declaring a dilapidated ice cream cart a fine work of art.
		Mr Fitzgerald said that when we link this Lisson Gallery exhibition with the gargantuan prices being paid for canvases covered with one flat colour and the degenerate works of Serrano (that were to be exhibited at National Gallery of Victoria) you cannot help reflecting on the prophetic words of Alexander Sozhensitsyn:
	www.newsweekly.com.au /articles/2000sep9_art.html (694 words)

	Julian Opie (Site not responding. Last check: 2007-10-13)
		He has continued to develop his disctinctive language of discipline and formal consistency which is employed in his current portrait and landscape work.
		In his most recent show at Lisson Gallery, Opie presented a body of work which extends his language of portraiture by devoting one room to each of three subjects: Sara, a professional model; Monique, a Swiss collector; and Bryan, a well-known rockstar.
		Past and forthcoming projects include: Visual Arts at Sadlers Wells, London, 2003; General Assembly curated installation for Selfridges, Manchester, 2003and an outdoor installation for the Public Art Fund, City Hall Park, NYC is open until October 2005.
	www.lisson.co.uk /theArtists/Opie/julianopie.html (272 words)

	Julian Opie at Lisson Gallery, Michael Landy at C&A (Site not responding. Last check: 2007-10-13)
		MICHAEL LANDY at CandA, is an artist of the same generation, who has chosen to go beyond signification to termination, the final destruction of his own work.
		It was possible to go straight from Opie’s show at the Lisson Gallery (careful crossing the Euston Road) and so down to Oxford Street, to observe Landy liquidating his total personal possessions, through his SAAB, his knick knacks, personalia, the shirt off his back, down to his underpants.
		This is a day by day process, shortly and inevitable to run to a close – so it would be logical to shred these too on the last day, rather than keep laundering on.
	www.studio-international.co.uk /capsules/opie_landy_1803.htm (312 words)

	Rodney Graham: A Little Thought - Art Gallery of Ontario - Absolutearts.com
		This major exhibition of Canadian artist Rodney The Art Gallery of Ontario is proud to present the exhibition Rodney Graham: A Little Thought from March 31 to June 27, 2004.
		This first major North American tour of works by Rodney Graham is jointly organized by the Art Gallery of Ontario, The Museum of Contemporary Art, Los Angeles, and the Vancouver Art Gallery.
		In his latest installation Rheinmetall/Victoria 8 (2003), the star of the silent film is a 1930s typewriter projected on the wall by a huge 1960s 35 mm projector.
	www.absolutearts.com /artsnews/2004/03/31/31925.html (796 words)

	[No title] (Site not responding. Last check: 2007-10-13)
		Entering into small gallery space with the four steps down.
		First floor has reception, bookshop, toilet and one gallery space.
		Ground floor all gallery spaces, one of which has four steps (no highlights or handrails) up to small gallery space with Lisson Street entrance.
	www.artslineonline.com /venues/venue0502.txt (381 words)

	Whitechapel Art Gallery, London
		Inspired by his interest in cyclical narratives, Sigmund Freud and the unconscious, the works in the exhibition are loosely grouped into five sections and trace a psychological journey beginning with sleep and entry into a dream-like world.
		The Whitechapel gratefully acknowledges the Circle of Friends including 303 Gallery, Donald Young Gallery, Lisson Gallery, La Colleccion Jumex, Philip Nelson and Sylvie Winckler.
		This exhibition is co-produced by the Whitechapel Art Gallery, K21 Kunstsammlung im Ständehaus, Düsseldorf and Ville de Marseille/mac, galeries contemporaines des Musées de Marseille.
	www.whitechapel.org /content460.html (511 words)

	indielondon.co.uk - events - The Distance Between You and Me, Lisson Gallery
		THE Lisson Gallery in London is currently presenting an exciting group exhibition, taking place in both gallery spaces, showing three generations of artists exploring the idea of conceptual art within an emotional context.
		The exhibition is focussed on artists that use the supposedly 'dry' and intellectual strategies of conceptual art established in the 1960's, to trigger poetic leaps of faith and fuel the imagination.
		The gallery is less than a minute walk from both Edgware Road and Marylebone Tube stations.
	www.indielondon.co.uk /events/out_lisson_distancebetween.html (417 words)

	Anthony Wilkinson Gallery (Site not responding. Last check: 2007-10-13)
		In this piece, recorded at the Lisson Gallery, Graham explores the possibility of psychologically restructuring time and space.
		Graham writes, 'Two people who know each other are in the same space.
		One person’s behavior reciprocally reflects/depends upon the other’s so that each one’s information is seen as a reflection of the effect that their own just-past behavior has had in reversed tense, as perceived from the other’s view of himself.'
	www.wilkinsongallery.com /videoprojectspace/graham.html (143 words)

	Nicholas Logsdale - Art Gallery Owner (Site not responding. Last check: 2007-10-13)
		Nicholas runs the Lisson Gallery in central London.
		This photograph was taken at the Lisson when the premises had been extended.
		There was little to photograph so I decided to use the builders' ladder as a prop.
	www.poptel.org.uk /chris/Pages/log-n.html (37 words)

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